Resultados de búsqueda (1)
Filtros aplicados:
-
Resultado número:1
Estudio crítico
- Título:
-
Vélez de Guevara as Dramatic Collaborator, with Specific Reference to "También la afrenta es veneno" (I. Vélez, II. Coello, III. Rojas Zorilla) / Ann L. Mackenzie - Registro bibliográfico
- Autor:
-
Mackenzie, Ann L.
- Portales:
-
Teatro Clásico Español
Visitar sitio web
| Francisco de Rojas Zorrilla
Visitar sitio web
| Luis Vélez de Guevara
Visitar sitio web
- Materia:
-
Teatro español Siglo 17º - Historia y crítica
- Mat. aut.:
-
Vélez de Guevara, Luis (1579-1644) -- También la afrenta es veneno
| Rojas Zorrilla, Francisco de (1607-1648) -- Crítica e interpretación
| Coello, Antonio (1611-1652) -- Crítica e interpretación
- Fragmentos
'juan luis mira' en la obra
: (20
coincidencias encontradas)
-
-
Luis Vélez de Guevara was one of the few members of the School of Lope
who remained active as a dramatist
-
not
collaborate in La Luna africana, nor in Enfermar con el remedio^ but he did
work with Vélez, and Mira
-
by the devil, an excuse for spectacular stage effects from Vélez and Rojas, and,
indeed, also from Mira
-
The irony intensifies with the appearance
of Juan Lorenzo.
-
.*-'
Now at last Juan sees the King, outside Juan's own house.
-
The King and Juan confront
Ann L.
-
In the second of her two
speeches to Juan, Leonor asserts in exalted but vigorous terms that should
Juan
-
Juan Lorenzo's reactions are to be unheroic in
the extreme.
-
Mackenzie
195
unsuspecting Juan Lorenzo.
-
However, there is neither violence nor defiance from
Coello's Juan.
-
Coello's Juan Lorenzo is a different human
being.
-
The same scene emphasizes another important quality of Juan Lorenzo.
-
Juan suspects that the
King is about to repudiate Leonor.
-
In the fsnal scene, when the King in fact orders Juan to accept Leonor in
marriage, Juan does not immediately
-
him the same callous question
which he put to Juan in the preceding act when Juan stood shocked before
-
or statue which Juan must
Ann L.
-
García Hurtado de Mendoza, marqués de Cañete,
composed in 1622 by nine playwrights, one of whom was Luis
-
Vélez de Guevara.
2
See Forrest Eugene Spencer and Rudolph Schevill, The Dramatic Works of Luis
Vélez
-
Luna africana did not really compose together, but rather one after the other: ". . . el
primero / Luis
-
de Belmonte; tras él / Luis Vélez, el afamado; / luego don Juan Vélez fue /
quien acabó la primera [
- Formatos:
-
Filtros de la búsqueda
Filtros aplicados:
-
Resultado número:1 Estudio crítico
- Título:
- Vélez de Guevara as Dramatic Collaborator, with Specific Reference to "También la afrenta es veneno" (I. Vélez, II. Coello, III. Rojas Zorilla) / Ann L. Mackenzie - Registro bibliográfico
- Autor:
- Mackenzie, Ann L.
- Portales:
- Teatro Clásico Español Visitar sitio web | Francisco de Rojas Zorrilla Visitar sitio web | Luis Vélez de Guevara Visitar sitio web
- Materia:
- Teatro español Siglo 17º - Historia y crítica
- Mat. aut.:
- Vélez de Guevara, Luis (1579-1644) -- También la afrenta es veneno | Rojas Zorrilla, Francisco de (1607-1648) -- Crítica e interpretación | Coello, Antonio (1611-1652) -- Crítica e interpretación
- Fragmentos 'juan luis mira' en la obra : (20 coincidencias encontradas)
-
- Luis Vélez de Guevara was one of the few members of the School of Lope who remained active as a dramatist
- not collaborate in La Luna africana, nor in Enfermar con el remedio^ but he did work with Vélez, and Mira
- by the devil, an excuse for spectacular stage effects from Vélez and Rojas, and, indeed, also from Mira
- The irony intensifies with the appearance of Juan Lorenzo.
- .*-' Now at last Juan sees the King, outside Juan's own house.
- The King and Juan confront Ann L.
- In the second of her two speeches to Juan, Leonor asserts in exalted but vigorous terms that should Juan
- Juan Lorenzo's reactions are to be unheroic in the extreme.
- Mackenzie 195 unsuspecting Juan Lorenzo.
- However, there is neither violence nor defiance from Coello's Juan.
- Coello's Juan Lorenzo is a different human being.
- The same scene emphasizes another important quality of Juan Lorenzo.
- Juan suspects that the King is about to repudiate Leonor.
- In the fsnal scene, when the King in fact orders Juan to accept Leonor in marriage, Juan does not immediately
- him the same callous question which he put to Juan in the preceding act when Juan stood shocked before
- or statue which Juan must Ann L.
- García Hurtado de Mendoza, marqués de Cañete, composed in 1622 by nine playwrights, one of whom was Luis
- Vélez de Guevara. 2 See Forrest Eugene Spencer and Rudolph Schevill, The Dramatic Works of Luis Vélez
- Luna africana did not really compose together, but rather one after the other: ". . . el primero / Luis
- de Belmonte; tras él / Luis Vélez, el afamado; / luego don Juan Vélez fue / quien acabó la primera [
- Formatos: