31
Ibíd., p. 84.
32
Ibíd., p. 37.
33
Ibíd., p. 109.
34
Escribe el
narrador que Tristana iba «con la
sinceridad siempre por delante, como la primera y más
visible de sus infinitas gracias»
(Ibíd., p.
88).
35
Ibíd., p.
76. En palabras de L. P. Condé, «it is clear that
Galdós was concerned about the role of women in society
throughout his career, and particularly concerned about the
extremely limited education afforded to
them»
(op. cit., p. 18).
36
Galdós, op. cit., p. 94.
37
«Her voice becomes increasingly dominant as her
letters take over the central part of the novel»
(Condé, op. cit., p. 61).
38
Galdós, op. cit., p. 107.
39
Ibíd., p. 157.
40
Ibíd., p. 171.