Selecciona una palabra y presiona la tecla d para obtener su definición.
Indice


 

51

Robert Richard: Aspects de Galdós. Presses Universitaires de France, Paris 1963, p. 65.

 

52

Honoré de Balzac: Gobseck. (Scènes de la vie privée, t. III). Ed. Vve. Alexandre Houssiaux, Paris 1865, pp. 388-389.

 

53

Balzac: op. cit., p. 399.

 

54

Benito Pérez Galdós: All quotations from Galdós' works are from the Obras completas, T. IV, 5.ª edición (1964) and T. V, 3.ª edición (1961), published by Aguilar S. A. de ediciones, Madrid. After cach quotation, I shall indicate in brackets the volume -in Roman numerals- and the page- in ordinary numerals. Thus the above quotation is from: (IV, 1398).

 

55

Ricardo Gullón: Galdós, novelista moderno. Gredos, Madrid 1966, p. 141.

 

56

Carlos Clavería: «La veta fantástica de Galdós». Atlante, Vol. I, nos. 1 and 2. Canning House Publication, London 1953.

 

57

Gustavo Correa: El Simbolismo religioso en las novelas de Pérez Galdós. Gredos, Madrid 1962, p. 141.

 

58

Honoré de Balzac: op. cit., p. 389.

 

59

A) Vernon A. Chamberlin: «The 'muletilla'. An important facet of Galdós' characterization technique.» Hispanic Review, XXIX, 1961. B) H. B. Hall: «Torquemada: the man and his language.» Galdós Studies, ed. J. E. Varey. Tamesis Books Ltd., London, 1970. C) J. E. Varey: «Torquemada and 'la lógica'.» Studies in Modern Spanish Literature and Art. Ed. Nigel Glendinning. Tamesis Books Ltd., London, 1972.

 

60

See my article: «Clothes and the man: an aspect of Benito Pérez Galdós' method of literary characterization.» Bulletin of Hispanic Studies. Vol. XLIX, no. I, January, 1972. It will be recalled that Torquemada's capa similarly acquires an important religious significance in the novels.

Indice