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Calderón de la Barca

  1. Biblioteca Virtual Miguel de Cervantes
  2. Calderón de la Barca
  3. Estudios
  4. Bibliografía selecta
  5. Tesis doctorales sobre Calderón de la Barca

Tesis doctorales sobre Calderón de la Barca

  • ACKER, Thomas Saunders, The Imagery of Baltasar Gracian and Pedro Calderon de la Barca as Related to the Paintings of Diego Velazquez. Temple University, 1992. Dissertation Abstracts International, 53:12, 4343.
  • ACOSTA, Sister Maria I. M., The Mythological Autos of Calderon de la Barca. University of Columbia. Dissertation Abstracts International, 1970, 30, 4417.
  • AMADEI DE PULICE, Maria Alicia, Hacia Calderón: Las bases teórico-artísticas del Teatro Barroco Español. University of California, Los Angeles, 1981. Dissertation Abstracts International 42:4, 1655.
  • ANDRIST, Debra Diane, Love, Honor, and the Male Female Relationship in Representative Authors of the Spanish «Comedia». State University of New York at Buffalo, 1986. Dissertation Abstracts International 47:2, 542.
  • APARICIO MAYDEU, Javier, Escenografía y control ideológico en la comedia hagiográfica de Calderón. Edición de «El José de las mujeres». Facultad de Filología de la Universidad de Barcelona. Curso 95/96.
  • BACALSKI, Robert R., A Critical Edition of «El jardin de Falerina» by Francisco de Rojas Zorrilla, Antonio Coello y Ochoa and Pedro Calderon de la Barca with Introduction and Notes. University of New Mexico. Dissertation Abstracts International, 1973, 33, 5712.
  • BANDLER, Jane Yankovic, Comic Mechanisms in the Cape and Sword Plays of Calderon de la Barca. Dissertation Abstracts International, 1975, 36, 2873.
  • BARRACHINA, Raymond, El libre albedrío en ocho dramas religiosos de Calderón. New York University, 1986. Dissertation Abstracts International 47:4, 1346.
  • BENEDETTI, Thomas K., The Dramatic Components of Calderon's «Comedias Mitológicas». Temple University, 1983. Dissertation Abstracts International, 44:7, 2157.
  • BERMUDEZ, Pedro P., La imaginación escénica del teatro sacramental de Calderón. University of Virginia. Dissertation Abstracts International, 1970, 31, 1260.
  • BERRIO MARTÍN, Pilar, El mito de Orfeo en el Renacimiento. Universidad Complutense de Madrid. Curso 93/94.
  • BIGELOW, Gary E., De un castigo, tres venganzas and the Relationship of Justice and Theater of Calderon: A Critical and Historical Study. University of Pittsburgh. Dissertation Abstracts International, 1974, 35, 1086.
  • BRADBURN RUSTER, Michael, The Angel or the Beast: Will and Wisdom in Spanish Renaissance Literature. University of California, Berkeley, 1995. Dissertation Abstracts International 57:3, 1131.
  • BULGER BARNETT, Kathleen D., The Discovery Space in the Comedias of Pedro Calderon de la Barca. University of Kentucky 1995. Dissertation Abstracts International, 56:5, 1808.
  • CHINCHILLA, Rosa Helena, The Evolution of Classical Myth in Spain's Golden Age (1500-1680). State University of New York at Stony Brook, 1989. Dissertation Abstracts International 50:8, 2510.
  • CHUTE, Edward Joseph, Comic Wrestling: A Comparative Analysis of the Comic Argon and Its Dramatic Idea and Form in Selected Comedies of Aristophanes, Shakespeare, Jonson, Shaw, and Calderon. Dissertation Abstracts International, 1977, 38, 1367.
  • CIENFUEGOS ANTELO, Gema, Edición anotada y estudio de dos entremeses y un baile dramático del siglo XVII: El «Entremés famoso de la melancolía', el 'Baile de la Comedia» y «El ensayo». University of Ottawa, 1996. Dissertation Abstracts International 35:5, 1163.
  • CRAVEN, Alice Mikal, Doubting Consciousness: Theories of Characterization in Calderon and Other Seventeenth Century Dramatists. New York University, 1992. Dissertation Abstracts International, 53:3, 800.
  • CUESTA, Rogelio, La figura de Cristo en los «autos sacramentales» de Calderon. Dissertation Abstracts International, 1979, 40, 2715.
  • CUMMINS, William Robert, Allegory and Language in the 'autos sacramentales' of Calderon. State University of New York at Albany, 1988. Dissertation Abstracts International, 49:6, 1470.
  • DASSBACH, Elma, Hagiographic Comedia of the Spanish Golden Age: Lope de Vega, Tirso de Molina and Calderon de la Barca. State University of New York, Binghamton, 1994. Dissertation Abstracts International, 55:12, 3860.
  • DELGADO-Sandra, La función de los pecados capitales en los autos sacramentales de Calderón de la Barca. University of Illinois at Urbana Champaign, 1993. Dissertation Abstracts International 54:5, 1820.
  • DI LORENZO, Kearon Maria Antonia, Mythological, Literary and Philosophical Perspectives on «Amado y aborrecido» by Pedro Calderon De La Barca. City University of New York, 1982. Dissertation Abstracts International 43:5, 1564.
  • DÍAZ BALSERA, Viviana, Alegoría y resistencia en tres autos de Calderón de la Barca. Yale University, 1989. Dissertation Abstracts International, 51:2, 518.
  • DIPUCCIO, Denise Marie, Communicative Structures in Calderon de la Barca's Mythological «Comedias». University of Kansas, 1982. Dissertation Abstracts International 43:8, 2691.
  • DONNELL, Sidney, E., Clothes Make The Man: Transvestism Or The Re-Dressing Of Masculine Identity In Spanish Golden Age And Colonial Theatre. University of Pennsylvania, 1994. Dissertation Abstracts International 55:9, 2854.
  • DOPICO BLACK, Georgina M., Perfect Wives, Other Women: Signs Of Adultery And Inquisition In Early Modern Spain. Yale University, 1995. Dissertation Abstracts International 56:7, 2708.
  • DUARTE LUEIRO, José Enrique, «El Divino Orfeo» de Don Pedro Calderón, 1634 y 1663. Facultad de Filosofía y Letras de la Universidad de Navarra. Curso 97/98. Dissertation Abstracts International 60:2, 222.
  • DUNCAN IRVIN, Hayden Donelan, The «Beast/Monster» and Desire in Three of Calderon de la Barca's Mythological Plays: «Eco y Narcisco», «El monstruo de los jardines» and «El mayor encanto, amor». University of Wisconsin, Madison, 1991. Dissertation Abstracts International 52:11, 3952.
  • DUVERT, Dominique, The Tragedy of Language: An Application of Artaud's Criticism of The Dramatic Text to Shakespeare's «Coriolanus», Moliere's 'Don Juan', and Calderon's «La vida es sueño». The University of North Carolina at Chapel Hill, 1990. Dissertation Abstracts International 52:1, 156.
  • ELMAN, Linda Lee, Ruler, Rustic, Remedy, 'Rock': Roles For Women In The Spanish Comedia. The University of Chicago, 1996. Dissertation Abstracts International 57:5, 2060.
  • ENEBRAL CASARES, Ana M., Aspectos semánticos en la obra de Calderón (reinterpretación de «La vida es sueño»). Facultad de Filología de la Universidad de La Laguna. Curso 88/89.
  • ERDOCIA, Carolina, Hacia una poética de la representación sacramental del Siglo de Oro Español: Las loas sacramentales de Calderón de la Barca y la celebración del Corpus Christi. Princeton University, 1997. Dissertation Abstracts International 58:5, 1737.
  • ESCUDERO BAZTÁN, Juan Manuel, «El alcalde de Zalamea», versiones de Lope de Vega (atribuida) y Calderón de la Barca. Universidad de Navarra. Curso 96/97. Dissertation Abstracts International 59: 2, 181.
  • ESCUDERO BAZTÁN, Juan Manuel, Una edición crítica de «El Indulto General», de Pedro Calderón de la Barca. University of Ottawa, Canada, 1994. Dissertation Abstracts International 33:5, 1399.
  • ESTEVES, Carmen C., The Dramatic Portrayal of Semiramis in Virues, Calderon and Voltaire. City University of New York, 1985. Dissertation Abstracts International, 46:5, 1271.
  • FISCHER, Susan L., Psychological and Esthetic Implications of Role-Change in Selected Plays of Calderon. Duke University. Dissertation Abstracts International, 1974, 34, 4197.
  • FOX, Dian, Kingship in the Drama of Don Pedro Calderon de la Barca. Dissertation Abstracts International, 1979, 40, 2089.
  • FURNAS, Edith, «Der Traum Ein Leben» Compared with «La Vida es Sueño». The University of Chicago, 1924.
  • GAGNON, Julie, Edición modernizada y anotada de «Saber del Mal y del Bien» de Pedro Calderón de la Barca. University of Ottawa, 1996. Dissertation Abstracts International 35:5, 1164.
  • GÓMEZ, Juan Manuel, A Critical Edition of Pedro Calderon de la Barca's «La gran Cenobia», with Introduction and Notes. University of Oregon, 1981. Dissertation Abstracts International, 42:8, 3623.
  • GONZÁLEZ VELASCO, Manuela, Temas y situaciones de Segismundo en la obra de Calderón de la Barca. Universidad de Salamanca. Curso 85/86.
  • GREER, Margaret Helen Rich, La estatua de Prometeo by Pedro Calderon de la Barca: A Critical Edition. The University of Texas at Austin, 1983. Dissertation Abstracts International, 47:5, 1742.
  • HAGENS, Jan Luder, Play Within a Play and World as Theater: Forms of Reflection in Drama and Their Use in Shakespeare's «The Tempest», Calderon's «El Gran Teatro del Mundo», and Bidermann's «Philemon Martyr». Princeton University, 1993. Dissertation Abstracts International 54:7, 2595.
  • HEROLD, Bruce Walter, Precognition in Selected Dramas of Calderon de la Barca. Dissertation Abstracts International, 1978, 38, 7363.
  • HILDNER, David Jonathan, The Role of Reason and the Passions in the Comedias of Calderon. Dissertation Abstracts International, 1980, 40, 5073.
  • HILL, Deborah Joan, The Elimination Motif in Selected Plays of Calderon de la Barca. The Florida State University, 1983. Dissertation Abstracts International, 44:3, 765.
  • HIVNOR, Mary Otis, Definitions of the Prince in Three Variants of the Baroque Dramatic Mode: Shakespeare's «The Tempest», Corneille's «Heraclius» and Calderon's «En la vida todo es verdad y todo mentira». Columbia University 1983. Dissertation Abstracts International, 44:8, 2465.
  • HULSE, Lloyd K., Edición crítica y estudio de «La cena del Rey Baltasar» de Calderón de la Barca. University of Cincinnati. Dissertation Abstracts International, 1974, 34, 5177.
  • JIMÉNEZ, Fernando Reinaldo, Edición crítica y estudio de una comedia de Calderón: «La Sibila del Oriente y Gran Reyna de Saba». University of Cincinnati, 1982. Dissertation Abstracts International 43:5, 1565.
  • KORNER, Barbara Oliver, The «Mystic Way» as an Analytical Tool Applied to Victoria's Requiem Mass (1605) and Calderon's «El Día mayor de los días». Ohio University, 1983. Dissertation Abstracts International, 44:12, 3525.
  • KURTZ, Barbara Ellen, With Human Aspect: Studies in European Personification Allegory with Special Reference to the Hispanic Contribution. The University of Chicago, 1983. Dissertation Abstracts International, 44:11, 3378.
  • LEVAN, John Richard, Jr., From Tradition to Masterpiece: Circe and Calderon. The University of Texas at Austin, 1981. Dissertation Abstracts International, 42:11, 4841.
  • LEVIN, Leslie A., Signs of the Times: Metaphors of Conversion in Selected Dramas of Tirso de Molina and Calderon de la Barca. Brown University, 1997. Dissertation Abstracts International 58:7, 2684.
  • LÓPEZ PELÁEZ, Jesús, Estudio comparado del concepto del honor en «Othello» de Shakespeare y en los dramas de honor de P. Calderón de la Barca. Universidad de Granada. Curso 94/95.
  • MACKINNON, David Norris, The Mythological Dramas of Pedro Calderon de la Barca. Dissertation Abstracts International, 1978, 39, 1621.
  • MADRIGAL, José A., La función del hombre salvaje en el teatro de Lope de Vega, Tirso de Molina y Calderon de la Barca. University of Kentucky. Dissertation Abstracts International, 1974, 35, 2232.
  • MAESTRE PAYÁ, Rafael, Gramática escénica de Calderón de la Barca. Universidad de Murcia. Curso 86/87.
  • MARANISS, James Elliott, The Theater of Denial: A Study of Some Plays of Pedro Calderon de la Barca. Dissertation Abstracts International, 1976, 36, 4545.
  • MARTÍN, Rafael, «La Inmunidad Del Sagrado»: Estudio, edición y anotación de un auto sacramental de Calderón de la Barca. University of Ottawa, 1995. Dissertation Abstracts International 35:1, 73.
  • MARTÍN, Vincent, En representable idea: Los autos sacramentales de Calderón. New York University, 1997. Dissertation Abstracts International 58:9, 3367.
  • MARTINEZ, Adam G., «Don Quijote» y «La vida es sueño»: La voluntad y la realización del protagonista. Rice University 1990. Dissertation Abstracts International 29:2, 208.
  • MENDEZ, Antonio III, Eichendorff and Spain: Some Affinities. The University of Texas at Austin, 1984. Dissertation Abstracts International 45:7, 2120.
  • MINTZ, Jacqueline Ann, A Comparative Study of Shame in Spanish and English Renaissance Drama. University of California, Berkeley, 1982. Dissertation Abstracts International, 44:1A, 162.
  • MOONEY, Paul A., A Reevaluation of Past and Current Critical Opinion on the «Comedias mitológicas» of Pedro Calderon de la Barca. Pennsylvania State University. Dissertation Abstracts International, 1974, 35, 1630.
  • MROCZKOWSKA, Brand Katarzyna, Overt Theatricality and the «Theatrum Mundi» Metaphor in Spanish and English Drama, 1570-1640. The University of Rochester, 1985. Dissertation Abstracts International 46:10, 3025.
  • NELSON, Leslie-Anne, Velazquez's «Bodegones a lo divino» and the Spanish Theatre of the Golden Age, Bryn Mawr College, 1996. Dissertation Abstracts International. 59:7, 2223.
  • NIELSEN, Sandra Lynne, A Critical Edition of Calderon's 'El Golfo de las Sirenas'. The University Of Chicago 1986. Dissertation Abstracts International 47:5, 1743.
  • PADRÓN, Ricardo, Travels Without A Hippogriff: Empire, Cartography and Literature in Early Modern Spain. Harvard University, 1997. Dissertation Abstracts International. 58:9, 3554.
  • PINILLOS SALVADOR, M.ª Carmen, Divinas y humanas letras: alegoría e historia en el auto sacramental. Edición crítica, estudio y notas de «El cordero de Isaías» de Calderón de la Barca. Universidad de Navarra. Curso 95/96. Dissertation Abstracts International 58:2, 341.
  • PLAZA, Sixto, Sociología del teatro musical español. Georgetown University, 1986. Dissertation Abstracts International 47:7, 2608.
  • PONCE, Joaquín, Metateatro: Su aplicación a tres dramas de honor de Calderón. University of Georgia, 1984. Dissertation Abstracts International, 45:6, 1772.
  • PORTERA, John J., Estudio y edición crítica de la comedia «Darlo todo y no dar nada» de Pedro Calderón de la Barca. University of Southern California. Dissertation Abstracts International, 1971, 32, 929.
  • PRINCE, Alvin Lafayette, The Role of the King in Selected Works of Calderon de la Barca. Dissertation Abstracts International, 1975, 35, 5421.
  • QUINN MILLER, Kathleen Mary, Astrology: A Metaphor for Science in Five Plays by Pedro Calderon de la Barca. New York University, 1986. Dissertation Abstracts International 47:8, 3062.
  • RAIMONDO, Francesco, The Courtier's Ideal in Spanish Literature: its Ascent and Decline. New York University1983. Dissertation Abstracts International, 44:7, 2159.
  • RIPANDELLI, Carol Janet, The Tropological Model of the Fall in «El divino Orfeo» and «El mágico prodigioso» by Calderon de la Barca. Dissertation Abstracts International, 1980, 40, 5477.
  • RODRÍGUEZ, Saturnino G., La relación padre-hijo en los dramas de Calderón de la Barca. Dissertation Abstracts International, 1981, 41:7, 3133.
  • ROMAN, David, Constructing Comedy: Shakespeare and Calderon. University of Wisconsin, Madison, 1990. Dissertation Abstracts International, 51:9, 3066.
  • ROSSETTI, Guy, A Critical Edition with Introduction and Notes of Pedro Calderon de la Barca's «El postrer duelo de España». University of Pittsburgh. Dissertation Abstracts International, 1973, 34, 2652.
  • RUPP, Stephen James, Articulate Illusions: Art and Authority in Jonson's Masques and Some Autos sacramentales of Calderon de la Barca. Princeton University, 1984. Dissertation Abstracts International, 45:5, 1392.
  • SALVIA, Anthony Joseph, The Theme of Time in Selected Plays by Calderon. Dissertation Abstracts International, 1979, 39, 4309.
  • SATAKE, Kenichi, Luz y oscuridad en el teatro de Calderón. University of Illinois at Urbana Champaign, 1988. Dissertation Abstracts International, 50:2, 456.
  • SERRANO MÁÑEZ, Monserrat, El teatro de Thomas Corneille. Estudio estructural y comparativo de las comedias inspiradas en Calderón. Universidad de Granada. Curso 87/88.
  • SILVA, Claudio Y., «Gustos y disgustos son no más que imaginación» by Pedro Calderón de la Barca: A Critical Edition and Study. University of Southern California. Dissertation Abstracts International, 1971, 31, 4136.
  • SILVERO, Sylvia Hanzlik, Calderón en Checoslovaquia. Northwestern University, 1986. Dissertation Abstracts International 47:8, 3063.
  • SLOANE, Robert A., Character and Role: The Problem of Identity in Four Plays by Pedro Calderon de la Barca. The Johns Hopkins University. Dissertation Abstracts International, 1973, 33, 6376.
  • SMITH, Carolyn F., Imagination and Ritual in the Honor Tragedies of Calderon. University of Kentucky. Dissertation Abstracts International, 1973, 34, 1295.
  • SOCHA, Donald Edward, The Garden Motif in Calderonian Drama. University of Virginia, 1988. Dissertation Abstracts International 50:5, 1303.
  • SOEDJONO, Soeprapt, Art as Medium of Propaganda: The Comparative Analysis of El Greco's Painting «The Burial of the Count of Orgaz» (1686) and Calderon's Drama «El Gran Teatro Del Mundo» (1645). Ohio University, 1992. Dissertation Abstracts International 53:11, 3713.
  • SOUFAS, Teresa Ann Scott, Dreams, Nightmares, and Swoons: Calderon and Ancient Psychology. Dissertation Abstracts International, 1980, 41, 1631.
  • STEIN, Louise Kathrin, Music in the Seventeenth Century Spanish Secular Theater, 1598-1690. The University of Chicago, 1987. Dissertation Abstracts International 48:3, 510.
  • SULLIVAN, Michael-R., A Study of the Paired Sonnets in the Plays of Pedro Calderon de la Barca. University of Missouri, 1998. Dissertation Abstracts International 59:8, 3016.
  • SUSCAVAGE, Charlene Evelyne, Calderon: Patterns of Tragedy. Dissertation Abstracts International, 1981, 41:10, 4415.
  • TARDÓN BOTAS, Narciso, Reconstrucción escenográfica de la representación de «Hado y divisa de Leonido y Marfisa» de Calderón de la Barca, dada en el Coliseo del Buen Retiro el día 3 de marzo de 1680. Universidad Complutense de Madrid. Curso 93/94.
  • TERRY, Suzanne Freeman, A Tentative Orthoepy of Calderon de la Barca. Dissertation Abstracts International, 1976, 37, 2928.
  • THOMAS, Mary Lorene, A Critical Edition of Pedro Calderon de la Barca's «Tu prójimo como a ti». The University of Michigan, 1984. Dissertation Abstracts International 46:1, 165.
  • TOMBE, Sheila Joan, Voice and Action: Women and Astraea in Seventeenth Century European Drama. University of South Carolina, 1992. Dissertation Abstracts International 53:11, 3898.
  • TRAMBAIOLI, Marcella, Functions of Classical Myth in Calderon's Court Fiestas. University of Illinois at Urbana Champaign, 1994. Dissertation Abstracts International 55:9, 2856.
  • URZAIZ TORTAJADA, Héctor, «El Orden de Melquisedec», de Calderón de la Barca: Estudio y edición. University of Ottawa, 1996. Dissertation Abstracts International 35:5, 1165.
  • VALK, Jean Wright, Paradox as Technique in the Works of Luis de Gongora and Pedro Calderon de la Barca. University of Kansas, 1985. Dissertation Abstracts International 46:10, 3050.
  • VELARDE, Olga Angelica, «La vida es sueño»: entre Calderón y Foucault. The-University of Western Ontario, 1998. Dissertation Abstracts International. 37:1, 61.
  • VOGHT, Geoffrey M., The Mythological Autos of Calderon de la Barca. University of Michigan. Dissertation Abstracts International, 1974, 35, 3015.
  • WANG-I-Chun, Dream and Drama: In Late Sixteenth Century and Early Seventeenth Century (China, England and Spain). University of Illinois at Urbana Champaign, 1986. Dissertation Abstracts International 47:7, 2575.
  • WATSON, John Andrew, The Metaphorical Procedure of Gongora and Calderon. Dissertation Abstracts International, 1977, 37, 5099.
  • WHITBY, William M., Structural Symbolism in Two Plays of Pedro Calderon de la Barca. Yale University. Dissertation Abstracts International, 1971, 32, 989.
  • WHITE NAVARRO, Mary Gladys, The Imaginary Space of America in the Golden Age Drama. Stanford University, 1989. Dissertation Abstracts International 50:12, 3797.
  • WORLEY, Robert Donald Jr., Spain at the Confluence of Time and Eternity: National Mythopoeia in Three Autos by Calderon. Baylor University, 1998. Dissertation Abstracts International 36:6, 1468.
  • ZAFRA MOLINA, Rafael, Aplicación de base de datos para el estudio de los «autos sacramentales» de Calderón de la Barca. Universidad de Navarra, 1997. Dissertation Abstracts International 60:2, 227.
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