171
Anne Bedford Ulanov, The Feminine in Jungian Psychology and Christian Theology (Evanston: Northwestern University Press, 1971), p. 242.
172
Ibid., p. 246.
173
Ibid., p. 255.
174
M.-L. von Franz, op. cit., p. 184.
175
Ulanov, op. cit., p. 184.
176
Harding, op. cit., p. 68.
177
M.-L. von Franz explains that in this negative form, «the animus personifies all those semi-conscious, cold, destructive reflections that invade a woman in the small hours, especially when she has failed to realize some obligations of feeling... A strange passivity and paralysis of all feeling, or a deep insecurity that can lead almost to a sense of nullity, may sometimes be the result of an unconscious animus opinion. In the depths of the woman's being, the animus whispers: 'You are hopeless. What's the use of trying? There is no point in doing anything. Life will never change for the better.'» op. cit., p. 191.
178
Anales galdosianos, I (1966), 85-100. Reprinted subsequently in his book, Forma literaria y sensibilidad social, Madrid, 1967.
179
A few articles relating the novel to the film are: José Manuel Ibarrola, «Don Benito Pérez Galdós y el cine», Cuadernos Hispanoamericanos, N.º 250-52, 650-55; Alberto Omar, «Tristana de Galdós, Tristana de Buñuel», Camp de l'Art, N.º 7, 33-35; David Grossvogel, «Buñuel's Obsessed Camera: Tristana Dismembered», Diacritics, II, 51-56.
Among the articles relating the novel to feminism the following stand out: Emilio Miró, «Tristana o la imposibilidad de ser», Cuadernos Hispanoamericanos, N.º 250-52, 505-22; Marina Mayoral, «Tristana ¿una feminista galdosiana?» Ínsula, Nº 320-21, 28. «The Law of Nature and Women's Liberation in Tristana», Anales galdosianos, VII (1972), 93-100; Ruth A. Schmidt, «Tristana and the importance of opportunity», Anales galdosianos, IX (1974), 135-44.
180
Obras completas (Madrid: Aguilar, 1973) III, 1119. Clarín disagreed somewhat with Doña Emilia and wrote: «Tristana no ha obtenido la atención que merece por parte de la crítica...» («Tristana» in Galdós, [Madrid, 1912], pp. 251-52.) The brevity of the article that he dedicates to the novel, however, does not denote great enthusiasm.