1
Julio Rodríguez Luis makes this explicit, noting that «el apellido Campuzano empieza con el mismo signo y tiene igual número de letras que el de Cervantes». Novedad y ejemplo de las «Novelas» de Cervantes, v. 2 (Madrid: José Porrúa Turanzas, 1980), 53, n. 11.
2
Eugenio Asensio laid out the grounds for this identification only to reject it. Eugenio Asensio, prologue to his edition of Cervantes, Entremeses (Madrid: Castalia, 1970), 32-33. Francisco Márquez Villanueva has no difficulty with the autobiographical reference. In fact, he draws attention to it. See «Tradición y actualidad literaria en La guarda cuidadosa», in his Fuentes literarias cervantinas (Madrid: Gredos, 1973), 95-108. Mary Gaylord has also written about this: «La poesía y los poetas en los entremeses de Cervantes», ACerv 20 (1982), but her observations have more to do with poetry (verse as opposed to prose) and literary theory than with the evocation of a «portrait of the artist».
3
See Otis H. Green, «El Licenciado Vidriera: Its Relation to the Viaje del Parnaso and the Examen de ingenios of Huarte», in A. S. Crisafulli, ed., Linguistic and Literary Studies in Honor of Helmut A. Hatzfeld (Washington D. C., 1964), 213-220.
4
Mary Gaylord has dealt with poets in La Galatea in «The Language of Limits and the Limits of Language. The Crisis of Poetry in La Galatea», MLN 97 (1982), 254-271, but not in this precise context. More to the point is Leslie Deutsch Johnson, «Three Who Made a Revolution: Cervantes, Galatea and Caliope», Hispanófila, no. 57 (1976): 23-33.
5
Maurice Molho, ed., El casamiento engañoso y coloquio de los perros / Le mariage trompeur et colloque des chiens (Paris: Aubier-Flammarion, 1970), «Remarques», pp. 71-72; 75-78.
6
L. J. Woodward, «El casamiento engañoso y el coloquio de los perros», BHS, 36 (1959): 80.
7
Alban Forcione claims, however, that La Gitanilla and Pedro de Urdemalas «present the full biography, the apprenticeship and triumph, of the Cervantine figure of the poet». Alban Forcione, Cervantes, Aristotle, and the Persiles (Princeton: Princeton UP, 1970), 306. Lesley Lipson has recently challenged Forcione's categories in «La palabra hecha nada: mendacious discourse in La Gitanilla», Cervantes 9.1 (1989): 35-53.
8
Alban Forcione, Cervantes and the Mystery of Lawlessness (Princeton: Princeton UP, 1984).
9
María Antonia Garcés, «Berganza and the Abject: the Desecration of the Mother». A paper presented at MLA, Washington D. C., December 1989.
10
I have found the following particularly useful: Gerda Lerner, The Creation of Patriarchy (New York: Oxford UP, 1986); Merlin Stone, When God Was a Woman (New York: Harcourt, Brace, Jovanovich, 1976); Barbara G. Walker, The Crone. Woman of Age, Wisdom and Power (New York: Harper and Row, 1985).