91
Schmidt, art. cit., págs. 139-39.
92
Casalduero, Vida y obra de Galdós, p. 108.
93
Livingstone, art. cit., p. 93.
94
Grossvogel, art. cit., p. 53.
95
«Tristana, de Galdós a Buñuel», Actas del I Congreso Internacional de Estudios Galdosianos (Las Palmas de Gran Canaria, 1977), pp. 319-329.
96
Benito Pérez Galdós, Tristana (Madrid: Alfaguara, 1969), p. 7. All documentation from the novel comes from this edition and will be cited parenthetically in the text.
97
Joaquín Gimeno Casalduero, «La caracterización plástica del personaje en la obra de Pérez Galdós: del tipo al individuo», Anales Galdosianos, VII (1972), 24, núm. 9.
98
Armand E. Singer's monumental bibliographies of the universal Don Juan myth and its versions include hundreds of Spanish references but none to Pérez Galdós: «The Don Juan Theme: Versions and Criticism; a Bibliography», West Virginia Univ. Bulletin, ser. 66, núm. 64 (1965). Galdós' version is ignored also by Leo Weinstein in The Metamorphoses of Don Juan (Stanford: Stanford Univ. Press, 1959), and in all other Don Juan bibliographies known to this writer.
99
Grossvogel, art. cit., p. 56.
100
«Galdós y el vocabulario de los amantes», Anales Galdosianos, I (1966), 85-99.