Resultados de búsqueda (8)
Filtros aplicados:
-
Resultado número:1
Estudio crítico
- Título:
-
The 'Knight of the Broken Lance' and His 'Trusty Steed': On Don Quixote and Rocinante / John T. Cull - Registro bibliográfico
- Autor:
-
Cull, John T.
- Portales:
-
Miguel de Cervantes
Visitar sitio web
| Literatura
Visitar sitio web
| Cervantes : Bulletin of the Cervantes Society of America
Visitar sitio web
- Materias:
-
Narrativa española -- Siglo 17º -- Historia y crítica | Novela española -- Siglo 17º -- Historia y crítica
- Mat. aut.:
-
Cervantes Saavedra, Miguel de, 1547-1616 -- Don Quijote de la Mancha
- Formatos:
-
-
Resultado número:2
Estudio crítico
- Título:
-
Another Look at Love in "La Galatea" / John T. Cull - Registro bibliográfico
- Autor:
-
Cull, John T.
- Portal:
-
Novela pastoril
Visitar sitio web
- Materia:
-
Novela pastoril española Historia y crítica
- Fragmentos
'cervantes' en la obra
: (42
coincidencias encontradas)
-
-
neither extreme of the love passion is an acceptable expression of the human love experience, does Cervantes
-
Yes, as we have hinted earlier, and as Casalduero has shown14, but again Cervantes is forced to violate
-
Paul, Cervantes would argue that it «is better to marry than to burn».
-
Throughout the course of the novel, Cervantes teases his readers with sexually suggestive terminology
-
There is no question but that Cervantes wrote with a particular audience in mind, and that he fully intended
-
Sorbonne, 1981), pp. 117-19; Samuel Gili Gaya, «Galatea o el perfecto y verdadero amor», in Homenaje a Cervantes
-
, (Madrid: Cuadernos de Ínsula I, 1947), pp. 99-104; Teresa Herráiz, «Dos imágenes del amor en Cervantes
-
de literatura española, 1 (1972), 109-15; Jennifer Lowe, «The Cuestión de Amor and the Structure of Cervantes
-
83, (Madrid: Consejo Superior de Investigaciones Científicas, 1972).
4
Miguel de Cervantes
-
See also Marcel Bataillon, «Cervantes et le 'mariage chretien'», Bulletin Hispanique, 49 (1947), 129-
-
More on violence can be found in Barbara Mujica, «Violence in the Pastoral Novel from Sannazaro to Cervantes
-
Quarterly, 26 (1979), 263-82; Cesáreo Bandera, Mímesis conflictiva: Ficción literaria y violencia en Cervantes
-
silence represented by a lack of a continuation of the Galatea really a crafty strategy on the part of Cervantes
-
While Cervantes always yearned for a return to the pastoral mode, he realized as an artist that it was
-
At first glance, Cervantes appears to send out contradictory signals.
-
impediments, it is in fact possible to reach a satisfactory conclusion on the view of human love that Cervantes
-
Without doubt, one of the greatest attractions that pastoral literature held for Cervantes was its inherent
-
On a stylistic level, as Hatzfeld has shown3, Cervantes masterfully pays homage to pastoral moderation
-
that the contrast between an ideal extreme and its subsequent demythification is another way in which Cervantes
-
At the same time, to draw another parallel, for Cervantes, the pastoral romance can also accommodate
-
Cervantes knew that pastoral literature by convention was the training ground on which the novice author
-
At the same time, Cervantes toys with the adage that fortune favors the bold in this same prologue.
-
Cervantes, like so many lovers, is using the maxim as a justification to embark on an adventure that
-
Now, the novel's conclusion, given Cervantes' penchant for playful ambiguity, is worded in a very revealing
-
Clearly, Cervantes is gradually showing his hand, as he sides with the moralists on this hotly debated
-
Thematically, Cervantes embraces the pastoral value of moderation of extremes most clearly in his handling
-
This remains true in spite of the fact that Cervantes is unable, or unwilling, to obey Fernando de Herrera's
-
Cervantes, faced with the same problem of maintaining reader interest throughout the vast expanses of
-
Obedient to Horace's formula of making the utile dulci, Cervantes avails himself of subdued eroticism
-
Nevertheless, Cervantes uses the pastoral, the vehicle of eroticism, only to turn the tables ultimately
-
Cervantes constantly toys with reader expectations of titillation only to undermine and indeed foil those
-
For now, suffice it to say that Cervantes accepts the golden mean proposed by classical pastoral, and
-
However, Cervantes rejects the erotic anarchy that classical pastoral embraces (in the form of homosexual
-
Cervantes does not reject leisure (and especially its extreme form, sloth) out of hand.
-
It is indeed tempting to oversimplify matters and suggest that Cervantes intended merely to depict the
-
However, a close examination of the love cases in the Galatea tends to confirm that Cervantes objects
-
And for that reason, the weight of the evidence supports the contention that Cervantes intended to contrast
-
«Love Melancholy in the Spanish Pastoral Novel», University of Illinois, 1984.
9
Cervantes
-
' rejection of the pastoral mode is studied by Joaquín Casalduero in «Cervantes rechaza la pastoril y
-
The Galatea abounds with evidence that Cervantes was at least aware of the medical pathology of the love
-
Cervantes' use of qualifying adjectives is a stylistic reflection of moderation as the only acceptable
-
Cervantes, nevertheless, was well aware that man is weak and easily tempted.
- Formatos:
-
-
Resultado número:3
Estudio crítico
- Título:
-
Further Observations on Violence in the Spanish Pastoral Novel / John T. Cull - Registro bibliográfico
- Autor:
-
Cull, John T.
- Portal:
-
Novela pastoril
Visitar sitio web
- Materia:
-
Novela pastoril española Historia y crítica
- Fragmentos
'cervantes' en la obra
: (12
coincidencias encontradas)
-
-
Avalle-Arce's study of suicide in Cervantes, «La
canción desesperada de
Grisóstomo», NRFH,
11 (1957),
-
Damiani's «Death in Cervantes'
Galatea», Cervantes, 4, no. 1 (Spring, 1984), 53-78.
-
On violence in the
works of Cervantes, see Cesáreo Bandera's Mímesis conflictiva:
ficción literaria y
-
violencia en Cervantes y
Calderón, (Madrid: Gredos, 1975).
19
Miguel de
Cervantes Saavedra, Primera
-
argued by Barbara Mujica in her
pioneering study, «Violence in the Pastoral Novel from
Sannazaro to Cervantes
-
In addition to
other attempted suicides because of scorned or unreciprocated love,
Cervantes offers the
-
But while
Cervantes preaches convincingly against the pernicious effects of
excessive passion, he is
-
Cervantes does not embrace a conception of fortune as a force that
can compel, but he does allow a forgiving
-
Haven and London: Yale
UP, 1962), p. 62; Antonio Vilanova, «El
peregrino andante en el Persiles de
Cervantes
-
orthography here and throughout.
6
Barbara Mujica,
«Violence in the Pastoral Novel from Sannazaro to
Cervantes
-
technique of
the depiction of violence in the Spanish pastoral novels takes on a
new direction with Cervantes
-
violent moment by gradually leading up to it and softening its
effectiveness with distancing devices, Cervantes
- Formatos:
-
-
Resultado número:4
Estudio crítico
- Título:
-
Androgyny in the Spanish Pastoral Novels / John T. Cull - Registro bibliográfico
- Autor:
-
Cull, John T.
- Portal:
-
Novela pastoril
Visitar sitio web
- Materia:
-
Novela pastoril española Historia y crítica
- Fragmentos
'cervantes' en la obra
: (4
coincidencias encontradas)
-
-
Beyond Fiction: The Recovery of the Feminine in the Novels of Cervantes.
-
«The Truth of the Matter: The Place of Romance in the Works of Cervantes».
-
In Romance: Generic Transformation from Chrétien de Troyes to Cervantes. Ed.
-
In Romance: Generic Transformation from Chrétien de Troyes to Cervantes. Ed.
- Formatos:
-
-
Resultado número:5
Estudio crítico
- Título:
-
Tirso, Lope, "Hereos" and the Pastoral / John T. Cull - Registro bibliográfico
- Autor:
-
Cull, John T.
- Portal:
-
Novela pastoril
Visitar sitio web
- Materia:
-
Novela pastoril española Historia y crítica
- Fragmentos
'cervantes' en la obra
: (5
coincidencias encontradas)
-
-
interesting insights.
12
See my «Another Look at Love in the Galatea», to be published in Cervantes
-
This disaster (inspired, perhaps, by the unresolved ending of Cervantes' Galatea), is thwarted by Cardenio
-
Tirso makes no attempt to veil his debt to Cervantes.
-
/ después de muerto Cervantes / la tercera parte ha hecho / de Don Quijote.
-
Tirso's solution to the problem of pastoral is, perhaps not coincidentally, the same one Cervantes arrived
- Formatos:
-
-
Resultado número:6
Estudio crítico
- Título:
-
A Seventeenth Century Version of the "Grisel y Mirabella" Story: Juan Arze Solórzeno's "Tragedias de amor" (1607) / John T. Cull - Registro bibliográfico
- Autor:
-
Cull, John T.
- Portal:
-
Novela pastoril
Visitar sitio web
- Materia:
-
Novela pastoril española Historia y crítica
- Fragmentos
'cervantes' en la obra
: (3
coincidencias encontradas)
-
-
Riley, «Don Quixote
and the Imitation of Models», BHS 31 (1954): 3-16, and
his Cervantes' Theory of the
-
Cervantes Saavedra, Miguel de. Poesías completas, I: Viaje del Parnaso y Adjunta al
Parnaso. Ed.
-
attitude towards literary mimesis
better encapsulated than in the Adjunta al Parnaso that is appended to
Cervantes
- Formatos:
-
-
Resultado número:7
Estudio crítico
- Título:
-
The Curious Reciprocity of Country and City in Some Spanish Pastoral Novels / John T. Cull - Registro bibliográfico
- Autor:
-
Cull, John T.
- Portal:
-
Novela pastoril
Visitar sitio web
- Materia:
-
Novela pastoril española Historia y crítica
- Fragmentos
'cervantes' en la obra
: (4
coincidencias encontradas)
-
-
Cervantes, of course, was an avid consumer and cultivator of the
pastoral mode.
-
(Cervantes y la
tradición literaria.
-
Shepherds at Play: Literary Conventions and Disguises in the
Pastoral Narratives of the Quijote», in Cervantes
-
violence in the
pastoral novel, see: Barbara Mujica, «Violence in the
Pastoral Novel from Sannazaro to Cervantes
- Formatos:
-
-
Resultado número:8
Estudio crítico
- Título:
-
Shepherds in the Pastoral Novel "arrebatados de un divino pero no muy poético furor" / John T. Cull - Registro bibliográfico
- Autor:
-
Cull, John T.
- Portal:
-
Novela pastoril
Visitar sitio web
- Materia:
-
Novela pastoril española Historia y crítica
- Fragmentos
'cervantes' en la obra
: (1
coincidencia encontrada)
-
- Formatos:
-
Filtros de la búsqueda
Filtros aplicados:
-
Resultado número:1 Estudio crítico
- Título:
- The 'Knight of the Broken Lance' and His 'Trusty Steed': On Don Quixote and Rocinante / John T. Cull - Registro bibliográfico
- Autor:
- Cull, John T.
- Portales:
- Miguel de Cervantes Visitar sitio web | Literatura Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Materias:
- Narrativa española -- Siglo 17º -- Historia y crítica | Novela española -- Siglo 17º -- Historia y crítica
- Mat. aut.:
- Cervantes Saavedra, Miguel de, 1547-1616 -- Don Quijote de la Mancha
- Formatos:
-
Resultado número:2 Estudio crítico
- Título:
- Another Look at Love in "La Galatea" / John T. Cull - Registro bibliográfico
- Autor:
- Cull, John T.
- Portal:
- Novela pastoril Visitar sitio web
- Materia:
- Novela pastoril española Historia y crítica
- Fragmentos 'cervantes' en la obra : (42 coincidencias encontradas)
-
- neither extreme of the love passion is an acceptable expression of the human love experience, does Cervantes
- Yes, as we have hinted earlier, and as Casalduero has shown14, but again Cervantes is forced to violate
- Paul, Cervantes would argue that it «is better to marry than to burn».
- Throughout the course of the novel, Cervantes teases his readers with sexually suggestive terminology
- There is no question but that Cervantes wrote with a particular audience in mind, and that he fully intended
- Sorbonne, 1981), pp. 117-19; Samuel Gili Gaya, «Galatea o el perfecto y verdadero amor», in Homenaje a Cervantes
- , (Madrid: Cuadernos de Ínsula I, 1947), pp. 99-104; Teresa Herráiz, «Dos imágenes del amor en Cervantes
- de literatura española, 1 (1972), 109-15; Jennifer Lowe, «The Cuestión de Amor and the Structure of Cervantes
- 83, (Madrid: Consejo Superior de Investigaciones Científicas, 1972). 4 Miguel de Cervantes
- See also Marcel Bataillon, «Cervantes et le 'mariage chretien'», Bulletin Hispanique, 49 (1947), 129-
- More on violence can be found in Barbara Mujica, «Violence in the Pastoral Novel from Sannazaro to Cervantes
- Quarterly, 26 (1979), 263-82; Cesáreo Bandera, Mímesis conflictiva: Ficción literaria y violencia en Cervantes
- silence represented by a lack of a continuation of the Galatea really a crafty strategy on the part of Cervantes
- While Cervantes always yearned for a return to the pastoral mode, he realized as an artist that it was
- At first glance, Cervantes appears to send out contradictory signals.
- impediments, it is in fact possible to reach a satisfactory conclusion on the view of human love that Cervantes
- Without doubt, one of the greatest attractions that pastoral literature held for Cervantes was its inherent
- On a stylistic level, as Hatzfeld has shown3, Cervantes masterfully pays homage to pastoral moderation
- that the contrast between an ideal extreme and its subsequent demythification is another way in which Cervantes
- At the same time, to draw another parallel, for Cervantes, the pastoral romance can also accommodate
- Cervantes knew that pastoral literature by convention was the training ground on which the novice author
- At the same time, Cervantes toys with the adage that fortune favors the bold in this same prologue.
- Cervantes, like so many lovers, is using the maxim as a justification to embark on an adventure that
- Now, the novel's conclusion, given Cervantes' penchant for playful ambiguity, is worded in a very revealing
- Clearly, Cervantes is gradually showing his hand, as he sides with the moralists on this hotly debated
- Thematically, Cervantes embraces the pastoral value of moderation of extremes most clearly in his handling
- This remains true in spite of the fact that Cervantes is unable, or unwilling, to obey Fernando de Herrera's
- Cervantes, faced with the same problem of maintaining reader interest throughout the vast expanses of
- Obedient to Horace's formula of making the utile dulci, Cervantes avails himself of subdued eroticism
- Nevertheless, Cervantes uses the pastoral, the vehicle of eroticism, only to turn the tables ultimately
- Cervantes constantly toys with reader expectations of titillation only to undermine and indeed foil those
- For now, suffice it to say that Cervantes accepts the golden mean proposed by classical pastoral, and
- However, Cervantes rejects the erotic anarchy that classical pastoral embraces (in the form of homosexual
- Cervantes does not reject leisure (and especially its extreme form, sloth) out of hand.
- It is indeed tempting to oversimplify matters and suggest that Cervantes intended merely to depict the
- However, a close examination of the love cases in the Galatea tends to confirm that Cervantes objects
- And for that reason, the weight of the evidence supports the contention that Cervantes intended to contrast
- «Love Melancholy in the Spanish Pastoral Novel», University of Illinois, 1984. 9 Cervantes
- ' rejection of the pastoral mode is studied by Joaquín Casalduero in «Cervantes rechaza la pastoril y
- The Galatea abounds with evidence that Cervantes was at least aware of the medical pathology of the love
- Cervantes' use of qualifying adjectives is a stylistic reflection of moderation as the only acceptable
- Cervantes, nevertheless, was well aware that man is weak and easily tempted.
- Formatos:
-
Resultado número:3 Estudio crítico
- Título:
- Further Observations on Violence in the Spanish Pastoral Novel / John T. Cull - Registro bibliográfico
- Autor:
- Cull, John T.
- Portal:
- Novela pastoril Visitar sitio web
- Materia:
- Novela pastoril española Historia y crítica
- Fragmentos 'cervantes' en la obra : (12 coincidencias encontradas)
-
- Avalle-Arce's study of suicide in Cervantes, «La canción desesperada de Grisóstomo», NRFH, 11 (1957),
- Damiani's «Death in Cervantes' Galatea», Cervantes, 4, no. 1 (Spring, 1984), 53-78.
- On violence in the works of Cervantes, see Cesáreo Bandera's Mímesis conflictiva: ficción literaria y
- violencia en Cervantes y Calderón, (Madrid: Gredos, 1975). 19 Miguel de Cervantes Saavedra, Primera
- argued by Barbara Mujica in her pioneering study, «Violence in the Pastoral Novel from Sannazaro to Cervantes
- In addition to other attempted suicides because of scorned or unreciprocated love, Cervantes offers the
- But while Cervantes preaches convincingly against the pernicious effects of excessive passion, he is
- Cervantes does not embrace a conception of fortune as a force that can compel, but he does allow a forgiving
- Haven and London: Yale UP, 1962), p. 62; Antonio Vilanova, «El peregrino andante en el Persiles de Cervantes
- orthography here and throughout. 6 Barbara Mujica, «Violence in the Pastoral Novel from Sannazaro to Cervantes
- technique of the depiction of violence in the Spanish pastoral novels takes on a new direction with Cervantes
- violent moment by gradually leading up to it and softening its effectiveness with distancing devices, Cervantes
- Formatos:
-
Resultado número:4 Estudio crítico
- Título:
- Androgyny in the Spanish Pastoral Novels / John T. Cull - Registro bibliográfico
- Autor:
- Cull, John T.
- Portal:
- Novela pastoril Visitar sitio web
- Materia:
- Novela pastoril española Historia y crítica
- Fragmentos 'cervantes' en la obra : (4 coincidencias encontradas)
-
- Beyond Fiction: The Recovery of the Feminine in the Novels of Cervantes.
- «The Truth of the Matter: The Place of Romance in the Works of Cervantes».
- In Romance: Generic Transformation from Chrétien de Troyes to Cervantes. Ed.
- In Romance: Generic Transformation from Chrétien de Troyes to Cervantes. Ed.
- Formatos:
-
Resultado número:5 Estudio crítico
- Título:
- Tirso, Lope, "Hereos" and the Pastoral / John T. Cull - Registro bibliográfico
- Autor:
- Cull, John T.
- Portal:
- Novela pastoril Visitar sitio web
- Materia:
- Novela pastoril española Historia y crítica
- Fragmentos 'cervantes' en la obra : (5 coincidencias encontradas)
-
- interesting insights. 12 See my «Another Look at Love in the Galatea», to be published in Cervantes
- This disaster (inspired, perhaps, by the unresolved ending of Cervantes' Galatea), is thwarted by Cardenio
- Tirso makes no attempt to veil his debt to Cervantes.
- / después de muerto Cervantes / la tercera parte ha hecho / de Don Quijote.
- Tirso's solution to the problem of pastoral is, perhaps not coincidentally, the same one Cervantes arrived
- Formatos:
-
Resultado número:6 Estudio crítico
- Título:
- A Seventeenth Century Version of the "Grisel y Mirabella" Story: Juan Arze Solórzeno's "Tragedias de amor" (1607) / John T. Cull - Registro bibliográfico
- Autor:
- Cull, John T.
- Portal:
- Novela pastoril Visitar sitio web
- Materia:
- Novela pastoril española Historia y crítica
- Fragmentos 'cervantes' en la obra : (3 coincidencias encontradas)
-
- Riley, «Don Quixote and the Imitation of Models», BHS 31 (1954): 3-16, and his Cervantes' Theory of the
- Cervantes Saavedra, Miguel de. Poesías completas, I: Viaje del Parnaso y Adjunta al Parnaso. Ed.
- attitude towards literary mimesis better encapsulated than in the Adjunta al Parnaso that is appended to Cervantes
- Formatos:
-
Resultado número:7 Estudio crítico
- Título:
- The Curious Reciprocity of Country and City in Some Spanish Pastoral Novels / John T. Cull - Registro bibliográfico
- Autor:
- Cull, John T.
- Portal:
- Novela pastoril Visitar sitio web
- Materia:
- Novela pastoril española Historia y crítica
- Fragmentos 'cervantes' en la obra : (4 coincidencias encontradas)
-
- Cervantes, of course, was an avid consumer and cultivator of the pastoral mode.
- (Cervantes y la tradición literaria.
- Shepherds at Play: Literary Conventions and Disguises in the Pastoral Narratives of the Quijote», in Cervantes
- violence in the pastoral novel, see: Barbara Mujica, «Violence in the Pastoral Novel from Sannazaro to Cervantes
- Formatos:
-
Resultado número:8 Estudio crítico
- Título:
- Shepherds in the Pastoral Novel "arrebatados de un divino pero no muy poético furor" / John T. Cull - Registro bibliográfico
- Autor:
- Cull, John T.
- Portal:
- Novela pastoril Visitar sitio web
- Materia:
- Novela pastoril española Historia y crítica
- Fragmentos 'cervantes' en la obra : (1 coincidencia encontrada)
- Formatos: