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Cantar de Mio Cid

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Bibliografía de estudios del Cantar de Mio Cid. Letra W

 A   |  B  | C  | D |  E  |  F  | G | H |  I  | J |  K | L | LL |  M |  N | O |  P |  Q  | R  | S  | T  | U |  V  | W | Y |  Z

  • WALKER, Roger M., «The role of the King and the poet’s intention in the Poema de Mio Cid», en Medieval Hispanic studies presented to Rita Hamilton, 1976, pp. 257-266.
  • —, «A possible source for the "Afrenta de Corpes" episode in the Poema de Mio Cid», The Modern Language Review, LXXII (1977), pp. 335-347.
  • —, «The Infantes de Carrión and the final duels in the Poema de Mio Cid» , La Corónica, VI:I (Otoño 1977), pp. 22-25.
  • —, y PAVLOVIC, Milija, «Jimena’s ‘vergüenças malas’ (Poema de Mio Cid, line 1596)», en Cultures in contact in medieval Spain: Historical and literary essays presented to L. P. Harvey, Londres, King’s College, 1990 (Medieval Studies, 3), pp. 205-214.
  • WALSH, John K., «Religious motifs in the early Spanish epic», Revista Hispánica Moderna, XXXVI (1970-1971), pp. 165-172.
  • —, «Epic flaw and final combat in the Poema de Mio Cid», La Corónica, V: 2 (Primavera 1977), pp. 100-109.
  • —, «Performance in the Poema de Mio Cid», Romance Philology, XLIV (1990), pp. 1-25.
  • WALTMAN, Franklin M., Concordance to «Poema de Mio Cid», Londres, The Pennsylvania State University Press, University Park, 1972.
  • —, «Formulaic expression and unity of authorship in the Poema de mio Cid», H, LVI (1973), pp. 569-578.
  • —, «Synonym choice in the Cantar de Mio Cid», H, LVII (1974), pp. 452-461.
  • —, «Parallel expressions in the Cantar de Mio Cid», Bulletin of Hispanic Studies, LV (1978), pp. 1-3.
  • —, «Formula and theme in the Cantar de Mio Cid», H, LXIII (1980), pp. 20-24.
  • WEBBER, Ruth. H., «Un aspecto estilístico del Cantar de Mio Cid», Anuario de Estudios Medievales, II (1965), pp. 485-496.
  • —, «Narrative organization of the Cantar de Mio Cid», Olifant, I (1973), pp. 21-45.
  • —, «Assonance determination in the Cantar de Mio Cid», Olifant, III (1975), pp. 57-65.
  • —, «Historicidad y tradicionalidad en el Cantar de Mio Cid» en Actas del Séptimo Congreso de la Asociación International de Hispanistas. 1980, Venecia, ed. Giuseppe Bellini, Roma, Bulzoni, 1982, vol. II, p. 581-590.
  • —, «The euphony of the Cantar de Mio Cid», en Florilegium Hispanicum: Medieval and Golden Age studies presented to Dorothy Clotelle Clarke, Madison, The Hispanic Seminary of Medieval Studies, 1983, pp. 45-60.
  • —, «Aliteración consonántica en el Cantar de Mio Cid», en Philologica Alvar, vol. III (1986), pp. 573-583.
  • —, «The Cantar de Mio Cid: Problems of interpretation», en Oral tradition in literature: Interpretation in context, ed. J. M. Foley, Columbia, University of Missouri Press, 1986, pp. 65- 88.
  • —, «Jimena's Prayer in the Cantar de Mio Cid and the French Epic Prayer», en Mishael M. Caspi, Oral Tradition and Hispanic Literature. Essays in honor of Samuel G. Armistead, New York, Garland Publishing, 1995, pp. 619–645.
  • WEINER, Jack, El «Poema de Mio Cid: el patriarca Rodrigo Díaz de Vivar trasmite sus genes, Kassel, Reichenberger, 2001 (Estudios de Literatura; 69).
  • WEST, Geoffrey, «King and vassal in History and Poetry: a contrast between the Historia Roderici and the Poema de Mio Cid», en Mio Cid Studies, 1977, pp. 195-208.
  • —, «A proposed literary context for the Count of Barcelona episode of the Cantar de Mio Cid», Bulletin of Hispanic Studies, LVIII (1981), pp. 1-12.
  • —, «Hero or saint? Hagiographic elements in the life of the Cid», Journal of Hispanic Philology, VII (1983), pp. 87-105.
  • —, «Mediaeval historiography misconstrued: The exile of the Cid, Rodrigo Diaz, and the supposed invidia of Alfonso VI», MAe, LII (1983), pp. 286-299.
  • WEST-BURDETTE, Beverly, «Gesture, concrete imagery and spatial configuration in the Cantar de Mio Cid», La Corónica, XVI: I (1987-1988), pp. 55-66.
  • WRIGHT, Roger, «The first poem on the Cid: The Carmen Campi Doctoris», Papers of the Liverpool Latin Seminar, II (1979), pp. 213-248.
  • —, Late Latin and Early Romance in Spain and Carolingian France, Cairns (ARCA Classical and Medieval Texts, Papers and Monographs, 8), Liverpool, 1982.
  • —, «Several ballads, one epic and two chronicles (1100-1250)», La Corónica, XVIII: 2 (Primavera 1990), pp. 21-37.

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