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Cervantes : Bulletin of the Cervantes Society of America. Volume VI, Number 2, Fall 1986 - Registro bibliográfico
- Portales:
-
Literatura
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| Miguel de Cervantes
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- Sumario:
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4
artículos
- Fragmentos
'cervantes' en la obra
: (223
coincidencias encontradas)
-
-
diferentes de las otras obras mayores, puesto que se conservan en manuscritos
casi coetáneos de Cervantes
-
clásicas
tabulae gratulatoriae, y con expresa
noticia de las ediciones anteriores de obras de Cervantes
-
lugar, una BIBLIOGRAFÍA generalizada (la
especializada sería para otra ocasión) de las obras de Cervantes
-
Cervantes clearly reveals that the liberty to know and choose
is intimately connected with the liberty
-
Forcione's vision of their unanimity and to his
privileging what he sees as redemptive elements in Cervantes
-
But in
fact Cervantes insists on the isolation of Leonora from Carrizales, giving it
emphasis
-
Forcione
focuses on the symbols of imprisonment in Calderón's play and Cervantes'
novela
-
end, and it can be seen
as an emblem of the earthly order» (p. 83); in the second version,
«Cervantes
-
Desconozco en absoluto
los problemas que en los Estados Unidos puede suscitar la enseñanza de
Cervantes
-
Eisenberg
sólo puede aceptarse aquella que va encaminada a una
«edición DEFINITIVA del texto de Cervantes
-
Eisenberg) sólo he entresacado aquello que interesa a los fines de una
edición de las obras de Cervantes
-
si nos limitamos a lo que realmente interesa, o sea, la
edición «definitiva» de las obras de Cervantes
-
En primer lugar, la tarea de restituir la escritura y el
lenguaje que usaba Cervantes es una tarea
-
querer sentar cátedra con respecto a los usos particulares que pudiera
haber practicado Cervantes
-
: y presupuesto que
atinásemos plenamente al descubrir las preferencias ortográficas
de Cervantes
-
, si Cervantes con la edad, el avance de su técnica, etc.,
cambió de preferencias y aún así pudiésemos
-
Ítem más: si, no ya los usos
vulgares, sino incluso los científicos de la época de Cervantes,
-
tendía a suprimirlas: siempre
quedaríamos con la duda de cuántas comas puso de su mano
Cervantes
-
lleguemos, por obra y magia de los adelantos de la
ciencia, a poder grabar incluso la misma voz de Cervantes
-
única fuente de conocimiento: la obra impresa, con todos sus defectos,
ajenos o debidos a Cervantes
-
—166→
que no obstante 1) la
importancia de Cervantes
-
existe esta
edición, diríamos perfecta, integral en todos sus aspectos, de
las obras de Cervantes
-
fríamente,
incomprensible, por más que nos detengamos en imaginar que el
espíritu burlón de Cervantes
-
esto creo que todos
estarán de acuerdo), que se lleve a cabo una edición de las obras
de Cervantes
-
manuscritos
cervantinos, poca fiabilidad de las primeras ediciones, poca seguridad en si
Cervantes
-
distintos niveles culturales de los lectores... y hasta el propio genio tantas
veces plurivalente de Cervantes
-
Viene todo esto a cuento con motivo del
propósito resucitado ahora en el seno de la «Cervantes
-
—167→
para que en «CERVANTES
-
FLORES, «The Need for a Scholarly, Modernized Edition of Cervantes'
Works» (2, [1982], 69-87),
-
vista absolutamente objetivo, no pueden
ser aceptadas para una edición definitiva de las obras de Cervantes
-
- I -
Parece como si la prolongada serie de las ediciones de las obras
de Cervantes
-
portadas e introducciones
explicatorias; lo cual, empero, lejos de conseguirse, en el caso de Cervantes
-
Ciertamente, los
problemas planteados por las primeras ediciones de las obras de Cervantes no
-
Bien: esto, en Cervantes, no constituye ninguna excepción:
cada palabra suya, cada frase, cada
-
coto a tanto libertinaje
editorialesco y se presente al público un texto de las obras de
Cervantes
-
los manuscritos cervantinos y
que parece aceptable la no intervención de Cervantes
-
las suposiciones posibles, pero de momento hemos de contentarnos con las
propias palabras de Cervantes
-
Claro está que también podemos admitir que
Cervantes puede ironizar, o exculparse dando la culpa
-
fecha de 9.2.1605, a favor de Melchor Valenciano de Mendiolaza, caballero
procurador de Cervantes
-
Sin
embargo, Luis Astrana Marín,
Vida ejemplar y heroica de Miguel de
Cervantes
-
Francisco Martínez Martínez,
Melchor Valenciano de Mendiolaza, Procurador
de Miguel de Cervantes
-
conoce la existencia de dos poderes casi
simultáneos: uno en Valladolid, 11.4.1605, otorgado por Cervantes
-
inéditos (Madrid: 1914, RABM, pp. 228-3); y el otro, también
en Valladolid, 12.4.1605, otorgado por Cervantes
-
¿Desconocía Cervantes su verdadera
identidad?
-
Ignoro si se tienen noticias de las gestiones que debieron hacer los apoderados
de Cervantes cerca
-
The concern for the perils of publishing is still with Cervantes
in 1615.
-
Sansón Carrasco replies with a
favorite Cervantine maxim (though not original with Cervantes): «No
-
He too voices Cervantes' recurrent anxiety:
«... digo que es grandísimo el riesgo a que
se
-
vulnerability to criticism and its effect on the writer's reputation are
matters that concern Cervantes
-
Whatever that says about the readers, about their
understanding of Cervantes' purpose, or even of
-
the book itself, the fact
remains that at long last Cervantes is able to say that he has weathered
-
Twice before, Cervantes has shown the
futility of defining exemplarity.
-
But Cervantes' most dramatic comment on
Carrizales' project occurs after his long speech to Leonora's
-
Cervantes assumes
control over his self-dramatizing character and creates a tableau which
supersedes
-
As Asensio writes in his
introduction to this edition, Cervantes adapted the folkloric tradition
-
Para darle un barniz castizo, Cervantes le hace
salmantino, supuesto maestro de las artes enseñadas
-
reference
to the bandit made by a fictional character in this
entremés does not preclude
Cervantes
-
This essay is one of a series of
articles proposing widely differing criteria for editions of Cervantes
-
Flores' «The Need for as Scholarly,
Modernized Edition of Cervantes' Works», in
Cervantes
-
At the
last meeting of the Executive Council of the Cervantes Society in December,
1985,
-
Don Quijote, an edition which,
paradoxically, has never been proposed or described in
Cervantes
-
Notwithstanding this
decision, with which I enthusiastically concur,
Cervantes will continue
-
Ruth el Saffar speaks of Cervantes' «gallery of authors who
have failed».1 She uses «author»
-
imperfect, linear form and a more nearly perfect,
circular form, respectively) are reflected in Cervantes
-
In the first place, Cervantes here is mocking the
convention of ending the romances with a promise
-
Thirdly, Cervantes himself resorted to this device, most
notably in
La Galatea, which he recurrently
-
When Cervantes playfully suggested
that his protagonist had wanted to finish one of the romances,
-
first
step in the recognition of this meaning [of irony] is to perceive that the
refinement of [Cervantes
-
In this episode, Don Quijote and Roque appear primarily as ironic victims;
Cervantes ridicules their
-
llegara en aquella
sazón su capitán».37 By
referring to the bandits as «buena
gente», Cervantes
-
126
Si nuevos descubrimientos sobre Cervantes o sobre sus
escritos, o nuevos avances
-
pero creo recordar que ya antes se había tratado del tema
en el I Congreso Internacional sobre Cervantes
-
una comisión para el estudio, y subsiguiente puesta en
práctica, de una edición de las obras de Cervantes
-
luego, por conducto del propio
Allen, que el proyecto de editar convenientemente las obras de Cervantes
-
ha
sido abandonado por parte de la «Cervantes Society of America».
-
¿Debemos pensar
que Cervantes, al tener prisa por ver la obra impresa, no cuidó mucho su
-
El
mismo
Persiles, al que casi seguramente
Cervantes no pudo acabar de darle forma
-
(N. from the A.)
42
Francisco Olmos García in
Cervantes en su época
-
y era asunto que preocupaba a muchos, por lo que interesa la
actitud tan favorable con que Cervantes
-
Manegat,
La Barcelona de Cervantes (Buenos Aires:
Plaza y Janes, 1964), p. 137.
-
In short, I believe that Roque Guinart as a historical figure
primarily provided Cervantes with the
-
But we should be able to recognize all this -recognize, as
Cervantes did, the attractiveness of this
-
episode contributes anything to the ongoing debate between
the Romantic and Neoclassical schools of Cervantes
-
advierten los mismos editores (p. li) que «Siempre que hay posibilidad
razonable para creer que Cervantes
-
En el centenario del nacimiento de Cervantes, en 1947,
imperaron más la sobriedad y la
prudencia
-
—113→
Revision and Exemplarity in Cervantes
-
Critics have generally assumed that Cervantes is the author of the
manuscript of
El celoso extremeño
-
Mayo, find the resistance of the inexperienced young girl to be unrealistic;
Castro sees it as Cervantes
-
Lambert and Alban Forcione have begun to
explore in more depth the ironies and ambiguities which Cervantes
-
El Saffar
stresses the autonomy of Cervantes' characters and their capacity to transcend
stereotypical
-
He believes that Cervantes «is
letting go of the reader's hand to push him into a world where unproblematic
-
146→
DQ1:Li-1605-Crasbeeck.68 Esto
obliga a Cervantes
-
modelos y a veces, siguiendo la tradición ya iniciada por los mismos
editores de 1605 de tomar a Cervantes
-
Desconozco en qué grado
de gestación se halla el proyecto en el seno de la «Cervantes
Society
-
es, entre las que
conozco, la que más se acerca a la edición magistral de las obras
de Cervantes
-
la consideración de todos aquellos de cuyos
trabajos y desvelos puede aprenderse tanto sobre Cervantes
-
serviré de mis propias notas bibliográficas y de las
bibliografías generales sobre las obras de Cervantes
-
reparto
de tareas o destajos compositivos.65 Un error (un error o un olvido de los cajistas o de Cervantes
-
la
recuperación del rucio de Sancho merecerá luego el tan conocido
comentario del propio Cervantes
-
recopilación y el examen de los estudios de carácter general
sobre la significación de Cervantes
-
en esencia, para estudiantes y lectores
avanzados pero no tanto que les llegue a interesar si Cervantes
-
Pues bien: ninguno de los editores posteriores a Cervantes ha
caído en la cuenta que esta frase
-
posibilidad de esta doble
lectura; posibilidad ciertamente muy característica de la ironía
de Cervantes
-
desechan una acepción en el sentido de la frase que bien pudiera ser la
pretendida por Cervantes
-
empresa» del conocido romance,
produciendo la duplicidad de sentido que tan del gusto era de Cervantes
-
11
Cervantes, Aristotle, and the
«Persiles» (Princeton: Princeton
-
Aylward dissents from this view in
Cervantes: Pioneer and Plagarist (London:
Támesis, 1982
-
G. de Amezúa y Mayo,
Cervantes creador de la novela corta
española, II (Madrid: CSIC, 1958
-
Castro,
Hacia Cervantes, 3rd edition (Madrid:
Taurus, 1967), pp. 420-50.
-
(N. from the A.)
20
Luis Rosales,
Cervantes y la libertad, II (Madrid
-
: SEP,
1960), 409-35; Marcel Bataillon, «Cervantes et la 'Mariàge
chrétien'»,
BHisp
-
Lambert, «The Two
Versions of Cervantes'
El celoso extremeño: Ideology and
Criticism
-
Whatever his (or Cervantes')
purpose, the fact remains that in the context of the 1605
Quixote
-
In 1605 Cervantes was addressing readers
of the romances.
-
Despite his anger,
Cervantes reveals himself to be a writer of confidence.14
Don Quixote
-
of Toledo speaks as he proclaims the classical
theories of literature and offers the formula for Cervantes
-
What is more, he thinks it typical
of Cervantes «el proponer como futuro modelo
literario,
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume VI, Number 2, Fall 1986
-
En
La Galatea Cervantes
-
La tesis del presente ensayo es que esta trayectoria
refleja la actitud de Cervantes ante la problemática
-
Revision and Exemplarity in Cervantes'
El celoso extremeño
-
Principalmente por medio de una técnica de
eufemismo irónico Cervantes
sustituye un término
-
La edición definitiva de las obras de
Cervantes
José
-
Perhaps it is presumptuous to expect from Cervantes a coherent
political stance on banditry.
-
Mahomet and Tamburlane, of the Turks and many
others».48 Although, through the character of Ricote, Cervantes
-
neglect on the Gascon issue stands in contrast to the zealous
expulsion of the Moriscos, which, Cervantes
-
Cervantes may have been implying that the government was fighting the
religious battle on the wrong
-
In the prologue to the
Novelas ejemplares of 1613 Cervantes speaks
of the
Persiles as a
-
a spokesman for some literary precepts
(to a large extent derived from El Pinciano) espoused by Cervantes
-
, but the
representation of the tentative probings of Cervantes who, though he had his
theoretical
-
—138→
praise of Roque, but Cervantes
-
more expedient to pay
them a salary and station them in trouble-spots in the Empire.53
Cervantes
-
It is here that we
can hypothesize a political object for Cervantes' irony: the ineffectiveness of
-
As if to strengthen his point, Cervantes begins the next
chapter by recapitulating the danger and
-
The Roque chapters belong to that part of the text which was
written with Cervantes' knowledge of
-
Avellaneda's appropriation of Don Quijote may well have reinforced Cervantes'
determination to produce
-
The chapters have been read in the light of a «non-conformist»
Cervantes who, by sympathizing with
-
the rebellious bandits, implies his
disaffection with the
status quo.44 But if we take Cervantes
-
cuyos
impresores no debieron tener a la vista ningún manuscrito cervantino y
en las que Cervantes
-
conocimientos que sobre puntos hoy en
día confusos podían tener los impresores y los lectores de
Cervantes
-
aceptarse
como válidas dichas variantes delatoras de posibles interpretaciones
coetáneas de Cervantes
-
He argues that Cervantes' revisions make
El celoso extremeño «a deeply
moving affirmation of
-
Cervantes deprives us of the guidance of a conventional narrator and forces us
to make sense of the
-
Cervantes intervenes to undercut both Carrizales' and the narrator's
attempts to impose a specious
-
Cervantes recreates their
misunderstanding in the narration of the last paragraph, and he contrives
-
más utilidad veo la creación de una colección de obras
a base exclusivamente de estudios sobre Cervantes
-
También la
revisión de la biografía de Cervantes se hace necesaria.
-
pasajes oscuros, alusiones, circunstancias, nombres
propios, etc., contenidos en los escritos de Cervantes
-
ingente volumen que ocuparían todas las
notas y comentarios que sobre lo que dijo o pudo decir Cervantes
-
adoptaran
su texto, total o parcialmente:
DQ:M-1797/
98-Imp.Real, pero con vida de Cervantes
-
estilaron en la época romántica, pero que no
han dejado de perdurar en muchos editores posteriores de Cervantes
-
pasaje ha vuelto a suscitar nuevos quebraderos de cabeza y nuevas
teorías sobre la intervención de Cervantes
-
polémicas, una inmensa polvareda en torno a la
urgencia de ediciones autorizadas de las obras de Cervantes
-
traducía no más que en proliferación de
sociedades cervantinas, amigos de Cervantes
-
, amigos de los amigos de Cervantes,
literatura baratesca, nombramientos de caballeros y creación
-
When he writes the prologue to Part I of
Don Quixote, Cervantes is still conscious of
the risks
-
Edwin Williamson suggests that «Cervantes clearly relishes
this image of himself as a timid, painfully
-
Galatea prologue and the bravado of later
prologues,9 I do not share Williamson's belief that
Cervantes
-
In Cervantes' case, the
reluctance to release his writings to the scrutiny of the readers is
-
Cervantes has left us a number of clues that support the image of
one reluctant to publish.
-
would be possible to end this essay here by concluding simply
that all of the foregoing displays Cervantes
-
further
conclude that the prologue and those passages where Don Quixote attempts to
write evince Cervantes
-
I submit that the concerns discussed above betray the very real
concerns of Miguel de Cervantes.
-
University Press, 1974), pp. 40-50; Edwards, «Los dos
desenlaces de 'El celoso extremeño' de Cervantes
-
»,
BBMP 49 (1973), 281-91; Lambert,
«The Two Versions»; Forcione,
Cervantes and The
-
with the
influence of the Romantic conception of banditry -as transcendental protest- on
Cervantes
-
103
Asensio, al que por otra parte se le deben algunas
aportaciones valiosas sobre Cervantes
-
pretendió hacer pasar los comentarios y las notas marginales como
manuscritos del propio Cervantes
-
105
En realidad, seguimos inmersos en una confusa nebulosa
creada en torno a Cervantes
-
como hidalgo y pronto es armado caballero; oposición a
Avellaneda; etc.), bien pudiera ser que Cervantes
-
mis apreciaciones al resultado
de las investigaciones) estoy por ahora en la creencia de que Cervantes
-
87
No obstante, algunas ediciones posteriores sí
acogieron con gusto la vida de Cervantes
-
The description of Cervantes' manuscripts in a trunk (as he tells
us in the prologue to the
-
The reader of 1605 might assume that the
Curioso was written by Cervantes, but the
title of
-
published work when the priest finds
La Galatea and identifies its author as his
«friend» Cervantes
-
I think it not unreasonable to
conjecture that Cervantes passed over the temptation to place his
-
the priest's recognition of his «friend» as a
convenient
captatio benevolentiae, because
Cervantes
-
In 1615, Cervantes allows Sansón Carrasco to report
only that the tale was considered by readers
-
By
leaving the tale anonymous while it is symbolically unpublished, Cervantes in
1605 protects
-
In 1605 Cervantes presents a picture of his unpublished novellas
left in a suitcase in an inn.
-
por ahí
descarriadas, y quizá sin el nombre de su dueño, [llamado]
comúnmente Miguel de Cervantes
-
symbolic of that image than the
fact that
Persiles y Sigismunda was not published at
all in Cervantes
-
I must stress that it is only symbolic, for I do
not mean to suggest that Cervantes had not intended
-
In fact, Cervantes declared that he was
«puesto a pique para dar a la estampa al gran
Persiles
-
56
At the request of the author, Errata for this article appeared
in Cervantes
-
examinar personalmente, me he servido de los
diferentes catálogos bibliográficos de las obras de Cervantes
-
lecturas de las primeras ediciones que más favorecen su
criterio gramatical, sin perdonarle a Cervantes
-
y Roig/2ª,
añade por su cuenta algunas observaciones a la edición de Sales;
Calderón, «Cervantes
-
aparatoso Hartzenbusch con
sus
OC:Argamasilla-1863-Rivadeneyra: una nueva
vida de Cervantes
-
Máinez saca a luz su edición
DQ:Cádiz-1876/9-La Mercantil,
también con una vida de Cervantes
-
En un quinto
volumen, añade la vida de Cervantes por Fernández de Navarrete.
-
Felipe Fernández publica su
DQ:L-1808-Varios, con la vida de Cervantes
por Quintana, textos
-
de la Real Academia Española y pretendidas mejoras
que atribuye al propio Cervantes;95 García
-
Cuesta, usos de la
época, etc.), no hay ningún texto, entre los primitivos de las
obras de Cervantes
-
de realizar un trabajo
definitivo que contenga la edición
definitiva de las obras de Cervantes
-
para empezar, creo
imprescindible que esta
editio mater de las obras completas
de Cervantes
-
textuales, todos los restantes aspectos, desde gramaticales
hasta anecdóticos, de los escritos de Cervantes
-
a equivocaciones, el texto de los
manuscritos cervantinos o, lo que es lo mismo, el texto que Cervantes
-
plantea siempre el espíritu irónico, hipócrita en
algún sentido, plurivalente en soluciones, de Cervantes
-
For a discussion of Cervantes' reshaping of such source material, see
John G.
-
Weiger,
The Substance of Cervantes, (Cambridge:
Cambridge University Press, 1985), Chapter
-
1947), I, 41, n.: «En éste y los anteriores
consejos el 'gracioso y bien entendido' amigo de Cervantes
-
later writings and not to
the 1605 prologue that Américo Castro alludes when he speaks of
Cervantes
-
' «arrogancia» in
«Los prólogos al
Quijote», in
Hacia Cervantes (Madrid: Taurus,
-
(N. from the A.)
10
Daniel Eisenberg, in his «El 'Bernardo' de Cervantes
-
for considering the canon's
formula the outline of the «famoso
Bernardo» alluded to in Cervantes
-
ending of the
revised version of
El celoso extremeño; there are other
grounds on which Cervantes
-
And by
allowing Leonora the exercise of her freedom, Cervantes unexpectedly creates a
domestic
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume VI, Number 2, Fall 1986
-
THE CERVANTES SOCIETY OF AMERICA
EXECUTIVE COUNCIL
President:
-
TRUEBLOOD
(1988)
Vice President: JAVIER HERRERO
(1988)
Cervantes
Editor: JOHN
-
RIVERS SE DANIEL EISENBERG
HARRY SIEBER NE EDWARD DUDLEY
Cervantes: Bulletin of the Cervantes
-
WARDROPPER
Cervantes, official organ of the Cervantes
Society of America, publishes
-
scholarly articles in English and Spanish on
Cervantes' life and works, reviews, and notes of interest
-
Subscription
to
Cervantes is a part of membership in the
Cervantes Society of America, which
-
Membership is open to all persons interested in Cervantes.
-
subscription, send check in dollars to Professor CATHERINE SWIETLICKI,
Secretary-Treasurer, The Cervantes
-
Manuscripts
(submitted in accordance with
Cervantes,
2 [1982], 107) should be
sent
-
ALLEN, Editor,
Cervantes, Department of Spanish and Italian,
University of Kentucky, Lexington
-
Books for review should be
sent to Professor HOWARD MANCING, Book Review Editor,
Cervantes,
-
Copyright © 1986 by the Cervantes Society
of America.
-
Weiger
University of Vermont
En
La Galatea Cervantes declara que ha sido
-
La tesis del presente ensayo es que esta trayectoria
refleja la actitud de Cervantes ante la problemática
- Formatos:
-
-
Resultado número:22
Texto
- Título:
-
Cervantes : Bulletin of the Cervantes Society of America. Volume VIII, Number 1, Spring 1988 - Registro bibliográfico
- Portales:
-
Literatura
Visitar sitio web
| Miguel de Cervantes
Visitar sitio web
| Cervantes : Bulletin of the Cervantes Society of America
Visitar sitio web
- Sumario:
-
6
artículos
- Fragmentos
'cervantes' en la obra
: (187
coincidencias encontradas)
-
-
attitudes and textual details -of form and substance- assure us that it was
Carvallo who decided Cervantes
-
(N. from the A.)
45
Cervantes did not inherit this image directly from Carvallo
-
Alfredo
Carballo Picazo -Madrid: C.S.I.C., Instituto «Miguel de Cervantes»,
1953- II, 164
-
doncellas
Linda Britt
Bates College
Las dos doncellas sirve como medio en el cual Cervantes
-
Dentro de las normas de su época,
Cervantes permite que las mujeres sean «atrevidas» en su
-
The numerous women that pass through the works of Miguel de
Cervantes Saavedra vary in type, size
-
It is necessary to
note that, indeed, there are important differences emphasized by Cervantes
-
case is not, as
indicated by Thomas Pabon in an article dealing with marriage as a panacea in
Cervantes
-
should be to attack «los vicios y
viciosos en general,» as do «los pedricadores» (II, 61), while Cervantes
-
Cervantes reviles Apollo's enemies in
general, but attacks individuals only in respect of their writings
-
In
Viaje del Parnaso Cervantes gives lessons in
human conduct; he
-
that Smollett's translation appeared a quarter of
a century before the first annotated edition of Cervantes
-
Reverend
John Bowle (1781), and cautioned that Smollett's admiring account of «The
Life of Cervantes
-
to capture the sense of fun in
playing with the possibilities of language that sometimes makes Cervantes
-
Leocadia and Teodosia are a
single character split into two aspects, one must take note of what Cervantes
-
she states that its central importance is underlined by the deliberate
similarities introduced by Cervantes
-
part as a contrast to the other woman, but
also to serve as a diversionary ruse; an attempt by Cervantes
-
They are
surprisingly «liberated» or («atrevidas», according to Cervantes) for
their epoch, willing
-
This similarity between them is praised by Cervantes in his depiction of
the two.
-
As noted by Otilia López Fanego, «insiste Cervantes en el derecho de la mujer a dar
satisfacción
-
Leocadia and Teodosia are
perhaps the forerunners of the more liberated women of their future; Cervantes
-
It should be finally noted that, by emphasizing the differences
between Leocadia and Teodosia, Cervantes
-
The end
results demonstrate the obvious preference indicated by Cervantes for Teodosia,
who represents
-
Viaje del Parnaso (Madrid: Bermejo,
1935), pp. lxvii-lxxv; Benedetto Croce, «Il Caporali, il Cervantes
-
a
Giulio Cesare Cortese», in «Due illustrazioni al
Viaje del Parnaso del Cervantes» in
-
Maurino,
«Cervantes, Cortese, Caporali and their Journeys to Parnassus»,
MLQ, XIX (1958)
-
, 43-46; idem, «El Viaje de Cervantes y la
Comedia de Dante»,
KFLQ, III (1956), 7-12.
-
In his dedication to Lemos in the
Novelas ejemplares, dated July 14, 1613,
Cervantes calls
-
clarification is nonetheless
evident from Robert ter Horst's review of
The Bounds of Reason in
Cervantes
-
questions of truth and value in terms of expression and vision on
a plane that is strikingly close to Cervantes
-
I examine in detail (the case of the
baciyelmo is one) and in an article on
«Descartes and Cervantes
-
on the
Dream Argument» published in
Cervantes, 4 (1984) I argue that Cervantes
does not
-
The emerald-green eyes of Dulcinea call to mind still another
green-eyed Cervantes heroine, Preciosa
-
For Nabokov, Shakespeare and Cervantes are equals in «the
matter of influence, of spiritual irrigation
-
We know, of course, that Cervantes was well versed in Aristotelian theory.
-
Certainly,
Cervantes appears to have been exercised by questions of unity and variety in
Don
-
that
—10→
Cervantes
-
It may not perhaps be too farfetched to
imagine that Cervantes may have endeavored in 1615 to create
-
If we look at how Cervantes might have built
up the action of his novel it may be possible to throw
-
I do not wish to imply, however, that Cervantes forgot
about, much less abandoned, his original
-
51
As, for example, by Cernuda: «El
propio Cervantes parece desengañado
-
Claube),
Homenaje a Cervantes (Madrid: Insula,
n.d. [1948?]), pp. 152-53.
-
from the A.)
57
Miguel de Cervantes Saavedra,
Novelas ejemplares II
-
If Cervantes intended to make his readers laugh at the conventions of
chivalry and courtly love with
-
Cervantes can safely call this attitude insane because he is sure that no
reader, however much he
-
this respect, Don Quixote's insanity is no
more than a literary joke, a simple enabling device for Cervantes
-
character, then, Don Quixote
is forever tied to the circumstances of his birth as a funny idea that
Cervantes
-
hicieran la primera crítica seria y dieran el primer empujón
técnico al entendimiento de la figura de Cervantes
-
Gregorio Mayáns y de Vicente de los Ríos
irían a parar, de alguna manera, al
Pensamiento de Cervantes
-
las contradicciones de los ilustrados se vieron
satisfechas cuando comprendieron que el libro de Cervantes
-
omissions that occurred in the printing of his
article «La edición
definitiva de las obras de Cervantes
-
» (Cervantes VI, 2).
-
diversity of literary effects within
a single work of fiction seems to have been greatly prized by Cervantes
-
undertook to write the comic epic in prose which is the
Quixote, it is not inconceivable that
Cervantes
-
In the 1605 Prologue to the novel, Cervantes makes a forthright
-
Unquestionably, laughter is the response Cervantes wants to provoke in his
readers.
-
But it is also relevant to show that Cervantes is addressing another
kind of reader who, in addition
-
In Part II, chapter 44, Cervantes writes that
«los sucesos de don Quijote, o se han de celebrar
-
Mercury's hyperbolic praise serves to throw into relief the
modesty with which Cervantes deliberately
-
que deue
tener el Poeta, significada la blancura del cisne» (II,
222-25), being echoed by Cervantes
-
The perspective is
exactly that of Cervantes, who portrays Apollo struggling with
«Catholic»
-
That Cervantes should wish to parade his age and experience is
fully understandable.
-
One may pause
perplexed when a character addresses Cervantes as «semidifunto» (VIII, 285), or insults
-
This vein also Cervantes
decided to exploit, manipulating even the approach of his own death to suit
-
In speaking of his own achievements, Cervantes was under a severe
constraint.
-
had a strong, direct impact on the composition of
Viaje del Parnaso.41 Cervantes
-
white swan on a painted shield, used
by Alciato as one of his emblems.42 In
Viaje del Parnaso Cervantes
-
versification and poetical forms, and would in the
circumstances have been of only limited interest to Cervantes
-
lo
apoya Manuel Durán en «El
Quijote a través del prisma de
Bakhtine», en
Cervantes
-
aspectos del fondo emblemático y folklórico del
Quijote es el librito de Michel Moner
Cervantes
-
sino el que hace del
Quijote un libro moderno, internacional y
básico para entender a Cervantes
-
que
también en Londres se había editado, en impreso suelto, la obra
de Mayáns referente a Cervantes
-
Real de la Riva
«Historia de la crítica e interpretación de la obra de
Cervantes» (RFE, t
-
Aguilar Piñal
«Cervantes en el siglo XVIII» (Anales
Cervantinos, Madrid, 1983, tomo XXI),
-
Martín añada en una de sus ediciones de 1782 que la patria
de Cervantes es Alcalá de Henares es
-
que sigue las nuevas noticias que
se están publicando constantemente en torno a Cervantes por
-
When Cervantes
wrote
Viaje del Parnaso he was in his sixties; he
had begun publishing verse
-
exercicio de la poesia es menester
començallo muy temprano, y de tierna edad» (II,
227), had not Cervantes
-
to his age throughout the poem: «cisne en las canas» (I, 103);
«Oh Adán de los poetas, oh
Cervantes
-
In the second Part, Cervantes
is gradually depriving Don Quixote's world of all the symbolic devices
-
At the Duke's castle, the resolution the madman is
striving towards, and the contrary dénouement Cervantes
-
the comic action could be said to have reached its logical
resolution.15 There is no reason why Cervantes
-
All that
Cervantes would have needed to do was to get Don Quixote back to his village
after being
-
For Cervantes, stung by the plagiarism of
Avellaneda, chose to prolong the madness well beyond the
-
Another thought: Cervantes could imagine himself
magically transported from Parnassus to Naples,34
-
As coda to all this, he would add a
letter addressed by Apollo to Cervantes, expressing the god's
-
If the logic of the situation forced
Cervantes to reason thus -and the evidence suggests that it
-
.37
—30→
Cervantes
-
Cervantes thus emerges as the first
known exponent in literature of the art of subliminal advertising
-
Critical Essays on Cervantes
Boston: G. K. Hall, 1986. vi + 220
pp.
-
greater range of critical approaches than can
be found in another recent grouping of studies on Cervantes
-
Cervantine studies is provided by
the first essay in the series, Helmut Hatzfeld's «Thirty Years of
Cervantes
-
The aggressive behavior of women, although unusual, was not
unheard of prior to Cervantes.
-
referring specifically to the motif of a woman, disguised as a man, searching
for her lover.58 Cervantes
-
A mi
parecer, hay marcadas resonancias de Cervantes en este cuento posiblemente
influido
-
There is, however, another possible important influence: the writings of
Cervantes, in particular
-
Although
Fredson Bowers states that «No evidence is preserved to show that the
Cervantes lectures
-
It is evident that Cervantes
was influenced by both sources, and that he did not imitate one to the
-
Both Pabon and Harry Sieber, in referring to the elaborate plot
detailed by Cervantes, note that
-
physical
desires which bring human nature into conflict with social mores».63 Not only does
Cervantes
-
, the question of
which of the two women is the valid wife of Marco Antonio «is resolved by
Cervantes
-
attempted
«to maintain that ludicrous solemnity and self-importance by which the
inimitable Cervantes
-
It is easy to see why Allison Peers, writing on «Cervantes in
England» in the
Bulletin of Spanish
-
recently published is the edition by Miguel Herrero García (Madrid:
C.S.I.C., Instituto «Miguel de Cervantes
-
from the A.)
22
«Cervantes» in
Lecturas españolas (Madrid: Rafael
-
the A.)
23
Agustín G. de Amezúa, «Una carta
desconocida e inédita de Cervantes
-
(N. from the
A.)
24
James Fitzmaurice-Kelly,
Miguel de Cervantes
-
(N. from the A.)
28
Don Quichotte de Cervantes, Etude et
analyse
-
Cervantes is employing he amusing
trick that he also plays in
Don Quixote, when he makes
-
Another defence prepared by Cervantes against readers
who might be angered by his attacks on those
-
Spadaccini argues that
Cervantes undermines the established definition of the comic genre
entremés
-
The altered horizon of
expectations for his receptors thus enables Cervantes to textualize material
-
While Spadaccini's study
offers some interesting insights on Cervantes as playwright, his thesis
-
aristotélicos, para averiguar hasta qué punto la
intención declaradamente
cómica y paródica de Cervantes
-
Se intenta
demostrar que Cervantes llega a crear una narrativa que, vista en su totalidad,
-
Romanticismo
haya encontrado efectos trágicos en la novela a pesar de que los
contemporáneos de Cervantes
-
lógica estética condicionada por la peculiar locura
de don Quijote y elaborada por la invención de Cervantes
-
of critics who have argued that the so-called Romantic
approach overlooks the awkward fact that Cervantes
-
Instead of
the laughable buffoon Cervantes meant him to be, Don Quixote has been turned
into
-
Cervantes would have pondered Carvallo's words and have applied
them.
-
In the narrowest
view, the poem is an attempt by Cervantes to vindicate his name and,
conjointly
-
38
«desta manera comenzó
a hablarme:
-¡Oh Adán de los
poetas, oh Cervantes
-
Theory of the Novel (Oxford:
Clarendon press, 1962), pp. 62-63;
Teoría de la novela en Cervantes
-
It was as
poet above all that Cervantes must impress him -and, in the process,
others.
-
Here was the cue
Cervantes needed, «ce point de
départ», as Paul Hazard puts it, «dont il a
-
más textos en 8°, de
faltriquera, «para la mayor comodidad»; además
añadía la
Vida de Cervantes
-
texto cervantino en aquella sociedad y corte, anunciando el «inimitable
arte de ironía» de Cervantes
-
testimonial consejo «del impresor al
lector» enumera parte de lo que entonces se creía del libro de
Cervantes
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume VIII, Number 1, Spring 1988
-
THE CERVANTES SOCIETY OF AMERICA
President
ALAN S.
-
GAYLORD
Cervantes: Bulletin of the Cervantes
Society of America
Editor: MICHAEL MCGAHA
-
WARDROPPER
Cervantes, official organ of the Cervantes
Society of America, publishes
-
scholarly articles in English and Spanish on
Cervantes' life and works, reviews, and notes of interest
-
Subscription
to
Cervantes is a part of membership in the
Cervantes Society of America, which
-
Membership
is open to all persons interested in Cervantes.
-
subscription, send check in dollars to Professor CATHERINE SWIETLICKI,
Secretary-Treasurer, The Cervantes
-
together with a self-addressed envelope and return
postage, to Professor MICHAEL MCGAHA, Editor,
Cervantes
-
Books for review should be sent
to Professor HOWARD MANCING, Book Review Editor,
Cervantes,
-
of
elaborating his burlesque of chivalric romance into ever more intricate
configurations, Cervantes
-
In Part II Cervantes is eroding Don Quixote's secondary
level of madness: the belief that he will
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume VIII, Number 1, Spring
-
aristotélicos, para averiguar hasta qué punto la
intención declaradamente
cómica y paródica de Cervantes
-
Se intenta
demostrar que Cervantes llega a crear una narrativa que, vista en su totalidad,
-
Romanticismo
haya encontrado efectos trágicos en la novela a pesar de que los
contemporáneos de Cervantes
-
lógica estética condicionada por la peculiar locura
de don Quijote y elaborada por la invención de Cervantes
-
Con el
Viaje del Parnaso intenta Cervantes
-
Pero Cervantes sabe muy bien que
los elogios del autor prodigados por Mercurio y Apolo van a carecer
-
Las dos doncellas sirve como medio en el cual Cervantes
-
Dentro de las normas de su época,
Cervantes permite que las mujeres sean «atrevidas» en su
-
A mi
parecer, hay marcadas resonancias de Cervantes en este cuento posiblemente
influido
-
Critical Essays on Cervantes
Catherine Swietlicki
-
Cervantes
-
BN está manipulado y, en
pobre encuadernación del siglo XIX, se le ha añadido un retrato
de Cervantes
-
de
Madrid otros ejemplares con signatura R / 32239-42 (también con
ex-libris de Asensio) y Cervantes
-
Solamente difieren el encuadre y los tipos
empleados en «Por Miguel de Cervantes Saavedra» y algunas
-
Como sobran tan doctos Hespañoles,
A ninguno offreci la Musa mia...20
Cervantes
-
Cervantes -it is not easy to say this, but the
evidence is there- was not happy in Spain.
-
There can be no doubt that Cervantes
-
—34→
(Cervantes
-
art
come amiss to his hoped-for patron, the Conde de Lemos, poet and patron of
poets, to whom Cervantes
-
It is therefore instructive to
see how Cervantes selects from the theorist's exposition two opposing
-
que dijo:
est Deus in nobis...,
etcétera» (II,
16).48 But, in
Viaje del Parnaso, Cervantes
-
In his poem Cervantes becomes the
champion of study and experience; but he does so indirectly, by
-
This is particularly true of Cervantes, who was seized of the importance
of the «reader's understanding
-
It is unlikely that Cervantes, as practising novelist and
occasional propagandist, ever analyzed
-
Among those who had harboured such expectations had been Cervantes and
Góngora.
-
Parnaso
Geoffrey Stagg
University of Toronto
Con el
Viaje del Parnaso intenta Cervantes
-
Pero Cervantes sabe muy bien que
los elogios del autor prodigados por Mercurio y Apolo van a carecer
-
This article is the text of an address delivered to the
Annual Membership Meeting of the Cervantes
-
See also his
Cervantes, Past Masters Series (Oxford:
Oxford U.
-
Weiger,
The Substance of Cervantes (Cambridge,
New York: Cambridge U. P., 1985).
-
Copyright © 1988 by the Cervantes Society
of America.
-
Allen a profound debt of gratitude for
the splendid work he has done as founding Editor of
Cervantes
-
as his successor, and I shall do
my very best to maintain the high standards he has set for
Cervantes
-
I
trust you will continue to send us your best work on Cervantes and help to make
our journal
-
a lively forum for discussion and debate about new developments in
Cervantes scholarship.
-
We also need your help in encouraging your friends and
colleagues to subscribe to
Cervantes
-
A.)
62
George Hainsworth,
Les «Novelas exemplares» de
Cervantes
-
Ancienne
Honoré Champion, 1933), 20-21: «Dans le
premier,
Las dos doncellas, Cervantes
-
69
Otilia López Fanego, «Algunas reflexiones acerca
de la mujer en Montaigne y en Cervantes
-
Thus whatever ideas Cervantes might have to spin out, the story
will be contained within the two-fold
-
How far Cervantes will be capable of elaborating his parody will,
in addition of course to his imaginative
-
Initially, Cervantes made his character suffer from
hallucinations.
-
The make-believe recognition to be accorded
Cervantes by Mercury and Apollo would be no substitute
-
His enthusiasm communicated itself to
Cervantes, who developed in eloquent fashion the conception
-
In all this Cervantes is merely
echoing Carvallo, who considers the gift of poetry divine, «don
-
Poesía» (I, 129) is a worthy vehicle for sacred
themes -witness the prophet David (I, 123)46- Cervantes
- Formatos:
-
-
Resultado número:23
Texto
- Título:
-
Cervantes : Bulletin of the Cervantes Society of America. Volume VII, Number 2, Fall 1987 - Registro bibliográfico
- Portales:
-
Literatura
Visitar sitio web
| Miguel de Cervantes
Visitar sitio web
| Cervantes : Bulletin of the Cervantes Society of America
Visitar sitio web
- Sumario:
-
5
artículos
- Fragmentos
'cervantes' en la obra
: (259
coincidencias encontradas)
-
-
its English-language translators, this
trivializing of Cervantes
-
simple contrivance -the finding of a manuscript in a bag left by a visitor in
the Inn».8 Although Cervantes
-
contrivance» here generates more critical vehemence than one might
expect (including an unkind cut at Cervantes
-
which became increasingly
secularized in its application by the Eighteenth Century, something Cervantes
-
Helena Percas de Ponseti wrote a subsequent note entitled
«A Revision: Cervantes's Writing [Cervantes
-
61-65], which prompted a response by Daniel Eisenberg, «'Esta empressa,'
no 'está impressa'» [Cervantes
-
125-26], to which she replied with «Nota a la nota sobre una nota:
'impressa,' no 'empressa'» [Cervantes
-
(N. from
the A.)
125
Don Quixote de la Mancha by Miguel
de Cervantes
-
Ruth el Saffar has documented Girard's «curious blindness» towards
Cervantes' later works of literature
-
illuminate a
specific set of interactions and transactions by which Cervantes
-
literature in
The Light in Troy, his study of Renaissance
imitation, could very well have included Cervantes
-
Into
El curioso, then, as visible or acknowledged
constructs, Cervantes inscribes his imitative
-
—100→
133Miguel de Cervantes
-
Novedad y ejemplo de las
Novelas de Cervantes.
-
glossary; and a chronological
table at the end of Volume II which includes biographical data on Cervantes
-
Castro's remarks
are from
El pensamiento de Cervantes (Madrid:
Editorial Hernando,
-
with the
conclusion «imposed» on Castro by his reading: «se
impone la conclusión de que Cervantes
-
patience wearing thin, say, during Marcela's
speech on freedom» -a telling
double erasure (Cervantes
-
In his translation for
The Portable Cervantes, Putnam reassures
us in an editorial summary
-
Cervantes, in perceiving this essential theatricality
of the picaresque, experimented with prose
-
Cervantes distanced
himself from the narrative level of picaresque adventure to
-
Cervantes' picaresque texts offer commentary on the nature
of authors, readers, and protagonists.
-
Even Cervantes'
pícaros are somewhat removed
from or have more than one perspective on their
-
The notable exception to
this trajectory would seem to be Cervantes, who calls this very traffic
-
vigorous counter-drama.21 The
elements from Herodotus whose structural presence we can espy in Cervantes
-
voyeurism» -to be inverted in
El curioso from lover to husband.22 The most
resonant feature of Cervantes
-
The difference between history and fiction is a theme Cervantes
returns to in his novella,
-
I would like to explore now a particular narrative technique
employed by Cervantes with considerable
-
At some point
prior to publication Cervantes decided, for thematic as well as technical
reasons
-
commonplace image of the
chess game.120 Contrary to what Sancho might have thought possible,
Cervantes
-
More than any other writer, Cervantes peoples his stage world with
pícaros, implicitly in the
-
Cervantes develops a continuing preoccupation with, yet
maintains a critical distance from, his
-
Cervantes : Bulletin of the Cervantes Society
of America
Volume VII, Number 2, Fall 1987
-
THE CERVANTES SOCIETY OF AMERICA
President
ALAN S.
-
RIVERS SE DANIEL EISENBERG
HARRY SIEBER NE EDWARD DUDLEY
Cervantes: Bulletin of the Cervantes
-
WARDROPPER
Cervantes, official organ of the Cervantes
Society of America, publishes
-
scholarly articles in English and Spanish on
Cervantes' life and works, reviews, and notes of interest
-
Subscription
to
Cervantes is a part of membership in the
Cervantes Society of America, which
-
Membership is open to all persons interested in Cervantes.
-
subscription, send check in dollars to Professor CATHERINE SWIETLICKI,
Secretary-Treasurer, The Cervantes
-
Manuscripts
(submitted in accordance with
Cervantes,
2 [1982], 107) should be
sent
-
to Professor MICHAEL MCGAHA, Editor,
Cervantes, Department of Modern Languages,
Pomona College
-
Books for review should be sent to
Professor HOWARD MANCING, Book Review Editor,
Cervantes,
-
Theatricality in the Picaresque of
Cervantes
-
en tela de
juicio aspectos filosóficos, estructurales y estilísticos de la
picaresca de Cervantes
-
Adelantándose a su época, Cervantes transforma el
topos medieval del mundo-teatro por
secularizarlo
-
Debido a su visión teatral, el
discurso picaresco de Cervantes discrepa del de otros escritores
-
Por esta nueva dimensión crítica, la
picaresca de Cervantes es más «metapicaresca» que
«antipicaresca
-
In the following interpretation of the picaresque of
Cervantes,105 I take into consideration a number
-
The fact that Cervantes frequently brings his
pícaros to the stage indicates
in the most obvious
-
As fictional characters, Cervantes'
pícaros often become actors or
are otherwise engaged in
-
- is a significant and constant quality
that distinguishes, but by no means entirely separates, Cervantes
-
I prefer not to banish Cervantes' texts from the
picaresque canon by labeling them «anti-» or
-
Rather, my idea is that Cervantes, through his dramatic
treatment, produced variations better designated
-
Coloquio es el subterfugio creado en el
capítulo 9 de la primera parte de la gran novela cuando Cervantes
-
Al redactar para la imprenta
este cuento dialogado, Cervantes, por razones tanto técnicas como
-
Cambiando
el orden de los acontecimientos por medio de la técnica
«flashback», Cervantes
-
One of the things that has always fascinated me about Cervantes'
shorter narratives is the wide variety
-
Ultimately, then, it is Cervantes' unconventional
narrative technique, rather than the events themselves
-
to have completed a version of as early as 1922 but which
he revised for republication in 1963, Cervantes
-
, Bakhtin allows that «embryonic rudiments» or
«early buddings of polyphony» can be detected in Cervantes
-
And in material added
to the 1963 edition, Cervantes achieves a somewhat fuller measure of this
-
Quixote when Bakhtin compares the tonality of
laughter in Cervantes
-
«In Cervantes there is no longer that
public-square intensity of sound, although in the first book
-
la Isla
Bárbara: Fábulas y reconocimientos»,
MLN 94 (1979), 233; Alban Forcione,
Cervantes
-
We know that Pliny was on Cervantes' mind during this
period of writing, since Book VIII of the
-
(N. from the
A.)
37
Alban Forcione, for instance, sees Cervantes' cannibalizing
-
The critic
states that Cervantes' intention was to compel his reader to experience a sense
of
-
It is also worth noting that
Cervantes utilized the technique of layered critical commentary on various
-
The narrators who would ordinarily speak or
write in the first person (Cervantes and Ginés de Pasamonte
-
This is not the only occasion on which Cervantes has opted to
create such a multi-tiered narrative
-
at the beginning of
Chapter 9 of the 1605
Quixote.94 With this previous ingenious insertion Cervantes
-
In so doing,
Cervantes invented an ingenious format that would allow him to write an
experimental
-
Once he
committed himself to writing a novel about how one ought to write a novel,
Cervantes
-
a transcription of a paper invited for
presentation at the 1985 annual meeting of the
Cervantes
-
To recall one strident example of the
«outdoing topos» -by Cervantes' «flesh and blood» over
-
Not the
least of Cervantes' distinctions is his challenge to the confining logic of
verosimilitude
-
While these are all promising avenues of reflection on the
problem of Cervantes in Bakhtin's poetics
-
at the close of this brief discussion, passing through
the looking glass of Bakhtin's image of Cervantes
-
, as it were, and considering
the image of Bakhtin in Cervantes' poetics.
-
Within the purview of Cervantes' poetics, then, however implicit
or «unwritten» this system of literary
-
How does Cervantes criticize and correct his models, rewrite these
prior visions as his own?
-
Cervantes' creation may be more amenable to the
«soundings» of contemporary readers -readers who
-
kinship to an eating disorder common among women- that
forces us to recognize the great distance that Cervantes
-
Thus the concrete, explicit view of Cervantes and
Don Quixote afforded by Bakhtin's literary
-
Nabokov's Harvard
lectures on
Don Quixote turns up (it is known that
Bakhtin did lecture on Cervantes
-
of «dialogism» or
«the chronotope» or the «extralocality» of the author
to the hero to see Cervantes
-
approach that I take in
An Exemplary History of the Novel and that
Alban Forcione takes in
Cervantes
-
possible to inquire whether there is some reason or
rationale for Bakhtin's relative silence on Cervantes
-
It is also arguable that the
peculiar ironies concerning the status of the reader in Cervantes' fiction
-
sympathetically.58 Nevertheless, it is certainly less a case of Bakhtin polemically
«closing down» Cervantes
-
Nevertheless, after «Discourse in the Novel»,
Bakhtin's attention to Cervantes as exemplary novelist
-
in the Novel», the other major
essay on the novel from the 1930s, Rabelais begins to overshadow Cervantes
-
to «The Rabelaisian Chronotope» and «The
Folkloric Bases of the Rabelaisian Chronotope», while Cervantes
-
assimilation of historical time», but apologizes that
«in this essay... we cannot undertake an analysis of Cervantes
-
'
novel».52 This eclipse of Cervantes in Bakhtin's poetics continues in
Bakhtin's separate book
-
—33→
a folklorics of festivity, and while Cervantes
-
Don Quixote, he argues for an increasing
privateness and morbidity of physical experience in Cervantes
-
Cervantes' rewriting in the
Persiles of his predecessor self in the
Quijote is a revisionary
-
The vexed issue of male bonding via women's bodies is
deepened, extended, and allegorized in Cervantes
-
The male inhabitants of
Cervantes' Barbaric Isle eat something like that regularly, or at least
-
These consensual notions
would link Cervantes' barbarians at least to the Anselmo of Francisco Ayala's
-
I am more interested in the Barbaric Isle as
Cervantes' emblematic «homosocial» landscape, in Eve
-
I consider that Cervantes' prologues are part of his
fiction.
-
(Is there anyone who really believes that a friend fed Cervantes those
Latin phrases mentioned in
-
Did Cervantes really have the
pelo castaño he describes in
the
Novelas preface at age 67
-
In the second chapter, «Cervantes and Contemporary Prose
Fiction», the
Quijote's literary antecedents
-
Cervantes himself is happily rejected, as are a few
other candidates.
-
In «Discourse
in the Novel», a long essay written in 1934-35, Cervantes achieves a new
prominence
-
understanding Bakhtin's protean concepts of
language and literature and for understanding the place of Cervantes
-
«Of such a sort is the classic and purest model of the
novel as a genre -Cervantes'
Don Quixote
-
This
is a challenge to the literary formalism of much Cervantes criticism.
-
most general way, theatricality is a constant organizing
principle or mode of presentation for Cervantes
-
Cervantes creates
a self-contained illusory world in his fiction that excludes the reader.
-
Other
authors of the picaresque tell; Cervantes shows.
-
as
Tú in
Guzmán, influences (apparently) the
content and direction of the narration; Cervantes
-
Cervantes' narrations are
presented to the reader like tableaux in which both an action and response
-
—76→
Still, Cervantes
-
Cervantes' theatrical mode of presentation is complemented by the
fact that his
pícaros are
-
out of roles on the world's stage
is a characteristic consonant with other works of fiction by Cervantes
-
Cervantes'
pícaros imitate their
predecessors, their picaresque desires mediated by previous
-
Here Cervantes' intertextual playfulness enables
the creation of a delightfully amusing picaresque
-
Cervantes' other novelty in this episode is
to pit Ginés against Don Quijote -an innocent listener
-
—29→
The Problem of Cervantes
-
Reed
Emory University
Cervantes y
su
Don Quijote reciben relativamente poca
-
Por otro lado, es
interesante considerar la prefiguración de Bakhtín en la
poética de Cervantes
-
The problem of Cervantes in Bakhtin's poetics is initially a
simple one: his inconspicuousness.
-
Neither Cervantes nor his novel
Don Quixote figure at all prominently in
Bakhtin's voluminous
-
this
«grandest and saddest book conceived by the genius of man», in
Dostoevsky's assessment of Cervantes
-
solution, it would be easy to conclude
that contemporary Cervantes
-
scholars concerned with modern literary theory
should ignore Bakhtin and concentrate on other more Cervantes-centered
-
be found in El Saffar's
Beyond Fiction: The Recovery of the Feminine
in the Novels of Cervantes
-
ideas expressed were presented at the inspiring
National Endowment for the Humanities Seminar on Cervantes
-
The notion of theatricality is a broad one, and I have
selected several features of Cervantes
-
1982), pp. 27-33; and Juan José García,
«Visión metadramática del
Quijote», in
Cervantes
-
Actas del I
Congreso international sobre Cervantes, ed.
-
the emotions of the
destinataire, of course a very different
theatricality to that of Cervantes
-
To summarize, for some reason Cervantes had a fondness for
-perhaps even a fascination with- the
-
number four.104 In blending the
Casamiento with the
Coloquio Cervantes returns to a strategy
-
adventure and
its undeniable link to the four narrative tiers Cervantes
-
Cervantes recognized that by appending the dream-like
Coloquio to the more realistic
Casamiento
-
Such a rearrangement would then enable Cervantes to
utilize the «flashback» device of which he was
-
analysis seems appropriate,
mutatis mutandis, to Bakhtin's
position as critical author vis-a-vis Cervantes
-
cervantista of the twentieth century,
Borges' Pierre Menard, Bakhtin demonstrates the centrality of Cervantes
-
I acknowledge the Quixotic eccentricity of this final assessment
of the problem of Cervantes in Bakhtin's
-
But it seems to me that
Cervantes himself mounts powerful arguments against our tendency to assume
-
Both Cervantes and Bakhtin demonstrate, from opposite sides of
the critical fence, that the privilege
-
The critic
convincingly argues that Cervantes must have decided at some late point (ca.
1612-
-
But we are then left with a nagging technical question: why has
Cervantes chosen to present the events
-
For my part, I believe the solution can be found by examining
a special quirk in Cervantes' style
-
We have already observed that in the
combined
Casamiento and
Coloquio Cervantes reprises
-
the
same device of layered critical commentary provides us with an important clue
as to why Cervantes
-
listening to
Berganza; Berganza witnessing Cañizares' reverie), would have made it
difficult for Cervantes
-
virtuosity: Peralta's presence as a commentator on a much-desired fourth level
of narration illustrates Cervantes
-
the A.)
108
Peter Dunn, De / Reconstructs the Picaresque»,
Cervantes
-
See also the recent issue of Cervantes devoted to genre
(Fall, 1986). (N.
-
the A.)
109
See Anthony Close, «Characterization and Dialogue in
Cervantes
-
theatrical aspects of
Rinconete y Cortadillo, see
Américo Castro,
El pensamiento de Cervantes
-
Cortadillo, I follow Ruth El
Saffar's chronology in
From Novel to Romance: A Study of Cervantes
-
Canavaggio,
Cervantès dramaturge: une
théâtre à naître (Paris: Presses Universitaries
-
El curioso, I would like to glance briefly at
some fertile and interesting similarities between Cervantes
-
between Lacan's psychoanalytic account of the
unconscious -what he calls «the scene of the Word» and Cervantes
-
Cervantes represents the inhabitants of
his literary island, for instance, as crazed producers of
-
espantoso
estruendo») or by gestures («señas», «señales», «muestras»).41
The women imported by Cervantes
-
Cervantes' whole
Barbaric Isle narrative, in other words, appears to be depicting a crisis of
-
Most pertinent to our reading is the fact
that Cervantes
-
What do we find on Cervantes' Isla Bárbara?
-
Thus begins Cervantes' last romance, with this
amazing micro-narrative about an all-male community
-
Cervantes may have taken for the germ
of his narrative Pliny's description of the Essenes, a community
-
The traditional «doctrinal» readings of this Barbaric Isle prologue
to the
Persiles focus on Cervantes
-
It is the systematic social apparatus of
Cervantes' mythical island -not its cannibalism- that merits
-
Cervantes is not writing regionalism here but allegory -a «dark
conceit» of a society mediated by
-
«transaction» of Camila between Anselmo and
Lotario, but also the «archetype of exchange» that Cervantes
-
exposure of the
barbaric social mechanisms by which females are taken up as raw materials,
Cervantes
-
The «new» in Cervantes is an imaginative revision of
heterosexuality, with women as partners to -
-
And this revision is worked out in the
Persiles, the work I regard, in Dudley's
phrase, as «Cervantes
-
Cervantists will recall with gratitude Dick's important
contributions to our understanding of Cervantes
-
Insula, 1958) opened our eyes to that «mundo
extraña y maravillosamente libre» created by
Cervantes
-
Dick's other book-length
contribution to Cervantes studies was a biography commissioned by Dodd,
-
Cervantes is a handsome, lavishly produced
book, designed by the publisher to grace coffee tables
-
The notion of Cervantes' picaresque as evolving in opposition to
the fiction of Mateo Alemán has
-
been well developed in Carlos Blanco
Aguinaga's seminal article, «Cervantes y la
picaresca
-
In
an article on Cervantes and the picaresque, Peter Dunn also suggests that genre
may be regarded
-
One might
almost posit, and Dunn comes close to doing so, a post-structuralist view of
Cervantes
-
Cervantes seems to have been testing
wife-testing, exposing all those shared cultural fictions -the
-
Language fails Anselmo but it does
not fail Cervantes who, before his own death,
will cross
-
It is our turn now not
to fail Cervantes.
-
en valores aristocráticos, la visión social que predomina en las
Novelas ejemplares de
Cervantes
-
La ilustre fregona is one of the least
studied of Cervantes'
Novelas ejemplares, and yet, with
-
society's
rules and structures, along with a case of mistaken or displaced identity,
provides Cervantes
-
In the present essay, my intention is to surpass the
characterization of Cervantes' picaresque as
-
Cervantes' «readings» of the picaresque are intertextually
playful, self-conscious, and ironic; but
-
Rather, Cervantes
produced an opus of picaresque texts with some salient and quite consistent
-
For example, Cervantes' plays and
entremeses, «nunca representados», were finally published
-
theater for readers
and, as I hope to demonstrate, theatricalized fiction in the picaresque of
Cervantes
-
conceptual
framework within which to consider generic, philosophical, and stylistic
aspects of Cervantes
-
The theatrical quality of Cervantes' fiction was already suggested
by a contemporary writer, Avellaneda
-
, who alluded to Cervantes' «comedias en prosa» in his prologue to the
apocryphal
Quijote.
-
ilustre fregona,
El coloquio de los perros, and others.109 Accordingly, even what is probably Cervantes
-
introduction of an atemporal and pictorial tableau or
cuadro de costumbres is quite typical
of Cervantes
-
of the
term «novela» and includes a
discussion of the
Novelas from the point of view of Cervantes
-
In particular, the evidence of Sorel and other French writers
who recognize the significance of Cervantes
-
A comparison of Cervantes and the Italian
novellieri throws further light upon
the evolution
-
Like Bandello, Cervantes is innovative
in abandoning the external framework technique in favor of
-
Although Cervantes
insists upon the commonplace adjective, «ejemplares», in the title of his
-
In addition, «ejemplo» in Cervantes is not merely a
traditional statement of moral precept, but an
-
Most importantly, the persuasiveness of
«ejemplo» in Cervantes
results from the author's «fidelidad
-
Cervantes sees himself as providing «example» precisely as
novelist, and his «arte de
novelar
-
Consequently,
realism in Cervantes is never synonymous with literal representation of
reality
-
Cervantes : Bulletin of the Cervantes Society
of America
Volume VII, Number 2, Fall
-
The Problem of Cervantes in Bakhtin's
Poetics
Walter L.
-
Cervantes
-
Por otro lado, es
interesante considerar la prefiguración de Bakhtín en la
poética de Cervantes
-
en valores aristocráticos, la visión social que predomina en las
Novelas ejemplares de
Cervantes
-
Coloquio es el subterfugio creado en el
capítulo 9 de la primera parte de la gran novela cuando Cervantes
-
Al redactar para la imprenta
este cuento dialogado, Cervantes, por razones tanto técnicas como
-
Cambiando
el orden de los acontecimientos por medio de la técnica
«flashback», Cervantes
-
Theatricality in the Picaresque of
Cervantes
Helen H.
-
en tela de
juicio aspectos filosóficos, estructurales y estilísticos de la
picaresca de Cervantes
-
Adelantándose a su época, Cervantes transforma el
topos medieval del mundo-teatro por
secularizarlo
-
Debido a su visión teatral, el
discurso picaresco de Cervantes discrepa del de otros escritores
-
Por esta nueva dimensión crítica, la
picaresca de Cervantes es más «metapicaresca» que
«antipicaresca
-
The Bounds of Reason: Cervantes, Dostoevsky,
Flaubert
-
Miguel de Cervantes
-
by Julio
Rodríguez-Luis
Novedad y ejemplo de las
Novelas de Cervantes
-
través del
prisma de Mikhail Bakhtine: carnaval, disfraces, escatología y
locura»,
Cervantes
-
McGaha (Easton, PA: Juan de la Cuesta, 1980), pp. 71-86; and Donald
Fanger, «Dostoevsky and Cervantes
-
in the Theory of Bakhtin: The Theory of
Bakhtin in Cervantes and Dostoevsky»,
Harvard Library
-
Forcione,
Cervantes and the Mystery of Lawlessness: A
Study of «El casamiento engañoso y
-
Obviously, «ejemplaridad» in Cervantes is closely linked
with realism -what Rodríguez-Luis terms
-
«detallismo», or «el absorbente interés de Cervantes en
toda la materia de sus narraciones, la
-
It is Cervantes' representation of detail as worthy of attention
in itself rather than as merely
-
Ultimately, Cervantes' creation of
«living» characters whose intimate motives become the basis of
-
as his intervention as narrator who describes what is
happening within his characters, separates Cervantes
-
the incorporation of
narrator into the «fiction» are all part of the innovative process
in Cervantes
-
tres secciones: «La cultura del Renacimiento en
España y Portugal», «Creación artística de
Cervantes
-
, problemas de maestría», y «Cervantes a
través de los siglos».
-
Umiakin (cuya obra abarca el período de 1763 a 1957) e incluye
traducciones al ruso de los textos de Cervantes
-
de artistas y escritores, y una breve lista de
bibliografías soviéticas dedicadas al estudio de Cervantes
-
118
Miguel de Cervantes,
Pedro de Urdemalas (New York: Las
Américas, 1965),
-
(N. from the A.)
119
Miguel de Cervantes,
Pedro de Urdemalas, p.
-
(N. from
the A.)
120
Miguel de Cervantes,
Don Quijote de la
-
(N. from the A.)
112
Miguel de Cervantes,
Novelas ejemplares II (Buenos
-
(N. from the A.)
113
Miguel de Cervantes,
Los Trabajos de Persiles
-
(N. from the A.)
114
Miguel de Cervantes,
Los Trabajos de Persiles
-
cartas de relación see
Roberto González Echevarría, «The Life and Adventures of
Cipión: Cervantes
-
from the A.)
115
Anthony Close, «Characterization and Dialogue in
Cervantes
-
(N. from the A.)
116
Ruth El Saffar, «Cervantes and the Games of
Illusion
-
», in
Cervantes and the Renaissance, ed.
-
Juan de la Cuesta Monographs, 1980), pp.
141-56, and «Tracking the Trickster in the Works of Cervantes
-
117
On Pedro de Urdemalas as a character from traditional
folklore, see Miguel de Cervantes
-
On Pedro's verbal
skills and «metatheatricality», see Alban Forcione,
Cervantes, Aristotle
-
118-25; and Edward
Friedman,
The Unifying Concept: Approaches to the
Structures of Cervantes
-
What other picaresque literature proposes as
biography and social criticism Cervantes presents as
-
In
El coloquio Cervantes demonstrates that the
value of a work of fiction does not depend on
-
it is difficult to give
adequate illustrations of Rodríguez-Luis's great acquaintance with
Cervantes
-
As I have already noted, Cervantes' earliest picaresque work,
Rinconete y Cortadillo, is noticeably
-
character types are repeated in the first act of
El rufián dichoso and
El rufián viudo.115
Cervantes
-
As Ruth El Saffar has demonstrated in two recent articles, many
of Cervantes' characters in later
- Formatos:
-
-
Resultado número:24
Texto
- Título:
-
Cervantes : Bulletin of the Cervantes Society of America. Volume X, Number 1, Spring 1990 - Registro bibliográfico
- Portales:
-
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-
11
artículos
- Fragmentos
'cervantes' en la obra
: (177
coincidencias encontradas)
-
-
Cervantes, M. Los
trabajos de Persiles y Sigismunda, historia
setentrional.
-
Cervantes' Aristotle and the Persiles.
Princeton: Princeton Univ.
-
Cervantes' Christian Romance. Princeton:
Princeton Univ. Press, 1972.
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume X, Number 1, Spring 1990
-
THE CERVANTES SOCIETY OF AMERICA
President
JAVIER HERRERO (1991
-
GAYLORD
Cervantes: Bulletin of the Cervantes
Society of America
Editor: MICHAEL MCGAHA
-
JOHNSON FRANCISCO MÁRQUEZ
VILLANUEVA
Cervantes, official organ of the Cervantes
-
Society of America, publishes scholarly articles in English and Spanish on
Cervantes' life and
-
Subscription
to
Cervantes is a part of membership in the
Cervantes Society of America, which
-
Membership
is open to all persons interested in Cervantes.
-
and
subscription, send check in dollars to Professor ALISON WEBER,
Secretary-Treasurer, The Cervantes
-
together with a self-addressed
envelope and return postage, to Professor MICHAEL MCGAHA, Editor,
Cervantes
-
Books for review should be sent
to Professor HOWARD MANCING, Book Review Editor,
Cervantes,
-
crítica de un buen número de generaciones calificaba el
Persiles como del «otro»
Cervantes
-
A
la vez que escribía el novelístico
Quijote, escribía Cervantes
también el muy distinto
-
prólogo -lo último del libro en escribirse- es
alegórico y establece una visión de la vida de Cervantes
-
Es impresionante que tan
cerca a la muerte Cervantes quien también pasó por muchos
trabajos
-
Forcione:
Cervantes, Aristotle and the Persiles.
Princeton U.
-
Novel to Romance: A Study of Cervantes'
«Novelas Ejemplares». Johns Hopkins U. Press, 1974.
-
67
All page references are to the following translations: Miguel
de Cervantes
-
Sin embargo, ¿va Rocinante con la rienda suelta a donde Cervantes quiere
que vaya, o es más bien
-
Cervantes quien lleva a su caballero por donde
Rocinante quiere?
-
Ruth El Saffar,
Beyond Fiction: The Recovery of the Feminine
in the Novels of Cervantes
-
Sancho and
Tomé Cecial (Mystery of Lawlessness 204-13); and
my study of the way in which Cervantes
-
modern novel through his development of the squire's
transgressive, popular festive discourse («Cervantes
-
Sheehan
Gallery mounted an exhibit (which ran from January through February) of
illustrations of Cervantes
-
Four of the local artists who
contributed works to the Cervantes exhibit gave presentations to the
-
Cervantes had sketched out a rough draft of this gendered structure in
La Galatea, his first romance
-
(The classic example in Cervantes is Dorotea's language
of her deflowering: «y con volverse a salir
-
(N. from the
A.)
53
Rosa Rossi,
Escuchar a Cervantes: Un ensayo
-
55
Ruth El Saffar, «The Truth of the Matter: The Place of
Romance in the Works of Cervantes
-
But titles are only the most superficial symptom of what Greek
romance offered Cervantes toward
-
for both sexes found in Greek romance, an
atypical morality for the Renaissance, was not lost on Cervantes
-
Birmingham-Southern College
Este estudio
examina la representación innovadora que hace Cervantes
-
En vez de presentarnos con una victima
trágica, como en las versiones más tradicionales, Cervantes
-
Through creating such a negative example of the union between
man and woman, Cervantes all the more
-
Cervantes' squire is a striking representation of
the medieval and Renaissance carnival spirit, a
-
Moreover, Cervantes' presentation of the squire in
certain carnivalesque scenes is intimately linked
-
Forcione,
Cervantes' Christian Romance (Princeton:
Princeton UP, 1972).
-
(N. from the A.)
106
Miguel de Cervantes,
Los trabajos de Persiles
-
(N. from the A.)
108
See Forcione' s
Cervantes and the Mystery of
-
Throughout his work, while probing deeply the relationship between desire
and happiness, Cervantes
-
Human happiness in
our world, Cervantes suggests allegorically, can be attained, not by the
rejection
-
Cervantes
había tenido la precisión de narrarnos la aventura del Yelmo de
Mambrino desde
-
Ver en el episodio del caballo de Cratilo algo en pugna con lo
real y acusar a Cervantes (o a Periandro
-
Nonetheless, I believe I have
indicated, in part, how Cervantes employs metafictional discourse to
-
interest in
metafiction will help lead to the recognition of
Persiles as an integral part of Cervantes
-
Cervantes Saavedra, Miguel de.
Don Quijote de la Mancha. Ed. Martín
de Riquer.
-
Novel to Romance: A Study of Cervantes' Novelas
Ejemplares.
-
El criterio del caballo es el que don
Quijote sigue, y el que Cervantes sigue en el
Quijote
-
Cervantes va llevando su novela
por donde Rocinante quiere que se lleve, es decir, por la senda
-
For generations critics refused to study the reasons which may
have led Cervantes to such an hyperbolic
-
cervantismo sought refuge in its
favourite hobbyhorse, which postulated the existence of two Cervantes
-
Its
dedication was dated April 19, 1616, in Cervantes' deathbed, since he died on
April 22, 1616
-
Death
stopped Cervantes' hand in midair.
-
The date 1599 is proven by the fact that Cervantes uses
Jerónimo de Huerta's translation of Pliny's
-
When Cervantes
began writing Books III-IV is much
-
profoundly
grateful, has brought us all together to celebrate the last and posthumous
novel of Cervantes
-
It is difficult to exaggerate the importance of this new
Greek classic, and Cervantes publicly proclaims
-
In the dedication of his
Ocho comedias y ocho entremeses of 1615,
Cervantes promises «el gran
-
Also in 1615, and in the
dedication of the second part of
Don Quijote, Cervantes lapses into
-
Clearly, for Cervantes
Persiles would be the best Spanish novel, and
this he prints in the dedication
-
Copyright © 1990 by the Cervantes Society
of America.
-
Three well-known Cervantes scholars with
special interest in the
Persiles were invited: Juan
-
Students from Clark
Colahan's Cervantes class began discussion of each paper with questions and
-
This convergence of «el bien y el
mal» -the «punto» where Cervantes' opposites meet-
would
-
That Cervantes was not attracted to Heliodorus
for his epic perfections -for his admired unity of
-
—41→
for Cervantes
-
woman may
be the most significant legacy of Greek romance to later fiction -and not only
to Cervantes
-
These are the same years in which Cervantes was composing the first part of the
Quijote, that
-
first
one has to do with the fact that the simultaneous composition of two or more
books was Cervantes
-
In those same years of 1604-1605, when Cervantes alternated his
work in
Persiles and
Don
-
has nothing to do with allegories, the
well-known Mexican novelist Carlos Fuentes, in his
Cervantes
-
o la crítica de la lectura,
has said of novels in general and Cervantes' in particular: «No great
-
It is important that the marriage elevated in the
Persiles by Cervantes bears maternal
approbation
-
Girard, however, in a later work, like Cervantes, depicts
the road to Rome, to the
imitatio
-
Following Christ means giving up mimetic
desire»101, which, of course, it does, both
for Girard and Cervantes
-
, he also makes it clear, as does Cervantes, that
«the Gospels and the New Testament do not preach
-
the most striking departures from the more traditional
versions of the Rosamond story appears in Cervantes
-
How
much Cervantes actually knew about this figure is a matter of speculation.
-
is significant that Rosamunda appears in the
sequence of adventures in the North, a region which Cervantes
-
We should also add that in subsequent chapters in Book One, Cervantes
will introduce another innovative
-
Cervantes' anachronistic placement of Rosamunda in the sixteenth
century may appear to some extent
-
Cervantes allows us the opportunity to observe the lustful
courtesan in action in the climactic scene
-
Upon deciding to give an allegorical meaning to his novel,
Cervantes was in step with his times,
-
To make this clear from the outset, Cervantes
did not have, unfortunately, an Orazio Toscanella,
-
Cervantes, Aristotle and the Persiles.
Princeton: Princeton UP, 1970.
_____.
-
Cervantes' Christian Romance: A Study of
Persiles and Sigismunda.
-
«Cervantes, lector de
Aquiles Tacio y de Alonso Núñez de Reinoso». Diss.
-
Cervantes wrote no such
thing as an «Allegoria del Romanzo», but he did write an
allegorical
-
Cervantes tells us that he was
travelling along a road when he met a student.
-
omnes peregrini sumus, and the road
they travel can be understood -and most especially in Cervantes
-
The transition from one allegorical
system to the other is explained by Cervantes himself, when Sigismunda
-
After various transformations, the pilgrim reaches the age of
Cervantes
-
When Cervantes decided in his
Persiles to make Christian pilgrims out of
his protagonists he
-
Cervantes' achievement in
Persiles is comparable to that of Tasso in
his
Gerusalemme Liberata
-
The immense pride that
Cervantes took in his posthumous novel, placing it above
Don Quijote,
-
Patrick Henry
Whitman College
Como
René Girard ha visto en el
Quijote, Cervantes
-
El
propósito de Cervantes en el
Persiles es mostrarnos la base sobre la
cual se puede
-
Weller and
Clark Colahan without whom I would not have been able to read this last work of
Cervantes
-
continuously, more obsessively, and more explicitly about the genesis and
nature of human desire than Cervantes
-
through
Quixote, Anselmo through Lothario, Fernando through Cardenio, even Avellaneda
through Cervantes
-
Cervantes has
travelled along the road of life where he met the Humanities (literature,
symbolized
-
Cervantes has arrived at his celestial
city, and with the composure of the good Christian he will
-
The
pilgrimage of Cervantes, the good Christian, has come to an end.
-
Extraordinary women in love
We have seen that Wright's Tendai is modelled on Cervantes'
-
Daisy also recalls Cervantes' Rosamunda.
-
example of a strong female character in the play who combines traits of two
women found in Cervantes
-
Forcione's,
Cervantes, Aristotle and the Persiles
(Princeton: Princeton University Press
-
, 1970) and his
Cervantes' Christian Romance: A Study of
Persiles y Sigismunda (Princeton
-
Forcione,
Cervantes, Aristotle and the Persiles
(Princeton: Princeton University Press,
-
It is not necessary to this analysis to imagine that
Cervantes consciously adopted alchemical imagery
-
The period during which
Cervantes was writing his major works happens to coincide with the golden
-
My thesis here is that Cervantes'
Persiles, if some of its parts were written
early, is in over-all
-
conception the work of Cervantes' last years.
-
Cervantes knew when he was going to die, and with this knowledge
he wrote the prologue in which
-
What astonishes me is
the fact that Cervantes, in his last official act as a writer and a novelist
-
That
is to say, Cervantes dedicates his last and most solemn moment to writing the
allegory of
-
pilgrimage, and its prologue will present to us the last pilgrimage
in the life of the novelist Cervantes
-
When Cervantes was turning the last page in the book of his life, it was to
write of his fleeting
-
allegorize oneself in this fashion and face to face with the public, the
reading public, as Cervantes
-
If Cervantes' last work was a great allegory, the last page in the
book of his life had written on
-
Consequently, the prologue to
Persiles constitutes the last thing that
Cervantes wrote in this
-
This shows a strange sense of temporality, since Cervantes died
that Friday.
-
In his article «Cervantes and Fletcher: A Theme with
Variations»83, W. D.
-
Howarth focused on the fact that in
the interpolated story of Mauricio and his daughter Transila, Cervantes
-
interweaving of
intricate subplots, a stylistic feature originating in the Baroque complexity
of Cervantes
-
El Cervantes del
Quijote optó, sin pecar contra la
lógica, por presentar de modo alegórico tan
-
Es más, estas últimas abstracciones, aunque no queden
alegorizados, no están nunca lejos del Cervantes
-
El Cervantes de 'las bodas de Camacho', trabajando el tradicional
esquema de abstracciones (Forcione
-
,
Cervantes, Aristotle, 198), de dos pares de
figuras encontradas entre sí, retiene en modo
-
(N. from the A.)
22
Alberto Navarro González, Cervantes entre el
«Persiles
-
.)
25
Marcelino Menéndez y Pelayo, «Cultura literaria
de Miguel de Cervantes
-
of Guillaume de Lorris», in
Romance: Generic Transformations from
Chrétien de Troyes to Cervantes
-
intricacies of
the plots, Wright incorporates into the play four major themes derived from
Cervantes
-
situations in which they are tested and finally find happiness together; as in
Cervantes
-
Cervantes'
romance begins in what for 17th-century Spaniards were the little-known and
mysterious
-
To assure that such exoticism has its desired effect, both
Cervantes and Wright heed the warnings
-
Forcione has made clear
Cervantes' concern with the «legitimate marvelous»87.
-
propone aquí que se
pueden resolver muchos problemas de interpretación para la última
obra de Cervantes
-
Persiles, especially coming as it did on the
heels of Cervantes'
Don Quixote, has a long history
-
reading of prose fiction and then propose a
radically different perspective from which to consider Cervantes
-
como consecuencia
del arreglo paterno lo refuerzan, como ha señalado el profesor Forcione
(Cervantes
-
ha
señalado como destacado ejemplo del use cervantino de la
personificación (Forcione,
Cervantes
-
Ruth El Saffar warns that «as long as we are caught in the
dichotomies that entangled the Cervantes
-
Will it help us to think of male and female the
way Cervantes thinks of good and evil, as not merely
-
Riley once remarked that «Cervantes seems to
clutch obsessively at historical reality...».
-
126
Para la presencia del tema general de 'bodas rústicas'
en toda la novelística de Cervantes
-
acompañando al Amor y otras tantas al
Interés) que no tienen representación en la obra póstuma
de Cervantes
-
But the formula need not be consigned to a literary tradition of male
friendship, which Cervantes
-
Cervantes must have outgrown such triangulated figurations,
however, because they never occur in
-
Forcione,
Cervantes' Christian Romance,
(Princeton: Princeton University Press, 1972), pp
-
Imagery and Sex-Role Reversal in Fletcher and Massinger's
The Custom of the Country»,
Cervantes
-
Cervantes -«... whoever you may be, you can see that
you have taken the breath out of my chest,
-
See Ruth El Saffar's
Beyond Fiction The Recovery of the Feminine
in the Novels of Cervantes
-
(N. from the E.)
95
Miguel de Cervantes,
Don Quixote de la Mancha,
-
My
point, however, is that the genealogy of Cervantes' barbarians cannot be
understood by limiting
-
By the time Cervantes was beginning
his career as a writer, books like Ercilla's
La Araucana
-
(1569, '78, '89) flooded the
marketplace; we know that Cervantes consulted not only Ercilla but
-
—102→
«Conocimiento y vida en Cervantes
-
In that essay of some thirty years ago, Avalle-Arce said the
following: «Por ello, Cervantes, el
-
Pero en esta forma, y en el
Persiles, Cervantes trasciende la verdad
relativa y eleva la
-
believe that rather than raising
the raw materials of his writing to some transcendental realm, Cervantes
-
Byzantine novel in order to refunction it at a particularly complex moment in
Spanish history, Cervantes
-
Put into the contemporary language of theory, we can say that in
Cervantes conventional signs such
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume X, Number 1, Spring 1990
-
crítica de un buen número de generaciones calificaba el
Persiles como del «otro»
Cervantes
-
A
la vez que escribía el novelístico
Quijote, escribía Cervantes
también el muy distinto
-
prólogo -lo último del libro en escribirse- es
alegórico y establece una visión de la vida de Cervantes
-
Es impresionante que tan
cerca a la muerte Cervantes quien también pasó por muchos
trabajos
-
propone aquí que se
pueden resolver muchos problemas de interpretación para la última
obra de Cervantes
-
fortifica
este notable juego de diferencia, sexual y de otro signo, en el último
«romance» de Cervantes
-
Old and New Mimesis in Cervantes
Patrick Henry
-
Como
René Girard ha visto en el
Quijote, Cervantes
-
El
propósito de Cervantes en el
Persiles es mostrarnos la base sobre la
cual se puede
-
Este estudio
examina la representación innovadora que hace Cervantes
-
En vez de presentarnos con una victima
trágica, como en las versiones más tradicionales, Cervantes
- Formatos:
-
-
Resultado número:25
Texto
- Título:
-
Cervantes : Bulletin of the Cervantes Society of America. Volume II, Number 2, Fall 1982 - Registro bibliográfico
- Portales:
-
Literatura
Visitar sitio web
| Miguel de Cervantes
Visitar sitio web
| Cervantes : Bulletin of the Cervantes Society of America
Visitar sitio web
- Sumario:
-
3
artículos
- Fragmentos
'cervantes' en la obra
: (197
coincidencias encontradas)
-
-
Further on, Cervantes takes care to point out that the
impression was based on something more than masquerade
-
Moreover, where Cervantes could have had a simple
narrative report providing beards through a wave of
-
The object of such
realism cannot be mere verisimilitude; if Cervantes wanted to
impress upon us how
-
At each
level of analysis (linguistic, thematic, structural) we can see that Cervantes
is representing
-
To sum up, first it enables
Cervantes to avoid the problem of justifying his text (by what authority
-
Guillén argued that autobiographical narration risks
formlessness, but in
Rinconete we find Cervantes
-
—125→
And here it is instructive to note that Cervantes
-
selective details, and couching the recital in high
flown language and evasive euphemisms reveals Cervantes
-
But, contrary to what we might
expect from reading commentators who oppose Cervantes' perspectivism
-
Cervantes did not
want to narrate a whole picaresque career, which requires that the life arrive
-
reinan la desconfianza y el
engaño, pero es un engaño infantil con la trampa a la
vista»; «Cervantes
-
Cervantes' presentation of the origins of his characters and the
relation of those origins to the
-
Cervantes tantalizes the reader with the possibility that freedom of
choice may be limited by an
-
Cervantes did not write first-person narrative except within a
third-person frame.
-
In
Joaquín Casalduero's phrase, «roza
Cervantes el género picaresco sin querer entrar en
-
Cervantes stresses two facts: first, that the boy left home of his
own free will, by «inclinación
-
bien criado, y más que medianamente
discreto».23 How this oxymoron
was received by Cervantes
-
It is my contention that any responsive
reader of Cervantes will eventually have to learn something about
-
famous painting by Velázquez, «The Toilet of
Venus», among others, but not, strangely enough, from
Cervantes
-
Cervantes, however, seems to
have shown the kind of body life that results from civilized
pressure: he
-
radical questioning of the highly destructive costs of civilized
existence, irrespective of whether Cervantes
-
Second, Cervantes was
writing about the body in a way more complicated than we have
recognized.
-
in such plays as
Twelfth Night, but —162→
he seems superficial in this regard when compared to
Cervantes
-
confusion of the body with social metaphor and social
control is consummately and critically presented by Cervantes
-
Cervantes
was not intent, in other words, on showing miscellaneous
misbehavior and meanness in the society
-
the Mountain
Interstate Foreign Language Conference (October 7-9, 1982, a
special section devoted to Cervantes
-
Tía
fingida, Daniel Eisenberg (Florida State University), who
proposed criteria for new editions of Cervantes
-
of the Marcela episode in
the Quijote, and Howard Mancing (University of Missouri),
who talked about Cervantes
-
)
35
See Jaime Oliver Asín, «La hija de Agi Morato en
las obras de Cervantes
-
Boletín de la Real Academia
Española, 27 (1947-48), 245-339; Helena Percas de Ponseti,
Cervantes
-
Mountain Interstate Foreign Language Conference (October
7-9, 1982, a special section devoted to Cervantes
-
fingida, Daniel Eisenberg (Florida
State University), who proposed criteria for new editions of Cervantes
-
Marcela episode in the
Quijote, and Howard Mancing (University of
Missouri), who talked about Cervantes
-
My strategy was to bring before the
reader some vivid and disturbing body images of Cervantes'
creation
-
Bandera discovers that according to my
reading of Cervantes, we can say that «Like a leech or a
parasite
-
disputation, the body has
lost its prominence, even though that is a prominence that not I
but
—172→
Cervantes
-
intense, and there is no common
direction, so that to characterize a picaresque typology to which Cervantes
-
constitutive
traits of a picaresque genre is impossible, it will be more practical to look
in Cervantes
-
review of the question by insisting
that we underestimate both the thinking and the varied art of Cervantes
-
Maurice Molho
has contrasted Cervantes' «mundo
abierto» with Alemán's «mundo irrespirable»,
-
Rinconete as «un
mentís personal a la problemática
leamaniana».30 It is clear, however, that Cervantes
-
blood' or family but to peer pressure and fear of losing face
makes that book 'modern' in ways that Cervantes
-
For whatever reason of
artistic judgment or personality, Cervantes preferred to work with problems
-
The place where Cervantes brilliantly outmaneuvers and thereby
deconstructs the picaresque autobiography
-
This is the question that
Cervantes will not let rest, as he makes narrators doubt other narrators
-
his narrators, and thereby acknowledge the
absolute mastery, the absolute arbitrary authority of Cervantes
-
Pasamonte
(or Ginesillo de Parapilla, as the guard calls him) is so often cited as an
example of Cervantes
-
Cervantes' convict on his
way to the galleys cannot but remind us of Alemán's, whose narrative is
-
way to the galleys to serve his
second sentence, but this encounter is usually read as expressing Cervantes
-
So, Ann Wiltrout asserts that «with
Ginés de Pasamonte, the perpetual outsider, Cervantes takes his
-
commentators have not stopped to consider, namely that Ginés de
Pasamonte is a reader, and in this episode Cervantes
-
Blanco objects to
this conjunction of Cervantes and the writers of picaresque, on the ground that
-
irreconcilable, the «realismo dogmático
o de desengaño» of Alemán, and the
«realismo objetivo» of Cervantes
-
I would not deny that Blanco has some
brilliant things to say about both
Guzmán and Cervantes
-
My point is that they subserve a rhetorical strategy of
pitting the «open», «objective» Cervantes
-
was
mentioned earlier as having had a profound influence on our view of the
relation between Cervantes
-
Blanco sustains this argument at considerable length,
and it serves him the purpose of opposing Cervantes
-
This
opposing of Cervantes to a narrow dogmatic Alemán and a monolithic genre
(these two being
-
Allen
University of Florida
In the last issue
of Cervantes (II, 69-87), Robert Flores outlined
-
the options open to prospective editors of Cervantes, and thus to
the Cervantes Society editorial committee
-
work
that has made possible for the first time an old-spelling edition
which recovers something of Cervantes
-
The analysis of the variants
of vuestra
merced in his Cervantes proposal -most elegant and
persuasive
-
In the last issue of
Cervantes (II, 69-87), Robert
Flores outlined the options open to prospective
-
editors of Cervantes, and thus
to the Cervantes Society editorial committee as it ponders the relative
-
work that has made possible for the first time an old-spelling
edition which recovers something of Cervantes
-
The analysis of the variants of
vuestra merced in his
Cervantes proposal -most elegant and
-
, and his evident projection of the «two
Spains» upon Alemán («closed», «dogmatic»)
and Cervantes
-
clothe Alemán in the uniform of
«authoritarian Spain», but reserve the greater triumph for
Cervantes
-
convinced his enemy wants to inflict on him, is
something farfetched, or has nothing to do with Cervantes
-
On
the contrary, I am convinced that what concerns him is also a major concern for
Cervantes.
-
I have only tried to propose a modest modification of perspective:
instead of reading Cervantes in
-
the light of Efron, why not read Efron in the
light of Cervantes?
-
providing us with such a striking and totally spontaneous
confirmation of the prophetic power of Cervantes
-
He became the captive of
the King of Algiers, Azán Agá, or Azán Bajá (as
Cervantes calls him
-
Alonso López, a soldier who served at many of the
same places and knew many of the same people as Cervantes
-
concludes by remarking that all
the scholars acquainted with life in Algiers in the 1570's, and Cervantes
-
served in
Flanders and witnessed the executions of Egmont and Horn (1568), he is speaking
for Cervantes
-
Allen considers it highly likely that Cervantes served
in Flanders in 1567-68, then returned to Madrid
-
first relation to arise from our consideration
of all this is, then, that between Ruy Pérez and Cervantes
-
—136→
historical context
inhabited by Cervantes
-
Cervantes
would seem to be belaboring the perennially popular theme of
moros y cristianos with
-
is the presence of these gratuitous Frenchmen that allows us to
understand the relation between Cervantes
-
Captain as narrator
created by him, and to interpret the ideological statement intended by
Cervantes
-
—109→
Articles
Cervantes
-
Dunn
Wesleyan University
Entre
Cervantes y la picaresca se sigue suponiendo una
-
programa literario en
común; y 2) que resulta más productivo preguntarnos en qué
medida Cervantes
-
It has become a commonplace of literary history to contrast
Cervantes with the picaresque novels
-
Since Américo Castro opposed the esthetic values of Cervantes to those
of Alemán (in
El pensamiento
-
de Cervantes, 1925), much has
been written to sharpen the contrast and to present it in terms which
-
This essay has grown out of my
talk that had as its title «Cervantes Deconstructs the Picaresque»
-
the
narrator.1 A recent book on the
origins of the European novel, referring to the works of Cervantes
-
Claudio Guillén has argued that this episode represents
Cervantes' rejection of first person narration
-
Nevertheless, Cervantes stresses most explicitly the problem of
narrative structure.
-
Copyright © 1982 by the Cervantes Society
of America.
-
voted to adopt a policy of anonymous submission of manuscripts intended for
publication in
Cervantes
-
Tom Lathrop and
I have made every effort possible to keep the material quality of
Cervantes
-
I appeal to each CSA member: if you feel that
Cervantes deserves to survive and prosper,
please
-
accepted as
«obvious».67 My objection to the
«obvious» is directed toward better contact with Cervantes
-
—174→
we will see that Cervantes
-
these people want only to convince the world and
themselves that the threat is «out there», whereas Cervantes
-
Lest
this sound like too modern a way into Cervantes, let me quote the character
Ambrosio, who
-
My
principal inquiry will be conducted into the prior question of Cervantes'
relation to picaresque
-
structural options, and in particular the
common assumption that picaresque fictions could be seen, at Cervantes
-
I do not
believe Cervantes could have seen those works which have come to be called
picaresque
-
The encounter between
Don Quixote and Ginés de Pasamonte is often read as Cervantes' rejection
-
But, as I
shall ask later in this essay, is it really so clear that Ginés
represents Cervantes
-
Why did Cervantes write stories which,
if not picaresque, are a
bricolage of picaresque formal
-
The system here
proposed would of course produce some modernization of Cervantes'
own practice.
-
of fetichismo de la
palabra, especially since, thanks to Flores, we now know
that we do not know how Cervantes
-
dealt
here with Flores' contention that production of a regularized
edition must wait until «after Cervantes
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume II, Number 2, Fall 1982
-
From the Editor
Articles
Cervantes De/Re-Constructs the
Picaresque
-
Entre
Cervantes
-
programa literario en
común; y 2) que resulta más productivo preguntarnos en qué
medida Cervantes
-
estrecha unidad que integra
tres niveles de creación y experiencia: la histórica vivida por
Cervantes
-
, sus contemporáneos y sus personajes; la ficticia creada por
Cervantes y vivida por sus personajes
-
reaction to this piece, see Cesáreo Bandera,
«Healthy Bodies in Not-So-Healthy Minds»,
Cervantes
-
response, see «On Some Central Issues in Quixote
Criticism: Society and the Sexual Body»,
Cervantes
-
(N. from the A.)
56
Cervantes,
The Adventures of Don Quixote, trans
-
several instances I have also
inserted the Spanish original, as a way of keeping in touch with Cervantes
-
The system here proposed would of course produce some
modernization of Cervantes' own practice.
-
fetichismo de la palabra, especially
since, thanks to Flores, we now know that we do not know how Cervantes
-
dealt here with Flores' contention that production of
a regularized edition must wait until «after Cervantes
-
If Cervantes had wanted some evil Frenchmen, or just
some Frenchmen for his story, he could more
-
periods
of captivity among the Muslims in the Captain's story reveals a clear intention
on Cervantes
-
Put another way, the Captain's story offers Cervantes
the possibility of engaging in an ironically
-
Reflections on
the Hero as Quijote reminds us in a most provocative way that
Cervantes' knight is a reincarnation
-
Cervantes is painfully aware that the world we inherit is one that
comes «after justice», or «after virtue
-
Through his hero
Cervantes recalls the Aristotelian concepts of justice as a
practice, of moral knowledge
-
quixotic; among the unsettling suggestions of
Welsh's book is that, already in the seventeenth century, Cervantes
-
Lovely Lethal Female Piratemen: Sexual Boundary Shifts in
Don Quixote, Part II»
Cervantes
-
Bandera, see «On Some Central Issues in Quixote
Criticism: Society and the Sexual Body»,
Cervantes
-
current piece is a response to Cesáreo Bandera,
«Healthy Bodies in Not-So-Healthy Minds»,
Cervantes
-
Lovely Lethal Female Piratemen: Sexual Boundary Shifts in Don Quixote, Part
II»
Cervantes
-
It is entirely
possible that in creating Juan Pérez Cervantes had in mind the typical
product
-
Alemán's weapon is the bludgeon, Cervantes' the stiletto. An atom bomb
versus a laser beam.
-
estrecha unidad que integra
tres niveles de creación y experiencia: la histórica vivida por
Cervantes
-
, sus contemporáneos y sus personajes; la ficticia creada por
Cervantes y vivida por sus personajes
-
in fact the Captain's long
narration together with the attendant peripetiae were criticized by Cervantes
-
French Protestants in the
Captain's story has led us is, I think, something to the effect that Cervantes
-
The foregoing observations are valid within the historical
context inhabited by Cervantes and his
-
The fictional character Ruy
Pérez de Viedma, who transmits Cervantes' anti-imperial message, appears
-
It is characteristic of Cervantes' genius that he is able to create a
sympathetic old soldier like
-
Cervantes' criminal may allude to the soldier Jerónimo
de Pasamonte, captive in Algiers, whose
-
path crossed that of Cervantes on
various occasions; see Alois Achleitner, «Pasamonte»,
-
righteous man upon
whom unmerited suffering is visited, but none of this comes through in
Cervantes
-
persuaded us to accept the judgment, expressed earlier by Américo Castro
in
El pensamiento de Cervantes
-
, that there is a
great divide between Cervantes and the writers of the picaresque.5 It would be
-
What is important is that Blanco's article was decisive in
convincing a generation of readers that Cervantes
-
Fernando Lázaro Carreter, and
Francisco Rico seemed only to confirm the necessary exclusion of Cervantes
-
So although my purpose is to try to understand a little better how
Cervantes responded to the picaresque
-
Blanco's article and the generic model, since together they have had
the effect of privileging Cervantes
-
convinced Mancing errs (and in this he is decidedly
not alone), is in his identification of
Cervantes
-
This is absolutely impossible; Cervantes was a person
who lived in the real world -the narrator,
-
1
Delivered at the Fordham Cervantes Conference, Fordham
University
-
(N. from the A.)
5
Carlos Blanco Aguinaga, «Cervantes y la picaresca.
-
Introducción al pensamiento
picaresco (Salamanca: Anaya, 1972) pp. 124-128; Gustavo Alfaro,
«Cervantes
-
I can see no real
connection between the impressive recovery of Cervantes' nuances
with vuestra
merced
-
the early episodes, aware
that the viewers will otherwise have no idea of what is being
parodied by Cervantes
-
Anyone
who has written on a topic ranging through several or all of
Cervantes' works knows the existing
-
The argument for
an old-spelling edition which recovers Cervantes' orthography, such
as Flores is presently
-
My
strategy was to bring before the reader some vivid and disturbing body images
of Cervantes
-
Bandera discovers that according to my reading of Cervantes, we can say that
«Like a leech or a parasite
-
—172→
Cervantes
-
Second, Cervantes was writing about the body in a
way more complicated than we have recognized.
-
he seems
superficial in this regard when compared to Cervantes
-
the body with social
metaphor and social control is consummately and critically presented by
Cervantes
-
Cervantes was not intent, in other words, on showing
miscellaneous misbehavior and meanness in the
-
It is my
contention that any responsive reader of Cervantes will eventually have to
learn something
-
painting by
Velázquez, «The Toilet of Venus», among others, but not,
strangely enough, from Cervantes
-
Cervantes, however, seems to have shown the kind of body life that
results from civilized pressure
-
radical questioning of the highly destructive costs of civilized existence,
irrespective of whether Cervantes
-
Reflections on the Hero as Quijote reminds us
in a most provocative way that Cervantes' knight is
-
Cervantes is
painfully aware that the world we inherit is one that comes «after
justice», or
-
Through his hero Cervantes recalls the Aristotelian concepts of
justice as a practice, of moral knowledge
-
; among the unsettling suggestions of Welsh's book
is that, already in the seventeenth century, Cervantes
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume II, Number 2, Fall 1982
-
THE CERVANTES SOCIETY OF AMERICA
President
JUAN BAUTISTA AVALLE-ARCE
-
TRUEBLOOD
Cervantes: Bulletin of the Cervantes
Society of America
Editor: JOHN J.
-
WARDROPPER
Cervantes, official organ of the Cervantes
Society of America, publishes
-
scholarly articles in English and Spanish on
Cervantes' life and works, reviews, and notes of interest
-
Subscription
to
Cervantes is a part of membership in the
Cervantes Society of America, which
-
Membership is open to all persons interested in Cervantes.
-
subscription, send check in dollars to Professor PATRICIA KENWORTHY,
Secretary-Treasurer, The Cervantes
-
ALLEN, Editor,
Cervantes, ASB 170, University of Florida,
Gainesville, Florida 32611.
-
Another striking contrast between Alemán and Cervantes. See
Guzmán de Alfarache, ed. S.
-
Quoted in Américo Castro,
Hacia Cervantes,3ª ed. (Madrid:
Taurus, 1967), p. 243, n. 2.
-
See Carlos Fuentes,
Cervantes o la crítica de la
lectura (México: Joaquín Mortiz, 1976),
-
is convinced his enemy wants to inflict on him,
is something farfetched, or has nothing to do with Cervantes
-
On the
contrary, I am convinced that what concerns him is also a major
concern for Cervantes.
-
I have only tried to propose a modest
modification of perspective: instead of reading Cervantes in the
-
light of Efron, why not read Efron in the light of Cervantes?
-
for
providing us with such a striking and totally spontaneous
confirmation of the prophetic power of Cervantes
-
and not accepted as
«obvious».67
My objection to the «obvious» is directed toward better
contact with Cervantes
-
song just before he goes to
hell», that is, before he commits suicide,
—174→ we will see that Cervantes
-
these people want only
to convince the world and themselves that the threat is «out
there», whereas Cervantes
-
Lest this sound like too
modern a way into Cervantes, let me quote the character Ambrosio,
who tells
- Formatos:
-
-
Resultado número:26
Texto
- Título:
-
Cervantes : Bulletin of the Cervantes Society of America. Volume XXIV, Number 1, Spring 2004 - Registro bibliográfico
- Portales:
-
Literatura
Visitar sitio web
| Miguel de Cervantes
Visitar sitio web
| Cervantes : Bulletin of the Cervantes Society of America
Visitar sitio web
- Sumario:
-
4
artículos
- Fragmentos
'cervantes' en la obra
: (20
coincidencias encontradas)
-
-
T HE CERVANTES SOCIETY OF AM ERICA
President
A.
-
From : Cervantes: Bulletin of the Cervantes Society of A merica , 24.1 (2004): 11-21.
-
Cervantes 24.1 (2004): 173–88.
-
From : Cervantes: Bulletin of the Cervantes Society of A merica , 24.1 (2004): 23-38.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 39-64.
-
Cervantes.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 65-104.
-
From : Cervantes: Bulletin of the Cervantes Society of A merica , 24.1 (2004): 105-18.
-
“The Refracted Image: Porras and Cervantes.” Cervantes 4.2 (1984): 139–53.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 119-36.
-
From: Cervantes: Bulletin of the Cervantes Society of America , 24.1 (2004): 137-42.
-
From: Cervantes: Bulletin of the Cervantes Society of America , 24.1 (2004): 143-71.
-
“Cervantes y Roma.” Cervantes en Italia.
-
“Cervantes and Virgil.” Cervantes and the Renaissance. Ed. Michael McGaha.
-
From: Cervantes: Bulletin of the Cervantes Society of America , 24.1 (2004): 173-88.
-
“El licenciado Juan de Cervantes,
abuelo de Miguel de Cervantes Saavedra.”
-
From: Cervantes: Bulletin of the Cervantes Society of America , 24.1 (2004): 189-216.
-
: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 217-52.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 253-56.
-
Cervantes
From: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 262-64.
- Formatos:
-
-
Resultado número:27
Texto
- Título:
-
Cervantes : Bulletin of the Cervantes Society of America. Volume XXV, Number 1, Spring 2005 - Registro bibliográfico
- Portales:
-
Literatura
Visitar sitio web
| Miguel de Cervantes
Visitar sitio web
| Cervantes : Bulletin of the Cervantes Society of America
Visitar sitio web
- Sumario:
-
6
artículos
- Fragmentos
'cervantes' en la obra
: (20
coincidencias encontradas)
-
-
Métrica de Cervantes.
JULIÁN OLIVARES
245–248
Cervantes' Don Quijote: A Casebook. Ed.
-
FRANCISCO SÁEZ RAPOSO
253–256
A RTICLES IN PRESS
From: Cervantes: Bulletin of the Cervantes Society
-
Cervantes for the 21st Century / Cervantes para el siglo XXI: Studies in Honor of Edward Dudley.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 23-43.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 45-68.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 69-77.
-
Devolvamos a la imprenta lo que
es de la imprenta y a Cervantes lo que es de Cervantes.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 79-104.
-
Biblioteca Cervantes 2.
-
Le
mappe nascoste di Cervantes.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 105-57.
-
Cervantes. Su obra y su
mundo. Actas del I Congreso Internacional sobre Cervantes. Ed.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 159-63.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 165-66.
-
(C=Cervantes; A=Avellaneda.)
-
Miguel de Cervantes Saavedra.
-
Cervantes, Passamonte y Avellaneda. Barcelona:
Sirmio, 1988.
———. Para leer a Cervantes.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 201-13.
-
M AESTRO
Cervantes
do Antoniana Margarita, a los entremeses de Cervantes.
-
From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 215-18.
- Formatos:
-
-
Resultado número:28
Texto
- Título:
-
Cervantes : Bulletin of the Cervantes Society of America. Volume IV, Number 2, Fall 1984 - Registro bibliográfico
- Portales:
-
Literatura
Visitar sitio web
| Miguel de Cervantes
Visitar sitio web
| Cervantes : Bulletin of the Cervantes Society of America
Visitar sitio web
- Sumario:
-
2
artículos
- Fragmentos
'cervantes' en la obra
: (164
coincidencias encontradas)
-
-
circulating in Seville; he
objects that such a
borrador has never been found and that
Cervantes
-
could point out that the
borrador of, say,
La Galatea has never been found, nor did
Cervantes
-
He criticizes the Spanish scholar for offering no theory
«as to how Cervantes managed to retain
-
difficulty at all with his own
«most likely explanation» that Cervantes
-
How did Cervantes «mysteriously» «come
into contact (note the «studied vagueness» of this phrase
-
Cervantes, who liked to
«deceive with the truth», may, indeed, have been limning life when
-
As for anonymity, there was no reason why Cervantes should
conveniently have signed every page
-
existence of
the «primitive draft» (by an unknown) that he suggests (p. 28) both
Porras and Cervantes
-
60
Amezúa y Mayo,
Cervantes creador de la novela corta
española, Tomo I, Volumen
-
Cervantes already used grammatical means to suggest referential and
perspectival ambiguity in the
-
the author should demonstrate that the Porras MS. itself was compiled early
enough to permit Cervantes
-
material
for the codex «por los años de 1606»,65 Gallardo says only that it is
«del tiempo de Cervantes
-
Cervantes, como
ladrón de casa, los atrapa en sus mismas ideas, mostrándolas como
vehículo
-
Una vez más, la grande, simple e
irónica tesis
novelística de Cervantes viene
sólo
-
55
Conforme a los casos enumerados por Castro en
El pensamiento de Cervantes
-
Según el mismo, Cervantes
se hallaba, igual que Erasmo y Vives, netamente en contra del matrimonio
-
pie la
observación de Castro acerca de la manera casi siempre forzada o
adventicia como Cervantes
-
Aylward to Geoffrey
Stagg» Cervantes: Bulletin of the Cervantes Society of America
14.1
-
Cervantes: Bulletin of the Cervantes Society of America
14.1 (1994): 109-16. -F.J.
-
Cervantes : Bulletin of the Cervantes Society
of America
Volume IV, Number 2, Fall 1984
-
Cervantes and Descartes on the Dream Argument
Anthony J.
-
En la
aventura de la Cueva de Montesinos (Don Quijote, II,
22-24), Cervantes
-
Enfrentándose con la amenaza del escepticismo de no poder distinguir
entre el sueño y la realidad, Cervantes
-
Review Articles
Erasmo y Cervantes, una vez
más
Francisco Márquez
-
The Refracted Image: Porras and Cervantes
-
In any
case, if Cervantes had been the amanuensis, the scholars who handled the
manuscript
-
(N. from the A.)
85
The printed version reads: Cervantes original --
-
(c) Aylward (pp. 67-68) argues that Cervantes misread the Porras
MS. passage «a los viejos ancianos
-
The argument is ingenious, but one must point out
that the assumed error would have involved Cervantes
-
(d) Aylward also notes (p. 69, n. 1) that Cervantes
«removed the episode of Juliana la Cariharta
-
the texts of the two stories in the
Porras MS. are revisions of originals written earlier by Cervantes
-
Aylward tries to have his cake and eat it:
having proved, to his own satisfaction at least, that Cervantes
-
general form or treatment, and it
is completely illogical for Aylward, given his acceptance of Cervantes
-
paint their own portrait was already present in the original and was merely
embellished by Cervantes
-
Four pages later he adds:
«Cervantes'... attempts at letting his literary characters paint their
-
He
concludes by stating that Cervantes left the introductory portion «almost
intact» and
-
One fails to see how Cervantes can emerge, in
this perspective, as a «pioneer».
-
Flores' contention that
Cervantes abandoned the regular division in «partes» (originally eight
-
The fact that
Cervantes added, according to Flores, the introductory page to the Dorotea
-
the major interpolations and the displacement of the pastoral
interlude [Grisóstomo / Marcela], Cervantes
-
This third text may have been written by Cervantes, by Porras, or by
an unknown.
-
Porras is seen, for
example, to prefer the
-se form of the subjunctive, and Cervantes
-
If Porras
dates the stories and Cervantes does not,74 we cannot know whether Porras added dates
-
to the Cervantine
text, or Cervantes removed them from the Licentiate's.
-
Cervantes : Bulletin of the Cervantes Society
of America
Volume IV, Number 2, Fall 1984
-
THE CERVANTES SOCIETY OF AMERICA
President
BRUCE W.
-
TRUEBLOOD
Cervantes: Bulletin of the Cervantes
Society of America
Editor: JOHN J.
-
WARDROPPER
Cervantes, official organ of the Cervantes
Society of America, publishes
-
scholarly articles in English and Spanish on
Cervantes' life and works, reviews, and notes of interest
-
Subscription
to
Cervantes is a part of membership in the
Cervantes Society of America, which
-
Membership is open to all persons interested in Cervantes.
-
and
subscription, send check in dollars to Professor HOWARD MANCING,
Secretary-Treasurer, The Cervantes
-
Manuscripts
(submitted in accordance with
Cervantes, 2 [1982], 107) and books for review
-
ALLEN, Editor,
Cervantes, Department of Spanish and Italian,
University of Kentucky, Lexington
-
On the heels of the Curate's objections to the books of chivalry, Cervantes
-
Cervantes is especially careful about the mode of narration that
Don Quixote uses in this passage
-
Through the comic
incongruities which result, Cervantes provides his readers with enough evidence
-
Thus it would not, for me, do any good to object that Cervantes in
Don Quixote seems to refute an
-
Cervantes
shows that we relate to the world, including the «world» of our own
experiences, in
-
—122→
terms of
certainty.37 Cervantes
-
temptation of certainty, epistemology is led to expect more of the world than
it can possibly provide; Cervantes
-
Ruth El Saffar,
Beyond Fiction: The Recovery of the Feminine
in the Works of Cervantes
-
Javier Herrero, «Arcadia's Inferno: Cervantes'
Attack on Pastoral»,
BHS, 55, (1978), 289
-
'La Gitanilla' de Miguel de Cervantes»,
Actas del Quinto Congreso Internacional de
Hispanistas
-
Cervantes was
working here within the tradition of Petrarchism, which had a fundamental
impact
-
gratuitamente amarga
ni cínica y, por el contrario, fue en el
Coloquio de los perros donde Cervantes
-
Cancionero de Baena, Montoro, Francesillo de
Zúñiga, Villalobos, Horozco).44
Enfáticamente, Cervantes
-
Como Letras, ingenio y valer no dan
para subsistir en la corte (y Cervantes lo sabía mejor que nadie
-
'Cervantes' Secularized Miracle: 'La fuerza de la
sangre' procura darnos una explicación profunda
-
Cervantes reelabora en
La fuerza de la sangre los motivos
hagiográficos del niño resucitado
-
El Cervantes
ambiguo y problemático, en el que F. nunca ha dejado en realidad de
creer, vuelve
-
El problema de la
íntima religiosidad de Cervantes dista más que nunca de hallarse
resuelto:
-
I have quoted the Humanist's reply at
length to show how Cervantes parodies his type, but also because
-
experience is one of the possible, even
natural, results of an overzealous anti-skepticism; but Cervantes
-
'Cervantes' 'La Gitanilla' as Erasmian
Romance constituye un libro por derecho propio y es
-
Cervantes se ha entregado con visible regusto a construir
dicha alternativa con la pericia observadora
-
I want to proceed to show Cervantes' criticism of epistemology,
which is the form which his anti-skepticism
-
Cervantes provides powerful and
cogent reasons for relating dreams and imagination in general, showing
-
With
imagination, as with dreams, Cervantes is inclusive rather than exclusive;
Don Quixote
-
Generally, Cervantes
takes care to keep the fiction within these limitations.
-
Still, as
Don Quixote shows, Cervantes is convinced
that imaginative literature
could be
-
What Cervantes seeks is a defense of the imagination that
would not sacrifice the distinction between
-
appraising human experience, and it is this, over
and above the judgments of these critics, which was Cervantes
-
Review Articles
Erasmo y Cervantes
-
fue el no haber alcanzado su mayoría de edad
hasta la aparición en 1925 de
El pensamiento de Cervantes
-
inmediata
toma de altura en casi todos los aspectos del campo, acreditan la centralidad
del Cervantes
-
La idea de codear a Cervantes con los grandes ingenios del
Renacimiento constituyó un liberador rayo
-
Forcione,
Cervantes and the Humanist Vision: A Study of Four
Exemplary Novels (Princeton:
-
Cervantes: Pioneer and Plagiarist. London:
Támesis Books, 1983. 96 pp.
-
detail from those published in 1613.60
Bosarte entertained, but rejected, the suspicion that Cervantes
-
—140→
compuso, y adornó el mismo
Cervantes
-
Aylward arguing that Cervantes did indeed plagiarize both these stories, as
well, probably, as
-
Vilanova,
Erasmo y Cervantes (Barcelona: CSIC,
1949), p. 52.
-
David Kossoff, in «El pie desnudo: Cervantes y
Lope»,
Homenaje a Wm. L.
-
Also Louis Combet,
Cervantès ou les incertitudes du
désir, Lyon: Presses Universitaires
-
See my «Boccaccio and Cervantes: The Frame
As Formal Contrast», forthcoming in
Comparative
-
These few but telling examples suffice to demonstrate
that the Porras MS. was copied from a Cervantes
-
repito, el más irregular, aun dentro de una misma página, aun
firmando su nombre mismo, es Cervantes
-
sin curva
arriba», a description to be compared to that of the
s, sometimes written by Cervantes
-
If, as we believe, the Porras MS. is a copy of a Cervantes
original, we can eliminate from the
-
The only combination of the Set
that can even be considered is «Cervantes original -- Porras --
-
it is inconceivable that Porras would chance upon
Cervantes's original and revise it and that Cervantes
-
If Porras were that source, it
is not plausible that Cervantes could read his text better than
-
the author
himself; if the source were an unknown, it is again unlikely that Cervantes
would
-
transcribe more accurately in all the examples given than Porras; it
could be argued that Cervantes
-
The only possibility of the
set that carries conviction is the third, namely, that both Cervantes
-
—109→
Cervantes
-
Cascardi
En la
aventura de la Cueva de Montesinos (Don Quijote, II,
22-24), Cervantes
-
Enfrentándose con la amenaza del escepticismo de no poder distinguir
entre el sueño y la realidad, Cervantes
-
with the dream argument advanced by Descartes in the
Meditations, and in fact Descartes and
Cervantes
-
In so doing, I hope to point out some ways in which
Cervantes is anti-skeptical: he regards knowledge
-
* * *
Please note that it is the policy of
Cervantes not to publish articles that
-
Copyright © 1984 by the Cervantes Society
of America.
-
I expect these
questions to lead us to some of the fundamental issues raised by Cervantes'
text
-
This, says Aylward, is Cervantes' sly
way of «lay[ing] the foundation for a future claim to [its
-
«the Porras versions of
R / C and
ZE are stylistically incompatible with
Cervantes
-
Hence Cervantes
the plagiarist.
-
His argument is that, in the Porras versions of the two stories, Cervantes
would have found «virtues
-
Hence Cervantes the pioneer.
-
1
A version of the first part of this paper was read at the
Cincinnati Cervantes
-
For the most cogent explanation to date of
Cervantes' seemingly haphazard division of his material
-
Flores, «Cervantes at Work: The Writing
of Don Quixote, Part I»:
JHP, 3 (1978), 135-60.
-
In a private communication Ruth El Saffar has suggested to
me that Dorotea may anticipate Cervantes
-
A primera
vista se perfila como lo más «formulaico» (p. 91) de toda la
obra de Cervantes, pero
-
Cervantes, se nos dice, renuncia allí a
la crudeza sexual que parecía imponer el tema (p. 46).
-
Cervantes se descubre a sí mismo, como
pensador y como artista, en el seno de dicha tradición, y
-
un planteamiento similar, en conjunto, al del primer estadio de
Castro en
El pensamiento de Cervantes
-
F. se esfuerza, en especial, por alejar a Cervantes y a su erasmismo de la
forma como Castro los
-
aquí
un escritor cristiano y edificante, como sin duda lo era para no pocos y para
el mismo Cervantes
-
El
humanismo cristiano de Cervantes no tendría así nada de
polémico, de atrevido ni de cauteloro
-
menos abierta con que buena parte de la crítica
ha venido considerando la cuestión del erasmismo de Cervantes
-
La oportunidad de reducir a una dimensión
técnica lo que antes era el caso de conciencia de un Cervantes
-
indisputablemente un gran avance en lo
relativo a ideas de conjunto sobre
el pensamiento de Cervantes
-
Pero ahora acecha el peligro de reducir la formación
intelectual de Cervantes a un virtual monopolio
-
comprueba, como no podía menos (pp. 171, 267), la gran influencia
ejercida sobre Cervantes por el
-
Un buen ejemplo vendría dado por la actitud de Cervantes
hacia el gran tema del matrimonio.
-
exentas de aspectos
insatisfactorios que no podían pasar desapercibidos para un observador
como Cervantes
-
F. no ve en Cervantes sino al discípulo en todo momento
fiel, incapaz de distanciarse del maestro
-
Pero hay aquí una dosis de
simplificación en ambos sentidos, porque Cervantes manifestó en
otras
-
Ni
tampoco queda tan probado que Cervantes marche a remolque de una
legitimación de la sexualidad
-
apertura hacia la
dignificación del erotismo femenino, como de un modo algo más que
implícito hace Cervantes
-
Pero Cervantes ríe y
compadece a la vez, cuando las desdichadas reclusas de Carrizales enloquecen
-
En
éste, como en tantos otros aspectos, Cervantes fue anticipo, pionero y
no epígono.
-
La presencia de Erasmo y el humanismo cristiano en
Cervantes resulta, desde luego, primordial y probablemente
-
Por lo demás, lo que a Cervantes le
interesaba era la dimensión humana y relativa de los problemas
-
(N. from the A.)
35
For a discussion of Cervantes and neo-Aristotelian literary
-
Forcione,
Cervantes, Aristotle, and the
«Persiles» (Princeton: Princeton University Press
-
37
For a further discussion of this and related questions in
relation to Cervantes
-
, see my «Cervantes and Skepticism: The Vanishing of
the Body», in
Essays on Hispanic Literature
-
from an original by either Porras or an unknown, for in
either case we would have to assume that Cervantes
-
coincidence is hardly credible.84
We are left, then, with three admissible possibilities:
(a) Cervantes
-
original -- Cuesta --
Porras;
Cuesta
(b) Cervantes original
Porras;85
-
The other two
assume a degree of revision by Cervantes of his
borrador; and though one may
-
Cervantes no será nunca apresado por cierta clase de redes,
porque su arte consiste precisamente
-
El pensamiento de Cervantes ofrece una amplia coherencia, pero no rigideces.
-
En
realidad, la familiarización de Cervantes con Erasmo debió ser un
irreconstruible proceso
-
Esta matizada respuesta a un planteamiento en bloque
del humanismo de Cervantes supone, desde luego
-
63
Luis Astrana Marín,
Vida ejemplar y heroica de Miguel de
Cervantes
-
(N. from the A.)
65
Juan Antonio Pellicer, «Vida de Miguel de Cervantes
-
he
is referring to «the fact [my italics] that an
ambitious and clever writer, Miguel de Cervantes
-
Later he
writes: «Without any basis in fact, Arrieta affirms here: a) that
Cervantes is the
-
Aylward has decided that Cervantes
is guilty (of plagiarism) before the trial has begun.
-
amazing about all this is that there is absolutely
no [Aylward's italics] evidence to link
Cervantes
-
solely because Cervantes happened to publish two
of these tales as his own in 1613» [my italics
- Formatos:
-
-
Resultado número:29
Texto
- Título:
-
Cervantes : Bulletin of the Cervantes Society of America. Volume III, Number 2, Fall 1983 - Registro bibliográfico
- Portales:
-
Literatura
Visitar sitio web
| Miguel de Cervantes
Visitar sitio web
| Cervantes : Bulletin of the Cervantes Society of America
Visitar sitio web
- Sumario:
-
4
artículos
- Fragmentos
'cervantes' en la obra
: (223
coincidencias encontradas)
-
-
A history of interpretations of Miguel de Cervantes would surely
trace a changing view of the authorial
-
But over against Unamuno's vision of
the hero who, as spirit of a national yearning, dwarfs both Cervantes
-
responsibility for what appears on the pages of his book,
partisans of the author go on to postulate a Cervantes
-
who plays God to his
creation, a Cervantes whose omniscience and absolute power render him almost
-
Beyond the shifting
viewpoints of Cervantes' fictional world, he says,
-
The crippled artist brings us back once again to Cervantes'
self-portraits and to the surrogate authors
-
In the figure
of Vulcan the common denominator of the portraits of Cervantes and his others
becomes
-
In
terms of the literary theory of Cervantes' day, this figure of the artist
speaks to the tension
-
paradoxes of literary representation, we find a way to deal
with the apparent arbitrariness of Cervantes
-
sensitivity in the late twentieth century to
these paradoxes of representation which enables us to see Cervantes
-
Our concerns in turn create a new danger: that we will
set aside the cast-off myths of Cervantes
-
as recreator of the spirit of his
people, or Cervantes the crusader, or Cervantes the God-like artist
-
, only to
bring out a newly fashioned myth of Cervantes as post-structuralist.
-
It would
be a mistake, I believe, to discover exactly mirrored in Cervantes our
fascination with
-
Truth for Cervantes was not fictional.
-
But that truth is
God's truth: nowhere, without mockery, does Cervantes attribute that truth to a
-
of the poet in the
Furioso as demiurge.11
Spitzer repeatedly cautions that
neither Cervantes
-
quixotism -and surely not any
of the central figures of the illusionistic by-stories: the hero is Cervantes
-
making, in which hundreds of characters, situations, vistas, themes, plots and
subplots are merged, Cervantes
-
Textual criticism, on the other hand, tends to stress the
absence of Cervantes from his texts.
-
If we
find ourselves tantalized in the
Quixote by the shadow of an
«historical» Cervantes
-
generally been recognized that this
personified author is not interchangeable with the historical Cervantes
-
As the voice
closest to the reader in Cervantes' novel, this narrator is also another reader
-
The critical mainstream
of our day, in one way or another, applauds Cervantes' use of the fictitious
-
succeeded in distinguishing Cide Hamete from the narrator and the narrator from
the real-life Cervantes
-
its many lesser authors, leaving
the Author -Miguel de Cervantes
-
Miguel de Cervantes Saavedra,
Rinconete y Cortadillo, in
Novelas ejemplares, I, ed.
-
(N. from the
A.)
98
This is possibly one of several oversights by Cervantes
-
from the A.)
99
Forcione,
Cervantes, Aristotle and the Persiles
-
University Press, 1970), esp. pp. 303-43; Kenworthy,
«The Character of Lorenza and the Moral of Cervantes
-
111
Ruth El Saffar, «On Beyond Conflict», in
Cervantes, 1 (1981),
-
deslindes cervantinos (Barcelona:
Ariel, 1975), pp. 155-211, and, Edward Dudley, «Boccaccio and Cervantes
-
(N. from the A.)
114
Miguel de Cervantes Saavedra,
Don Quijote de la
-
el último en el sistema de
agüeros de la segunda parte, en la cual, tal como concluye Riley,
Cervantes
-
Cervantes se propone, en estos
capítulos, mostrarnos el conflicto entre las inclinaciones profundamente
-
Al confundir
el alcázar de Dulcinea con la iglesia y su cementerio, Cervantes hace
que don Quijote
-
Al mismo tiempo, Cervantes ha
introducido a don Quijote y Sancho en un mundo sobrenatural, en el
-
pesado
lastre de cosa muerta: el género bizantino había cerrado su
ciclo; nadie, ni el mismo Cervantes
-
That Cervantes never wished to reopen the Byzantine
cycle but, by his own avowal, «to compete» with
-
Cervantes' work, as I see it, was not a tired imitation but a strategic
experiment in «the outdoing
-
ideas,
characters, events, aspirations», William Byron concludes in his recent
biography of Cervantes
-
Entwistle's repugnance at the «intolerable... spectacle of unrelieved
virtue» presented by Cervantes
-
This is also to disregard Cervantes' explicit intentions of competing in an
altogether different
-
And Cervantes pilots them away from his mimetic and
sacrificial island, now a panorama of ruin, in
-
Like Shakespeare, who also
culminated his life's work in Byzantine romance land- and seascapes, Cervantes
-
The Winter's Tale by noting how Shakespeare
brilliantly gave wrinkles to Hermione's statue.43 Cervantes
-
strategically, the interpolated tales in the
Persiles question all the masculine fictions
of desire of Cervantes
-
Immediately after the
resolution of the last tale, Cervantes himself appears in his work, thinly
-
what Frye calls the
«astonishingly persistent», indeed, «the crucial episode of
romance».46 Cervantes
-
And why did Cervantes
divide the work into Byzantine and realistic modes of narration, a kind of
-
like
Ruth El Saffar, Ciriaco Morón Arroyo, and Arthur Efron have begun to
look at the whole Cervantes
-
strategically, its «bearded waiting women».48 El Saffar,
indeed, has made a pioneering claim about Cervantes
-
That Cervantes knows how ridiculous this attitude
is may be shown by one of the maxims in his solicited
-
Humanities for a grant to attend Professor Ruth El Saffar's Summer
Seminar on the prose canon of Cervantes
-
desiring woman in the
Persiles has been greatly enriched by El
Saffar's reading of Cervantes
-
forthcoming
book,
Beyond Fiction: The Recovery of the Feminine
in the Prose Works of Cervantes
-
algo arcaico, emplearé el término
«agüero» en este estudio, para no diferir del que emplea
Cervantes
-
(N. del A.)
66
Miguel de Cervantes Saavedra,
El ingenioso hidalgo
-
I do not suggest in these pages
that Cervantes did not «actually» possess and enjoy the privileges
-
autobiographical references only serve to renew the sense of wonder -frequent
privilege of the reader of Cervantes
-
its
shining threads in the precarious space between fact and myth.25 Yet
it is striking that Cervantes
-
In Cervantes' literary cosmos, the authorial deity is a crippled
god.
-
In his dedication to Part II of this
last, Cervantes himself declared the
Persiles «el
-
Cervantes had already declared his intention for
the
Persiles in a statement of anxious
-
Published posthumously in 1617, the work was
hastily finished on Cervantes' deathbed, its dedication
-
borrows from Jerome's Latin praises for Origen in order to privilege the
Persiles over the rest of Cervantes
-
than the superior
Don Quijote» and adds, as if trying to
account for such popularity, that Cervantes
-
a variety of matters to which he had given mature
thought, including... love and women».35
Cervantes
-
Then
around 1630, as one critic hyperbolically puts it, Cervantes' last romance
«sank without
-
Surely Cervantes does not expect us to be
duped.
-
authorial
distance, at that moment -Death- when distances and differences collapse, when
Miguel de Cervantes
-
If
the Arab chronicler and the text's many other surrogate authors are masks of
Cervantes, it
-
on them, especially as they engage
the idea of authorship, of authorial authority, are jokes on Cervantes
-
In this Prologue, then, precisely where
we are tempted to think ourselves closest to Cervantes, we
-
When Cervantes invokes
aesthetic perfection and authorial intention, he does so not in blind belief
-
reduce the multiple facets to one clear image invariably meets with
the text's resistence.21 Within Cervantes
-
At this point it may prove useful to appeal to the literary
theory of Cervantes
-
Don Quixote's creator, alerts us to the
possibility that the
Philosophia antigua provided Cervantes
-
Although Cervantes'
Rinconete y Cortadillo is frequently
associated with the picaresque genre
-
Cervantes circulates the narrative point of view
to produce a simultaneous distancing from and identification
-
The presence of the spectator (and often storyteller) in
Cervantes' works is frequently as significant
-
If portraits of Cervantes are read as portraits of the artist,
then it makes sense to look for their
-
reversible, as one narrative's characters become another's
reader-listeners or writer-tellers.18 Cervantes
-
Andrist
Baylor University
In the inaugural issue of
Cervantes, Golden Age scholars Ruth
-
lends itself to such an analysis of friendship
since male friendship is so frequently employed by Cervantes
-
The idea of authorial distance sets Cervantes the master above and
aloof from the multitude of artistic
-
The notion that Cervantes' success
is an effect of distance seems to postulate a true, magisterial
-
Critics inevitably differ as
to which of these belong to the «real» Cervantes.
-
Cervantes does not speak
unmediated, but through many other voices.
-
—103→
Cervantes
-
Cervantes supera el peso enorme de esta
fórmula literaria que refleja y aún apoya a los entonces
-
- quienes
se lanzan a los caminos pugnando por cambiar su condición de
víctima erótica, Cervantes
-
feminization of its vision», it seems urgent to link this
«feminization» more explicitly to Cervantes
-
26 Less tentative answers to questions like these may be found by
looking back to Cervantes, specifically
-
Entwistle, «Ocean of Story», in
Cervantes: A Collection of Critical
Essays, ed.
-
(N. from the A.)
42
«An Open Letter to Ruth El Saffar», in
Cervantes
-
Chapter 9 of
Cervantes, Aristotle and the
«Persiles» (Princeton: Princeton University Press
-
Miguel de Cervantes:
The Metafictional Dialectic of
Don Quijote»,
Cervantes, 1 (1981
-
Copyright © 1983 by the Cervantes Society
of America.
-
—83→
Articles
Cervantes
-
of the Artist1
Mary Gaylord Randel
Cornell University
Los lectores
de Cervantes
-
del
artista al coloquio teórico sobre el artífice y la
anatomía de la fábula que leyera Cervantes
-
In virtually every
work of Cervantes, the critic confronts what Jean Canavaggio has described as
-
succumbed to the temptation to peer through the veil of
fiction for glimpses of the historical Cervantes
-
Conspicuously in
the tradition of the great biographies of Cervantes, the mad knight of La
Mancha
-
Pursuing fame, like Don Quixote, along
the twin routes of arms and letters, Cervantes becomes the
-
Titles like
El ingenioso hidalgo Miguel de Cervantes
Saavedra,4
Vida heroica de Miguel
-
de Cervantes,5 and
Vida ejemplar y heroica de Miguel de Cervantes
Saavedra,6 suggest the
-
moving freely from the works to the man and back again, finding in the life and
the books of Cervantes
-
regarded as the
«role of a
snatched-away sacrificial victim».28 At least a dozen heroines in
Cervantes
-
These heroines further establish that the
aged Cervantes, once again undeterred by the mystique of
-
what he regards as «un largo
comienzo repelente».29 As the background
for these sacrifices Cervantes
-
The question of sacrifice concerned Cervantes from the beginnings
of his literary career.
-
As Efron reads it, Cervantes' masterpiece implicitly renounces
«the automatic connection of sacrifice
-
A daring book of cultural
criticism, Cervantes' last romance engages all the unfinished business
-
The full title of the
Persiles reveals Cervantes' alternative to
dying-for-Dulcinea:
trabajos
-
.32 The «labors» enjoined upon the multiple couples in
Cervantes' romance are those of confronting
-
enseñado su lengua, y yo a
él la mía» (I.6)- may be read allegorically
as a syllabus for Cervantes
-
(N. from the
A.)
13
Miguel de Cervantes Saavedra,
Don Quijote
-
narrative like a
documentary is reinforced by its resemblances to a «Memorial»
addressed by Cervantes
-
A.)
17
This paper sketches the outlines of a much larger study on
Cervantes
-
1982], 254-71) and in the
Entremeses («La poesía y los
poetas en los
Entremeses de Cervantes
-
Lovely Lethal Female Piratemen: Sexual Boundary Shifts in Don Quixote, Part
II»,
Cervantes
-
Efron's
suggestion that readers attend to the body-text relationships in Cervantes may
be
-
Conflict», rev. of Cesáreo Bandera's
Mímesis conflictiva (Madrid:
Gredos, 1975) in
Cervantes
-
Cervantes' own words echo uncannily, as
Elias Rivers has shown, both in the contours of its anecdotes
-
The author of this apocryphal
version appears to have read Cervantes' self-portraits as carefully
-
His challenge is not only literary, but personal and moral,
pointing a derisive finger at Cervantes
-
Beyond this, the matter of age has taken on a different cast for
Cervantes himself, in 1615 nearly
-
Although Cervantes in effect reinforces the image of himself
as «viejo, soldado, hidalgo y
-
It is in the play between the portrait
and its exploitation that Cervantes' characterization of the
-
Con esta visión comprometida, Cervantes emprende la crítica en
dos esferas: la social, específicamente
-
Riley points out that Cervantes often promotes
admiratio by creating an appreciative
audience
-
within the text with whom the reader will identify.96 According to Riley,
Cervantes owes his characters
-
21
The principal work on Cervantes' theory continues to be E. C.
-
More recent attempts to codify his pronouncements are Helena
Percas de Ponseti's
Cervantes
-
y su concepto del arte (Madrid:
Gredos, 1975); and Anthony Close's «Cervantes' Arte Nuevo de Hazer
-
Fábulas
Cómicas en este Tiempo»,
Cervantes, 2 (1982), 3-22.
-
On Cervantes and El Pinciano, see Forcione, Riley, and the
carefully documented study of Jean Canavaggio
-
metaphors of El Pinciano deserve a study of
their own; I devote to them a chapter of my book on Cervantes
-
One could also say that Cervantes «kidnapped» the
Aethiopica, i.e., used its romance
formulas
-
(N. from the A.)
39
Cervantes' Christian Romance: A Study of
Persiles
-
(N. from the A.)
40
Cervantes: A Biography (New York:
Doubleday
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume III, Number 2, Fall 1983
-
THE CERVANTES SOCIETY OF AMERICA
President
BRUCE W.
-
TRUEBLOOD
Cervantes: Bulletin of the Cervantes
Society of America
Editor: JOHN J.
-
WARDROPPER
Cervantes, official organ of the Cervantes
Society of America, publishes
-
scholarly articles in English and Spanish on
Cervantes' life and works, reviews, and notes of interest
-
Subscription
to
Cervantes is a part of membership in the
Cervantes Society of America, which
-
Membership is open to all persons interested in Cervantes.
-
and
subscription, send check in dollars to Professor HOWARD MANCING,
Secretary-Treasurer, The Cervantes
-
Manuscripts
(submitted in accordance with
Cervantes,
2 [1982], 107) and books
for review
-
ALLEN, Editor,
Cervantes, Department of Spanish and Italian,
University of Kentucky, Lexington
-
Looking back -like Cervantes- over these sketches of the author,
we conclude first that we have
-
doubling: the author's friend in the first Prologue;
the Curate who claims long acquaintance with Cervantes
-
, left largely unexplored
as aesthetic objects these islands of
concrete self-reference in Cervantes
-
verisimilitude, or some likeness to a picture we have grown accustomed
to identifying as that of Cervantes
-
When Cervantes calls our attention to
his authorial self, he asks us in effect to see the
writer
-
this economy restricted to
Don Quixote: we find the same system at work
in virtually all of Cervantes
-
the most
obvious examples.17 It becomes clear that when he chooses to intrude into his texts,
Cervantes
-
To what extent can Cervantes be held
accountable for the myth-making that centers around his figure
-
Perhaps by
looking at those passages in his works which call attention to Cervantes
himself we
-
discover a relationship between the author's self-portraiture
and the mythical portraiture of a heroic Cervantes
-
The 1605 Prologue introduces Cervantes'
book-child -«como quien se engendró en una
cárcel»-
-
varios y nunca imaginados de otro alguno»- of
his own «estéril y mal cultivado
ingenio».13 Cervantes
-
temporarily into the comic realm,
where the triumph of
froda is often a driving force.62
Cervantes
-
El Saffar
wisely sees many of the male characters in Cervantes' later narratives as types
of
-
Isabela's anti-sacrificial tactics.63
By taking possession of a role of demonic possession, Cervantes
-
female hero of the last inset story of the final work of his life, Isabela very
literally represents Cervantes
-
Should we have missed her emblematic role of desiring woman,
Cervantes signifies it, in the fashion
-
local name)».60
To these European hallmarks of ritualized fertility symbol, here re-sexed by
Cervantes
-
existential context-, I suggest that we
find ourselves in the presence of another
myth of Cervantes
-
lived heroism, of the sufferings and strivings of the impoverished writer,
we have here the myth of Cervantes
-
add still another construct of
literary history, a myth of literary origins, or more exactly of Cervantes
-
Cervantes criticism has questioned the
extent to which the author perceived his own originality or
-
The
Novelas ejemplares and
Los trabajos de Persiles y Sigismunda suggest
to some that Cervantes
-
Still, the perception of Cervantes as
some kind of important beginning continues to condition a wide
-
above three critical views on self-sacrifice belong,
respectively, to James Fitzmaurice-Kelly, «Cervantes
-
32
It is telling that the word
trabajos was not used in the title
of Cervantes
-
(N. from the
A.)
33
«The Persiles Mystery», in
Cervantes Across
-
(N. from the A.)
36
Wyndham Lewis,
The Shadow of Cervantes (New York
-
century scholars who regarded the
Persiles favorably, see Rudolph Schevill,
«Studies in Cervantes
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume III, Number 2, Fall 1983
-
Articles
Cervantes' Portrait of the Artist
Mary
-
Los lectores
de Cervantes
-
del
artista al coloquio teórico sobre el artífice y la
anatomía de la fábula que leyera Cervantes
-
Cervantes' Last Romance: Deflating the Myth of
Female Sacrifice
Diana de
-
Cervantes supera el peso enorme de esta
fórmula literaria que refleja y aún apoya a los entonces
-
- quienes
se lanzan a los caminos pugnando por cambiar su condición de
víctima erótica, Cervantes
-
Con esta visión comprometida, Cervantes emprende la crítica en
dos esferas: la social, específicamente
-
1982.1.1
(N. from the A.)
1.1
Note: this study was continued in
«Cervantes
-
' Portraits and Literary
Theory in the Text of Fiction»,
Cervantes, 6.1 (1986): 57-80
-
2
«La
dimensión autobiográfica del
Viaje del Parnaso»,
Cervantes
-
(N. from the
A.)
3
Demetrios Basdekis, «Cervantes in Unamuno: Toward
-
from the A.)
7
William Byron,
Cervantes.
-
Another extreme, product of continental psychoanalytic
criticism, is Louis Combet's
Cervantès
-
incertitudes du
désir (Lyons: Presses Universitaires, 1980), which uses portraits
of authors in Cervantes
-
' texts to make a composite portrait of Cervantes the
man.
-
See also Helena Percas de Ponseti, «Authorial Strings: A Recurrent Metaphor in
Don Quijote», Cervantes
-
Percas suggests that Cervantes opposes the «strings»
of pseudo-authority to his own authentic creative
-
202)
Whether or not Cervantes
-
Cervantes' own repeated recourse to idealization
-from novel, to
Exemplary Novel, to romance
-
In the interpolated stories of
Don Quixote Part I, Cervantes' concern had
been with the freedom
-
All the old European games
of desire are found in Cervantes' interpolated tales, and all are ignored
-
ecstatically celebrated in a sentimentalized
projection -bearing not the remotest resemblance to Cervantes
-
Unlike the pastoral or chivalric
heroines of Cervantes' earlier fictions -not all of whom are desexualized
-
of desire, in the
opening chapter of
Deceit, Desire, and the Novel, with the claim
that Cervantes
-
Even the most cursory reading of
El curioso impertinente would ratify Girard's
claim about Cervantes
-
Girard never moves beyond the
Quixote for his structural supports, he
cannot know that Cervantes
-
present in germ in
Don Quixote».56 It is critical to
understand, however, that not
all of Cervantes
-
Cervantes chose «to compete» in the field of Byzantine
romance because only this version of romance
-
The most vocal and unequivocably desiring woman in the Cervantes
canon appears in the
Persiles
-
The plot structure of Isabela's interpolated tale affords a good
sample of Cervantes' revisionary
-
For this final interpolation Cervantes borrows and inverts the
centuries-old formula of Greek New
-
the hero to have his
will».58
This antique comic formula might almost furnish an abstract for Cervantes
-
In Cervantes' version a
young woman wants a young man, but she cannot wait for some twist in the
-
In a twinkling, Cervantes switches his sacrificial
victims: instead of a woman's being sacrificed
-
Cervantes' Isabela not only resists possession, she rescripts it.59
-
life, that it is
difficult not to accord it virtually documentary status.14 Yet Ruy Pérez is not Cervantes
-
Unlike Cervantes, whose wounds cost
him the use of one hand, the officer suffered the loss of his
-
He travels to
Algiers as a slave, and there his story rejoins that of Cervantes.
-
clearly conjures up the author's
figure, and it is tempting to see in this Saavedra the historical Cervantes
-
if we are inclined to see the Captain's tale as literature shadowing the
«real» life of Saavedra-Cervantes
- Formatos:
-
-
Resultado número:30
Texto
- Título:
-
Cervantes : Bulletin of the Cervantes Society of America. Volume VII, Number 1, Spring 1987 - Registro bibliográfico
- Portales:
-
Literatura
Visitar sitio web
| Miguel de Cervantes
Visitar sitio web
| Cervantes : Bulletin of the Cervantes Society of America
Visitar sitio web
- Sumario:
-
3
artículos
- Fragmentos
'cervantes' en la obra
: (233
coincidencias encontradas)
-
-
believe in imposing a symbolic or esoteric system
on the
Quijote and thus he could not view Cervantes
-
According to Menéndez Pelayo, Cervantes created his
fictional world from what he observed and gave
-
In a word, a poet perceives form qua form, without having to study the science
of form: Cervantes
-
Pero Cervantes era poeta, y
sólo poeta,
ingenio lego, como en su tiempo se
decía.
-
This young Menéndez Pelayo hit upon an interpretation of
Cervantes
-
For
our purposes of pointing out Cervantes' sources of inspiration for the scene,
several
-
era de harpillera, a él le
parecía ser de finísimo y delgado cendal» (p.
431);
4) Cervantes
-
Similarly, Máinez later
wrote that not only Cervantes himself but also «a new age of ideas»
put
-
Crónica de los Cervantistas, 1871-79,
which became one of the most important vehicles for debate over Cervantes
-
Siete cartas sobre Cervantes y el
«Quijote». Cádiz, 1868.
-
Cervantes Peredo, Manuel. «El
sentido oculto».
-
Cervantes y el «Quijote»:
Estudios críticos. Madrid, 1872.
-
«De
algunas opiniones nuevas sobre Cervantes y el
Quijote».
-
said that Benjumea should be
associated with the latter because of his peculiar notions regarding Cervantes
-
Tubino may not have agreed with
Benjumea, he did see the value in Benjumea's determination that Cervantes
-
Prefiguring the ideas of Menéndez Pelayo, Valera
states that: Cervantes was a passionate and sensitive
-
To
indulge in finding contemporary models for Cervantes' fictional characters,
Valera continues
-
Revilla
agreed with Valera that Cervantes' explicit intention was to ridicule the
foibles of
-
Like Asensio, he refused to accept any suggestion that Cervantes was
anti-Spanish.
-
Further, Revilla recognized the novel's value in a way much
different from that of Benjumea: Cervantes
-
This means of course that Cervantes did not intend for
his work to have any symbolic functioning,
-
could uncover the genius of a work, and it was futile for
scholars to look back and calculate what Cervantes
-
In any case, Revilla would admit only to chivalric parody as the pretext for
Cervantes' novel, probably
-
To say that Cervantes had come upon the true meaning of
the human comedy was justifiable, but to
-
The Psychological Atmosphere of Cervantes'
Galatea», submit that
La Galatea has a psychological
-
According to the
Shepards, Cervantes, through the story of Lisandro and Leonida, makes two major
-
The Shepards also note that
Cervantes seems to be advocating arranged marriages.
-
the previous
paragraph, the backbone of the Maritornes episode, was doubtless familiar to
Cervantes
-
Bandello.4 However, their versions of the tale present
basic divergences from the adaptation by Cervantes
-
offers significant support to those who discern
classical skeptical attitudes toward reality in Cervantes
-
It bears witness to a
profoundly sensitive appreciation of Cervantes.
-
wide-ranging discussions
are tightly organized to clarify or correct previous understandings of
Cervantes
-
One of the attractive features of Delgado's novel is his
intertextual reliance on Cervantes' original
-
that the reader is invited to feel comfortable in recognizing the
authentic world created by Cervantes
-
it is difficult to give
adequate illustrations of Rodríguez-Luis's great acquaintance with
Cervantes
-
At the same time, the novelistic
achievements and «modern complexity» of Cervantes surpass what is
-
Rodríguez-Luis's
edition of the
Novelas belong on the shelves of anyone
seriously interested in Cervantes
-
What other picaresque literature proposes as
biography and social criticism Cervantes presents as
-
In
El coloquio Cervantes demonstrates that the
value of a work of fiction does not depend on
-
He objected especially to
criticism that claimed that Cervantes wrote the
Quijote reacting to
-
In a short piece titled
«Cervantes, inventor», Asensio explained the modernity of
Cervantes'
-
as having emerged from the «ruins of
chivalry books»: the downfall of that genre made possible Cervantes
-
observed the numerous imitations of the
Quijote throughout Europe which is also proof
that Cervantes
-
He catalogued very rare criticism
dating from the seventeenth century, dug up documents on Cervantes
-
He also «corrected» errors about Cervantes' life that
he believed could be found in the work of Benjumea
-
As one can see, Asensio
constantly attacked Benjumea, feeling that Cervantes loved Spain so much
-
«Otro
imitador de Cervantes en el siglo XVIII» and «Las imitaciones
castellanas del
-
Cervantes 1 (1981): 120-23.
«Esteso y López de Haro
(Luis)».
-
Cervantes: A Tentative Bibliography of His Works
and of the Biographical and Critical Material
-
Cervantes: A Bibliography.
-
Books, Essays,
Articles and Other Studies on the Life of Cervantes, His Works, and His
Imitators
-
«Los
seudónimos en torno a Cervantes». In
Cervantes: Su obra y su mundo.
-
Actas del I
Congreso Internacional sobre Cervantes. Ed. Manuel Criado de Val.
-
soul with material interests, he declared that he found the key
to the mystery of the novel in Cervantes
-
a Dominican who rewrote the
Quijote because he did not approve of social
reform notions in Cervantes
-
criticism in the following ways: 1)
He refused to agree with his predecessors who, he felt, had read Cervantes
-
His method prescribes the application of events of Cervantes' life and
those in Spain during his
-
of the nineteenth
century relied on extrinsic methods, and creating an information bank for
Cervantes
-
key events to which Benjumea referred was the betrayal
by Juan Blanco de Paz, in Algiers, when Cervantes
-
Furthermore, Benjumea believed that
Sansón Carrasco embodied this archenemy of Cervantes.
-
, he
insisted on Juan Blanco de Paz's incarnation in Sansón Carrasco, because
he found that Cervantes
-
Cervantes' other
characters, notes Benjumea, were too representative of the type they portrayed
-
-, and thus stand in contrast to the figure
of Sansón, who surely represented a contemporary of Cervantes
-
encounter in I, 19, López de Alcobendas, is an anagram for
«es lo de Blanco de
Paz», indicating Cervantes
-
Benjumea for his part claimed that Cervantes' intention was political
reform as he called for a «
-
a moral and political allegory of
man's struggle against blind faith and orthodoxy; concretely, Cervantes
-
Benjumea's symbolic approach
also allows the reader to associate Cervantes and his hero with the
-
on the
Quijote in the journal
La América before 1860, Benjumea made
clear his view of Cervantes
-
What Cervantes has done, then, is to eliminate that very
important section of the tale in which
-
Nevertheless, the remainder of Cervantes' narrative
coincides exactly with those of Boccaccio and
-
Moreover, Cervantes has in common with Boccaccio the details of
the advanced age of the infatuated
-
«Cervantes, inventor».
-
In
Conmemoración del aniversario
CCLVIII de la muerte de Miguel de Cervantes
-
Notas de algunos libros, artículos
y folletos sobre la vida y las obras de Miguel de Cervantes
-
In
Cartas literarias sobre Cervantes y el
«Quijote» por el Bachiller Cervántico.
-
Delgado's
Adiciones is perhaps the most significant
and influential creative work related to Cervantes
-
written in the late
eighteenth century, a period of renewed interest in Cervantes that began with
-
Juan Pablo Forner, the leading figure in
the polemic, and others used the works of Cervantes, especially
-
certain generic
similarities, it nevertheless seems clear that from Boccaccio's description
Cervantes
-
three authors, the details just enumerated have shown specific influences of
Boccaccio upon Cervantes
-
To these concrete coincidences can be added yet
another verbal similarity: when Cervantes says
-
whose inhabitants supposedly lack a
cogote, or nape, may have been
suggested to Cervantes
-
The Substance of Cervantes
Cambridge: Cambridge UP, 1985. v + 290
pp.
-
He
focuses on the underpinning of Cervantes' art, as evident in
DQ as it is elsewhere: the emulation
-
In
DQ and elsewhere, Cervantes consistently
upholds the serious role of poetry, one which may
-
Sidestepping the issue of
what Cervantes' serious intent in
DQ was, Weiger poses another question
-
What did Cervantes think of the reader reaction given to Part I of
DQ?
-
He thereupon examines the following:
Cervantes' portrayal of the many readers of
DQI who inhabit
-
DQII; Cervantes' reactions to popular
judgments of
DQI as seen in the prologue and opening
-
chapters of
DQII; the bases of dissatisfaction which
inform Cervantes' criticism of Avellaneda's
-
A convincing case emerges for the
equal measures of pleasure and frustration voiced by Cervantes
-
If Cervantes
takes pride in his own «invención» and yet we know his
writing depends at least
-
Weiger documents the author's respect for and appreciation of
literary models, and argues that Cervantes
-
provides examples of this varied reshaping, such as an analysis of the prologue
to
DQI where Cervantes
-
There are, then, numerous close resemblances of detail that
appear to prove beyond doubt that Cervantes
-
But there are likewise near affinities of thought
and expression that leave little doubt that Cervantes
-
similarities occur in two contiguous
sentences in both texts, although their order has been reversed by Cervantes
-
(P. 636)
While Cervantes
-
vituperatio- would seem to clinch
the case for the influence of Bandello's portrait upon Cervantes
-
Cervantes and the Pastoral
Cleveland: Penn State University-Behrend
College, Cleveland State
-
presented by diverse
scholars at the May 1985 Penn State-Behrend College Symposium entitled
«Cervantes
-
Four
Hundred Years Later», the banquet address by Juan Bautista Avalle-Arce
who states that Cervantes
-
Literary criticism did not begin in that country until the eighteenth century,
long after Cervantes
-
Finally, with the arrival of
Américo Castro's
El pensamiento de Cervantes in 1925, critics'
-
Twenty-three years later,
Francisco López Estrada, in his
La Galatea de Cervantes: Estudio
-
- III -
Cervantes
-
seventeenth century to the present, is an implicit
expression of admiration for and appreciation of Cervantes
-
.»: Cervantes' reference here may well
be to Lope, in
La Arcadia (ed. Edwin S.
-
commonplace in Spain by this
time, the close similarity to thought and expression in both of Cervantes
-
In
«Cervantes and the
Decameron: A Note on the Sources and
Meaning of Don Quijote's
-
Prototypical Chivalric Adventure (I, 50)»,
Cervantes, 5 (1985), 141-47, I show
that Cervantes
-
novella VIII, 10.
13
For a good introduction to the centrality of Cervantes
-
It would seem, then, that we have established that in the
Maritornes episode Cervantes took inspiration
-
To a certain extent, students
of Cervantes may feel relieved to know that it has finally been shown
-
The difference with Cervantes is
that he conceals his borrowings by fundamentally altering their
-
experienced eye can still discern the origins of these plots:
not for nothing did Tirso de Molina call Cervantes
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume VII, Number 1, Spring, 1987
-
THE CERVANTES SOCIETY OF AMERICA
President
ALAN S.
-
RIVERS SE DANIEL EISENBERG
HARRY SIEBER NE EDWARD DUDLEY
Cervantes: Bulletin of the Cervantes
-
WARDROPPER
Cervantes, official organ of the Cervantes
Society of America, publishes
-
scholarly articles in English and Spanish on
Cervantes' life and works, reviews, and notes of interest
-
Subscription to
Cervantes is a part of membership in the
Cervantes Society of America, which
-
Membership is open to all persons interested in Cervantes.
-
subscription, send check in dollars to Professor CATHERINE SWIETLICKI,
Secretary-Treasurer, The Cervantes
-
Manuscripts
(submitted in accordance with
Cervantes,
2 [1982], 107) should be
sent
-
ALLEN, Editor,
Cervantes, Department of Spanish and Italian,
University of Kentucky, Lexington
-
Books for review should be
sent to Professor HOWARD MANCING, Book Review Editor,
Cervantes,
-
Burton, «Cervantes the Man Seen Through English
Eyes in the 17th and 18th Centuries»,
Bulletin
-
Wilson, «Cervantes and English Literature of the 17th Century»,
Bulletin Hispanique 50 (1948),
-
Few English writers before Scott would have understood
Cervantes in the original and even Smollett's
-
More details of Cervantes' background
were now available, and the translator also included a life
-
«Educación
científica de Cervantes».
-
Novísima historia crítica de la vida de Cervantes. Madrid,
1878.
-
y Toledo:
Nuevos documentos para ilustrar la vida de
Miguel de Cervantes
-
Cervantes y sus obras: Cartas dirigidas a
varios amigos. Sevilla, 1870.
-
libros,
folletos y artículos sueltos referentes a la vida y a las obras de
Miguel de Cervantes
-
approaches sense perceptions from the other side: optical
illusions are verified phenomena of which Cervantes
-
strongest insights for this reviewer was Weiger's insistence on the role
theatre played in shaping Cervantes
-
Theatre was Cervantes' first love,
and the object of intense interest throughout his writing.
-
determining the
manner of presentation of many scenes, this theatrical visualization heightened
Cervantes
-
Copyright © 1987 by the Cervantes Society
of America.
-
Maritornes
Donald McGrady
University of Virginia
Los estudiosos están de acuerdo en que Cervantes
-
Esto no se
debe a una falta de afición de Cervantes a la
Novella, sino a que utilizaba sus
-
mayoría de los escritores tomaban prestados fragmentos bastante extensos
de sus modelos, Cervantes
-
Un excelente ejemplo del procedimiento seguido por Cervantes se halla
en la aventura amorosa de
-
Sin embargo, el episodio de Cervantes se
diferencia fundamentalmente de los de Boccaccio y Bandello
-
Con todo, se hace evidente que Cervantes -al igual que otros
grandes escritores del Siglo de Oro
-
It is well known to students of
Don Quijote that in his use of source
materials Cervantes follows
-
Vega, for example,
it is quite a different matter to establish such influence in the case of
Cervantes
-
and that Lope's
El castigo sin venganza derives from Matteo
Bandello's
Novelle I, 44,2 Cervantes
-
I believe that the reason
for this is not that Cervantes eschewed the use of Italian material, but
-
Here, Weiger charts Cervantes' changing opinions about the
value of, and the reception given to,
-
He sets
Cervantes' initial enthusiasm against his progressive disenchantment with his
contemporaries
-
In Chapter VII Weiger breaks new ground in his examination of the
artistic substructure in Cervantes
-
Catálogo bibliográfico de la
Sección de Cervantes de la Biblioteca Nacional.
-
Bibliografía crítica de las obras
de Miguel de Cervantes Saavedra. 3 vols. 1899; rpt.
-
In
Cervantes: Su obra y su mundo. Actas del I
Congreso Internacional sobre Cervantes.
-
Cervantes en las letras hispano-americanas
(Antología y Crítica).
-
A Miguel de Cervantes Saavedra: conferencia imaginada, por
Hamete-Abén-Xaráh, el Beturani».
-
consejas populares de la «región beturiana», con
conocimiento exacto del terreno que describió Cervantes
-
extrinsic influences on the
Quijote, more so than today, and demonstrated
vigorously how events in Cervantes
-
parody and satire became aspects of the
Quijote exploited for the purpose of
discovering Cervantes
-
whose training was generally in philology, attempted to organize an
accurate, corrected text of Cervantes
-
Works by Nicolás Díaz de
Benjumea:
«Significación
histórica de Cervantes
-
including Shakespeare- tended to preserve intact relatively large
portions of plots from their models, Cervantes
-
The originality of Cervantes was that, in addition to making the usual
modifications, he typically
-
Consequently, given Cervantes' tendency to modify fundamentally the structure
of his narrative sources
-
references confirm the
authorship of Jara.36
The
Estudio is Jara's edition of Cervantes
-
authors
above- to be a friend of «Hamete» who will help the latter reveal
the truth about Cervantes
-
Obviously, «ejemplaridad» in Cervantes is closely linked
with realism -what Rodríguez-Luis terms
-
«detallismo», or «el absorbente interés de Cervantes en
toda la materia de sus narraciones, la
-
It is Cervantes' representation
of detail as worthy of attention in itself rather than as merely
-
Ultimately, Cervantes' creation of «living» characters
whose intimate motives become the basis of
-
his
intervention as narrator who describes what is happening within his characters,
separates Cervantes
-
narrator into the
«fiction» are all part of the innovative process in Cervantes
-
of the term
«novela» and
includes a discussion of the
Novelas from the point of view of Cervantes
-
In particular, the evidence of Sorel and other French writers
who recognize the significance of Cervantes
-
A comparison of Cervantes and the Italian
novellieri throws
further light upon the evolution
-
Like Bandello,
Cervantes is innovative in abandoning the external framework technique in favor
-
Although Cervantes
insists upon the commonplace adjective, «ejemplares», in the title of his
-
In addition, «ejemplo» in Cervantes is not
merely a traditional statement of moral precept, but an
-
Most importantly, the persuasiveness of «ejemplo» in Cervantes results
from the author's «fidelidad
-
Cervantes sees himself as providing «example» precisely as
novelist, and his «arte de
novelar
-
Consequently, realism in Cervantes
is never synonymous with literal representation of reality, and
-
Cervantes: Bulletin of the Cervantes Society of
America
Volume VII, Number 1, Spring,
-
Los estudiosos están de acuerdo en que Cervantes
-
Esto no se
debe a una falta de afición de Cervantes a la
Novella, sino a que utilizaba sus
-
mayoría de los escritores tomaban prestados fragmentos bastante extensos
de sus modelos, Cervantes
-
Un excelente ejemplo del procedimiento seguido por Cervantes se halla
en la aventura amorosa de
-
Sin embargo, el episodio de Cervantes se
diferencia fundamentalmente de los de Boccaccio y Bandello
-
Con todo, se hace evidente que Cervantes -al igual que otros
grandes escritores del Siglo de Oro
-
Cervantes and the Pastoral
Diane Chaffee-Sorace
-
Miguel de Cervantes
-
by Julio Rodríguez-Luis
Novedad y ejemplo de las Novelas de
Cervantes
-
The Substance of Cervantes
Maureen Ihrie
-
News
Update on the Cervantes
-
Even in these
Novelas, which are the most «estilizadas» or
«conventionalized», Cervantes demonstrates
-
What other picaresque literature proposes as
biography and social criticism Cervantes presents as
-
In
El coloquio Cervantes demonstrates that the
value of a work of fiction does not depend on
-
Indeed, it is in the Prologue to the
Novelas ejemplares that Cervantes establishes
his claim
-
the
Novelas is the «material humano» of everyday reality (Novedad y ejemplo, II, 117), in which Cervantes
-
suggests that Jacinto María Delgado may have been the
individual who most profoundly appreciated Cervantes
-
It seems only appropriate that the cover of this issue of
Cervantes should be
graced
-
see the
novel as a book that records the changes occurring in Western consciousness
during Cervantes
-
Whereas most Cervantes
studies are concerned with a specific requirement of the epic -how Cervantes
-
Cervantes not only
makes use of the epic tradition, but he also uses it against itself to speak
-
Wolford emphasizes that
heroism and nobility are mocked and that nothing is safe from Cervantes'
-
Another article that deals with
Don Quijote is Anthony Cárdenas'
«Berganza: Cervantes' Can[is
-
Dominic and Berganza, the
dog, in Cervantes'
Coloquio de los perros.
-
According to Cárdenas, perhaps Cervantes'
lesson is that the road to Utopia begins with the self,
-
an idea consistent with
the Dominicans and with the intellectual climate of Cervantes' day.
-
Rhodes' «The Poetics of Pastoral: Prologue to the
Galatea» is of interest for its
approach to Cervantes
-
Rhodes' thesis is that Cervantes
considered his pastoral work as poetry, especially as eclogue material
-
According to Rhodes, Cervantes' pastoral book is different from those of other
writers because it
-
Thus, Cervantes' discovery
that an illusion cannot live or be made to live on its own explains why
-
Don
Quijote accepts his poetic ideal as fantasy and becomes «real» at
the end of Cervantes'
-
Rhodes suggests that
Cervantes' discovery may also account for his decision not to write the second
-
83→
News
Update on the Cervantes
-
Lathrop
In my recent visit to Madrid (April, 1987), I was shown the site
of the Cervantes
-
He is the author of the biography
Cervantes: del mito al hombre (Madrid:
Biblioteca Nueva, 1967
-
Overseeing the scene is a bust of Cervantes
which has been headless for decades.
-
—75→
Miguel de Cervantes
-
Novedad y ejemplo de las Novelas de
Cervantes. By Julio Rodríguez-Luis.
-
George Washington University
A
corrected version of
this review was published in
Cervantes
-
Loss, fifteen articles, and a selected bibliography of Cervantes'
La Galatea by Anita K.
-
It implies that the
book contains articles about the pastoral theme as it relates to Cervantes'
-
that the volume housed articles on Góngora and Juan de Tovar and that
some of the papers about Cervantes
-
opening address, the essays which comprise the
volume are as follows: Anthony Cárdenas, «Berganza: Cervantes
-
→
pastoril en
La casa de los celos de Miguel de
Cervantes
-
The Psychological Atmosphere of Cervantes'
Galatea»; Sylvia Trelles,
«Aspectos retóricos de
-
«Cervantes en el siglo
XVIII».
-
Cervantes y Don Quijote. Valencia: Cosmos,
1959.
Asensio, José María.
-
In
Cervantes y sus obras. Barcelona: F. Seix,
1902, 199-232.
- Formatos:
-
Filtros de la búsqueda
- Literatura española 52
- Música y literatura 49
- España 45
- Literatura española -- Historia y crítica 40
- Literatura infantil y juvenil 36
- Teatro español 30
- América Latina -- Enciclopedias 25
- Enciclopedias e dicionarios 25
- Enciclopedias y diccionarios 25
- Exiliados -- Historia 25
- Poesía -- Antologías 23
- Poesía -- Catálogos 23
- Teatro para niños 23
- Intelectuales -- Exilio 22
- Poesía española 21
- Literatura hispanoamericana -- Historia y crítica 19
- Filosofía 18
- Cultura 16
- Historia 16
- Teatro infantil y juvenil 11
Datos extraídos de Wikidata
- No disponible9305 [Eliminar filtro]
- Lambea Castro, Mariano 49
- Josa Fernández, Dolores 48
- Lucía Megías, José Manuel, 1967- 33
- García González, Ramón 29
- Sánchez, Santiago 24
- L'Om-Imprebís (Grupo de teatro) 23
- Rubio Cremades, Enrique 21
- Cervantes Saavedra, Miguel de, 1547-1616 20
- Rovira, José Carlos, 1949- 20
- Cordero, Sandro 19
- Cuesta, Vicente 19
- Montoliu, Carles 19
- La Grande Chapelle 17
- Recasens, Àngel 17
- Estudios Superiores del Escorial 16
- Campos y Fernández de Sevilla, F. Javier 15
- Ríos Carratalá, Juan Antonio 12
- Díez, Montserrat 11
- Misó, Toni 11
- Notario, Joaquín 11
- Cervantes Saavedra, Miguel de (1547-1616) 165
- Quevedo, Francisco de, 1580-1645 41
- Real Academia de la Historia (España) 33
- Real Academia de la Historia (España) . Biblioteca 32
- Hernández, Miguel, 1910-1942 21
- Biblioteca Virtual Miguel de Cervantes 13
- Machado, Antonio, 1875-1939 10
- Real Academia de Bellas Artes de San Fernando 9
- Biblioteca Nacional (España) 7
- Jesuitas 7
- Menéndez y Pelayo, Marcelino, 1856-1912 7
- Biblioteca Nacional (México) 6
- Pérez Galdós, Benito, 1843-1920 6
- Altamira, Rafael, 1866-1951 5
- Buero Vallejo, Antonio (1916-2000) 5
- Barrera y Leirado, Cayetano Alberto de la (1815-1872) 4
- Bellini, Giuseppe 4
- Böhl de Faber, Juan Nicolás (1770-1836) 4
- Gallardo, Bartolomé José (1776-1852) 4
- Monasterio de El Escorial 4
- Fundación Joaquín Díaz 68
- Universidad de Santiago de Compostela. Biblioteca Universitaria 43
- Biblioteca de la Universidad de Alicante 18
- BIVALDI 7
- Fondo Antiguo de la Universidad de Sevilla 5
- Biblioteca Nacional (España) 2
- Fondo Antiguo de la Universidad de Granada 2
- Fondo Antiguo de la Universidad de Valladolid 2
- AHPJO - Archivo Histórico del Poder Judicial del Estado de Oaxaca 1
- Fondo Antiguo de la Universidad Complutense 1
- Fondo Antiguo de la Universidad de Castilla-La Mancha 1
Filtros aplicados:
-
Resultado número:21 Texto
- Título:
- Cervantes : Bulletin of the Cervantes Society of America. Volume VI, Number 2, Fall 1986 - Registro bibliográfico
- Portales:
- Literatura Visitar sitio web | Miguel de Cervantes Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Sumario:
- 4 artículos
- Fragmentos 'cervantes' en la obra : (223 coincidencias encontradas)
-
- diferentes de las otras obras mayores, puesto que se conservan en manuscritos casi coetáneos de Cervantes
- clásicas tabulae gratulatoriae, y con expresa noticia de las ediciones anteriores de obras de Cervantes
- lugar, una BIBLIOGRAFÍA generalizada (la especializada sería para otra ocasión) de las obras de Cervantes
- Cervantes clearly reveals that the liberty to know and choose is intimately connected with the liberty
- Forcione's vision of their unanimity and to his privileging what he sees as redemptive elements in Cervantes
- But in fact Cervantes insists on the isolation of Leonora from Carrizales, giving it emphasis
- Forcione focuses on the symbols of imprisonment in Calderón's play and Cervantes' novela
- end, and it can be seen as an emblem of the earthly order» (p. 83); in the second version, «Cervantes
- Desconozco en absoluto los problemas que en los Estados Unidos puede suscitar la enseñanza de Cervantes
- Eisenberg sólo puede aceptarse aquella que va encaminada a una «edición DEFINITIVA del texto de Cervantes
- Eisenberg) sólo he entresacado aquello que interesa a los fines de una edición de las obras de Cervantes
- si nos limitamos a lo que realmente interesa, o sea, la edición «definitiva» de las obras de Cervantes
- En primer lugar, la tarea de restituir la escritura y el lenguaje que usaba Cervantes es una tarea
- querer sentar cátedra con respecto a los usos particulares que pudiera haber practicado Cervantes
- : y presupuesto que atinásemos plenamente al descubrir las preferencias ortográficas de Cervantes
- , si Cervantes con la edad, el avance de su técnica, etc., cambió de preferencias y aún así pudiésemos
- Ítem más: si, no ya los usos vulgares, sino incluso los científicos de la época de Cervantes,
- tendía a suprimirlas: siempre quedaríamos con la duda de cuántas comas puso de su mano Cervantes
- lleguemos, por obra y magia de los adelantos de la ciencia, a poder grabar incluso la misma voz de Cervantes
- única fuente de conocimiento: la obra impresa, con todos sus defectos, ajenos o debidos a Cervantes
- —166→ que no obstante 1) la importancia de Cervantes
- existe esta edición, diríamos perfecta, integral en todos sus aspectos, de las obras de Cervantes
- fríamente, incomprensible, por más que nos detengamos en imaginar que el espíritu burlón de Cervantes
- esto creo que todos estarán de acuerdo), que se lleve a cabo una edición de las obras de Cervantes
- manuscritos cervantinos, poca fiabilidad de las primeras ediciones, poca seguridad en si Cervantes
- distintos niveles culturales de los lectores... y hasta el propio genio tantas veces plurivalente de Cervantes
- Viene todo esto a cuento con motivo del propósito resucitado ahora en el seno de la «Cervantes
- —167→ para que en «CERVANTES
- FLORES, «The Need for a Scholarly, Modernized Edition of Cervantes' Works» (2, [1982], 69-87),
- vista absolutamente objetivo, no pueden ser aceptadas para una edición definitiva de las obras de Cervantes
- - I - Parece como si la prolongada serie de las ediciones de las obras de Cervantes
- portadas e introducciones explicatorias; lo cual, empero, lejos de conseguirse, en el caso de Cervantes
- Ciertamente, los problemas planteados por las primeras ediciones de las obras de Cervantes no
- Bien: esto, en Cervantes, no constituye ninguna excepción: cada palabra suya, cada frase, cada
- coto a tanto libertinaje editorialesco y se presente al público un texto de las obras de Cervantes
- los manuscritos cervantinos y que parece aceptable la no intervención de Cervantes
- las suposiciones posibles, pero de momento hemos de contentarnos con las propias palabras de Cervantes
- Claro está que también podemos admitir que Cervantes puede ironizar, o exculparse dando la culpa
- fecha de 9.2.1605, a favor de Melchor Valenciano de Mendiolaza, caballero procurador de Cervantes
- Sin embargo, Luis Astrana Marín, Vida ejemplar y heroica de Miguel de Cervantes
- Francisco Martínez Martínez, Melchor Valenciano de Mendiolaza, Procurador de Miguel de Cervantes
- conoce la existencia de dos poderes casi simultáneos: uno en Valladolid, 11.4.1605, otorgado por Cervantes
- inéditos (Madrid: 1914, RABM, pp. 228-3); y el otro, también en Valladolid, 12.4.1605, otorgado por Cervantes
- ¿Desconocía Cervantes su verdadera identidad?
- Ignoro si se tienen noticias de las gestiones que debieron hacer los apoderados de Cervantes cerca
- The concern for the perils of publishing is still with Cervantes in 1615.
- Sansón Carrasco replies with a favorite Cervantine maxim (though not original with Cervantes): «No
- He too voices Cervantes' recurrent anxiety: «... digo que es grandísimo el riesgo a que se
- vulnerability to criticism and its effect on the writer's reputation are matters that concern Cervantes
- Whatever that says about the readers, about their understanding of Cervantes' purpose, or even of
- the book itself, the fact remains that at long last Cervantes is able to say that he has weathered
- Twice before, Cervantes has shown the futility of defining exemplarity.
- But Cervantes' most dramatic comment on Carrizales' project occurs after his long speech to Leonora's
- Cervantes assumes control over his self-dramatizing character and creates a tableau which supersedes
- As Asensio writes in his introduction to this edition, Cervantes adapted the folkloric tradition
- Para darle un barniz castizo, Cervantes le hace salmantino, supuesto maestro de las artes enseñadas
- reference to the bandit made by a fictional character in this entremés does not preclude Cervantes
- This essay is one of a series of articles proposing widely differing criteria for editions of Cervantes
- Flores' «The Need for as Scholarly, Modernized Edition of Cervantes' Works», in Cervantes
- At the last meeting of the Executive Council of the Cervantes Society in December, 1985,
- Don Quijote, an edition which, paradoxically, has never been proposed or described in Cervantes
- Notwithstanding this decision, with which I enthusiastically concur, Cervantes will continue
- Ruth el Saffar speaks of Cervantes' «gallery of authors who have failed».1 She uses «author»
- imperfect, linear form and a more nearly perfect, circular form, respectively) are reflected in Cervantes
- In the first place, Cervantes here is mocking the convention of ending the romances with a promise
- Thirdly, Cervantes himself resorted to this device, most notably in La Galatea, which he recurrently
- When Cervantes playfully suggested that his protagonist had wanted to finish one of the romances,
- first step in the recognition of this meaning [of irony] is to perceive that the refinement of [Cervantes
- In this episode, Don Quijote and Roque appear primarily as ironic victims; Cervantes ridicules their
- llegara en aquella sazón su capitán».37 By referring to the bandits as «buena gente», Cervantes
- 126 Si nuevos descubrimientos sobre Cervantes o sobre sus escritos, o nuevos avances
- pero creo recordar que ya antes se había tratado del tema en el I Congreso Internacional sobre Cervantes
- una comisión para el estudio, y subsiguiente puesta en práctica, de una edición de las obras de Cervantes
- luego, por conducto del propio Allen, que el proyecto de editar convenientemente las obras de Cervantes
- ha sido abandonado por parte de la «Cervantes Society of America».
- ¿Debemos pensar que Cervantes, al tener prisa por ver la obra impresa, no cuidó mucho su
- El mismo Persiles, al que casi seguramente Cervantes no pudo acabar de darle forma
- (N. from the A.) 42 Francisco Olmos García in Cervantes en su época
- y era asunto que preocupaba a muchos, por lo que interesa la actitud tan favorable con que Cervantes
- Manegat, La Barcelona de Cervantes (Buenos Aires: Plaza y Janes, 1964), p. 137.
- In short, I believe that Roque Guinart as a historical figure primarily provided Cervantes with the
- But we should be able to recognize all this -recognize, as Cervantes did, the attractiveness of this
- episode contributes anything to the ongoing debate between the Romantic and Neoclassical schools of Cervantes
- advierten los mismos editores (p. li) que «Siempre que hay posibilidad razonable para creer que Cervantes
- En el centenario del nacimiento de Cervantes, en 1947, imperaron más la sobriedad y la prudencia
- —113→ Revision and Exemplarity in Cervantes
- Critics have generally assumed that Cervantes is the author of the manuscript of El celoso extremeño
- Mayo, find the resistance of the inexperienced young girl to be unrealistic; Castro sees it as Cervantes
- Lambert and Alban Forcione have begun to explore in more depth the ironies and ambiguities which Cervantes
- El Saffar stresses the autonomy of Cervantes' characters and their capacity to transcend stereotypical
- He believes that Cervantes «is letting go of the reader's hand to push him into a world where unproblematic
- 146→ DQ1:Li-1605-Crasbeeck.68 Esto obliga a Cervantes
- modelos y a veces, siguiendo la tradición ya iniciada por los mismos editores de 1605 de tomar a Cervantes
- Desconozco en qué grado de gestación se halla el proyecto en el seno de la «Cervantes Society
- es, entre las que conozco, la que más se acerca a la edición magistral de las obras de Cervantes
- la consideración de todos aquellos de cuyos trabajos y desvelos puede aprenderse tanto sobre Cervantes
- serviré de mis propias notas bibliográficas y de las bibliografías generales sobre las obras de Cervantes
- reparto de tareas o destajos compositivos.65 Un error (un error o un olvido de los cajistas o de Cervantes
- la recuperación del rucio de Sancho merecerá luego el tan conocido comentario del propio Cervantes
- recopilación y el examen de los estudios de carácter general sobre la significación de Cervantes
- en esencia, para estudiantes y lectores avanzados pero no tanto que les llegue a interesar si Cervantes
- Pues bien: ninguno de los editores posteriores a Cervantes ha caído en la cuenta que esta frase
- posibilidad de esta doble lectura; posibilidad ciertamente muy característica de la ironía de Cervantes
- desechan una acepción en el sentido de la frase que bien pudiera ser la pretendida por Cervantes
- empresa» del conocido romance, produciendo la duplicidad de sentido que tan del gusto era de Cervantes
- 11 Cervantes, Aristotle, and the «Persiles» (Princeton: Princeton
- Aylward dissents from this view in Cervantes: Pioneer and Plagarist (London: Támesis, 1982
- G. de Amezúa y Mayo, Cervantes creador de la novela corta española, II (Madrid: CSIC, 1958
- Castro, Hacia Cervantes, 3rd edition (Madrid: Taurus, 1967), pp. 420-50.
- (N. from the A.) 20 Luis Rosales, Cervantes y la libertad, II (Madrid
- : SEP, 1960), 409-35; Marcel Bataillon, «Cervantes et la 'Mariàge chrétien'», BHisp
- Lambert, «The Two Versions of Cervantes' El celoso extremeño: Ideology and Criticism
- Whatever his (or Cervantes') purpose, the fact remains that in the context of the 1605 Quixote
- In 1605 Cervantes was addressing readers of the romances.
- Despite his anger, Cervantes reveals himself to be a writer of confidence.14 Don Quixote
- of Toledo speaks as he proclaims the classical theories of literature and offers the formula for Cervantes
- What is more, he thinks it typical of Cervantes «el proponer como futuro modelo literario,
- Cervantes: Bulletin of the Cervantes Society of America Volume VI, Number 2, Fall 1986
- En La Galatea Cervantes
- La tesis del presente ensayo es que esta trayectoria refleja la actitud de Cervantes ante la problemática
- Revision and Exemplarity in Cervantes' El celoso extremeño
- Principalmente por medio de una técnica de eufemismo irónico Cervantes sustituye un término
- La edición definitiva de las obras de Cervantes José
- Perhaps it is presumptuous to expect from Cervantes a coherent political stance on banditry.
- Mahomet and Tamburlane, of the Turks and many others».48 Although, through the character of Ricote, Cervantes
- neglect on the Gascon issue stands in contrast to the zealous expulsion of the Moriscos, which, Cervantes
- Cervantes may have been implying that the government was fighting the religious battle on the wrong
- In the prologue to the Novelas ejemplares of 1613 Cervantes speaks of the Persiles as a
- a spokesman for some literary precepts (to a large extent derived from El Pinciano) espoused by Cervantes
- , but the representation of the tentative probings of Cervantes who, though he had his theoretical
- —138→ praise of Roque, but Cervantes
- more expedient to pay them a salary and station them in trouble-spots in the Empire.53 Cervantes
- It is here that we can hypothesize a political object for Cervantes' irony: the ineffectiveness of
- As if to strengthen his point, Cervantes begins the next chapter by recapitulating the danger and
- The Roque chapters belong to that part of the text which was written with Cervantes' knowledge of
- Avellaneda's appropriation of Don Quijote may well have reinforced Cervantes' determination to produce
- The chapters have been read in the light of a «non-conformist» Cervantes who, by sympathizing with
- the rebellious bandits, implies his disaffection with the status quo.44 But if we take Cervantes
- cuyos impresores no debieron tener a la vista ningún manuscrito cervantino y en las que Cervantes
- conocimientos que sobre puntos hoy en día confusos podían tener los impresores y los lectores de Cervantes
- aceptarse como válidas dichas variantes delatoras de posibles interpretaciones coetáneas de Cervantes
- He argues that Cervantes' revisions make El celoso extremeño «a deeply moving affirmation of
- Cervantes deprives us of the guidance of a conventional narrator and forces us to make sense of the
- Cervantes intervenes to undercut both Carrizales' and the narrator's attempts to impose a specious
- Cervantes recreates their misunderstanding in the narration of the last paragraph, and he contrives
- más utilidad veo la creación de una colección de obras a base exclusivamente de estudios sobre Cervantes
- También la revisión de la biografía de Cervantes se hace necesaria.
- pasajes oscuros, alusiones, circunstancias, nombres propios, etc., contenidos en los escritos de Cervantes
- ingente volumen que ocuparían todas las notas y comentarios que sobre lo que dijo o pudo decir Cervantes
- adoptaran su texto, total o parcialmente: DQ:M-1797/ 98-Imp.Real, pero con vida de Cervantes
- estilaron en la época romántica, pero que no han dejado de perdurar en muchos editores posteriores de Cervantes
- pasaje ha vuelto a suscitar nuevos quebraderos de cabeza y nuevas teorías sobre la intervención de Cervantes
- polémicas, una inmensa polvareda en torno a la urgencia de ediciones autorizadas de las obras de Cervantes
- traducía no más que en proliferación de sociedades cervantinas, amigos de Cervantes
- , amigos de los amigos de Cervantes, literatura baratesca, nombramientos de caballeros y creación
- When he writes the prologue to Part I of Don Quixote, Cervantes is still conscious of the risks
- Edwin Williamson suggests that «Cervantes clearly relishes this image of himself as a timid, painfully
- Galatea prologue and the bravado of later prologues,9 I do not share Williamson's belief that Cervantes
- In Cervantes' case, the reluctance to release his writings to the scrutiny of the readers is
- Cervantes has left us a number of clues that support the image of one reluctant to publish.
- would be possible to end this essay here by concluding simply that all of the foregoing displays Cervantes
- further conclude that the prologue and those passages where Don Quixote attempts to write evince Cervantes
- I submit that the concerns discussed above betray the very real concerns of Miguel de Cervantes.
- University Press, 1974), pp. 40-50; Edwards, «Los dos desenlaces de 'El celoso extremeño' de Cervantes
- », BBMP 49 (1973), 281-91; Lambert, «The Two Versions»; Forcione, Cervantes and The
- with the influence of the Romantic conception of banditry -as transcendental protest- on Cervantes
- 103 Asensio, al que por otra parte se le deben algunas aportaciones valiosas sobre Cervantes
- pretendió hacer pasar los comentarios y las notas marginales como manuscritos del propio Cervantes
- 105 En realidad, seguimos inmersos en una confusa nebulosa creada en torno a Cervantes
- como hidalgo y pronto es armado caballero; oposición a Avellaneda; etc.), bien pudiera ser que Cervantes
- mis apreciaciones al resultado de las investigaciones) estoy por ahora en la creencia de que Cervantes
- 87 No obstante, algunas ediciones posteriores sí acogieron con gusto la vida de Cervantes
- The description of Cervantes' manuscripts in a trunk (as he tells us in the prologue to the
- The reader of 1605 might assume that the Curioso was written by Cervantes, but the title of
- published work when the priest finds La Galatea and identifies its author as his «friend» Cervantes
- I think it not unreasonable to conjecture that Cervantes passed over the temptation to place his
- the priest's recognition of his «friend» as a convenient captatio benevolentiae, because Cervantes
- In 1615, Cervantes allows Sansón Carrasco to report only that the tale was considered by readers
- By leaving the tale anonymous while it is symbolically unpublished, Cervantes in 1605 protects
- In 1605 Cervantes presents a picture of his unpublished novellas left in a suitcase in an inn.
- por ahí descarriadas, y quizá sin el nombre de su dueño, [llamado] comúnmente Miguel de Cervantes
- symbolic of that image than the fact that Persiles y Sigismunda was not published at all in Cervantes
- I must stress that it is only symbolic, for I do not mean to suggest that Cervantes had not intended
- In fact, Cervantes declared that he was «puesto a pique para dar a la estampa al gran Persiles
- 56 At the request of the author, Errata for this article appeared in Cervantes
- examinar personalmente, me he servido de los diferentes catálogos bibliográficos de las obras de Cervantes
- lecturas de las primeras ediciones que más favorecen su criterio gramatical, sin perdonarle a Cervantes
- y Roig/2ª, añade por su cuenta algunas observaciones a la edición de Sales; Calderón, «Cervantes
- aparatoso Hartzenbusch con sus OC:Argamasilla-1863-Rivadeneyra: una nueva vida de Cervantes
- Máinez saca a luz su edición DQ:Cádiz-1876/9-La Mercantil, también con una vida de Cervantes
- En un quinto volumen, añade la vida de Cervantes por Fernández de Navarrete.
- Felipe Fernández publica su DQ:L-1808-Varios, con la vida de Cervantes por Quintana, textos
- de la Real Academia Española y pretendidas mejoras que atribuye al propio Cervantes;95 García
- Cuesta, usos de la época, etc.), no hay ningún texto, entre los primitivos de las obras de Cervantes
- de realizar un trabajo definitivo que contenga la edición definitiva de las obras de Cervantes
- para empezar, creo imprescindible que esta editio mater de las obras completas de Cervantes
- textuales, todos los restantes aspectos, desde gramaticales hasta anecdóticos, de los escritos de Cervantes
- a equivocaciones, el texto de los manuscritos cervantinos o, lo que es lo mismo, el texto que Cervantes
- plantea siempre el espíritu irónico, hipócrita en algún sentido, plurivalente en soluciones, de Cervantes
- For a discussion of Cervantes' reshaping of such source material, see John G.
- Weiger, The Substance of Cervantes, (Cambridge: Cambridge University Press, 1985), Chapter
- 1947), I, 41, n.: «En éste y los anteriores consejos el 'gracioso y bien entendido' amigo de Cervantes
- later writings and not to the 1605 prologue that Américo Castro alludes when he speaks of Cervantes
- ' «arrogancia» in «Los prólogos al Quijote», in Hacia Cervantes (Madrid: Taurus,
- (N. from the A.) 10 Daniel Eisenberg, in his «El 'Bernardo' de Cervantes
- for considering the canon's formula the outline of the «famoso Bernardo» alluded to in Cervantes
- ending of the revised version of El celoso extremeño; there are other grounds on which Cervantes
- And by allowing Leonora the exercise of her freedom, Cervantes unexpectedly creates a domestic
- Cervantes: Bulletin of the Cervantes Society of America Volume VI, Number 2, Fall 1986
- THE CERVANTES SOCIETY OF AMERICA EXECUTIVE COUNCIL President:
- TRUEBLOOD (1988) Vice President: JAVIER HERRERO (1988) Cervantes Editor: JOHN
- RIVERS SE DANIEL EISENBERG HARRY SIEBER NE EDWARD DUDLEY Cervantes: Bulletin of the Cervantes
- WARDROPPER Cervantes, official organ of the Cervantes Society of America, publishes
- scholarly articles in English and Spanish on Cervantes' life and works, reviews, and notes of interest
- Subscription to Cervantes is a part of membership in the Cervantes Society of America, which
- Membership is open to all persons interested in Cervantes.
- subscription, send check in dollars to Professor CATHERINE SWIETLICKI, Secretary-Treasurer, The Cervantes
- Manuscripts (submitted in accordance with Cervantes, 2 [1982], 107) should be sent
- ALLEN, Editor, Cervantes, Department of Spanish and Italian, University of Kentucky, Lexington
- Books for review should be sent to Professor HOWARD MANCING, Book Review Editor, Cervantes,
- Copyright © 1986 by the Cervantes Society of America.
- Weiger University of Vermont En La Galatea Cervantes declara que ha sido
- La tesis del presente ensayo es que esta trayectoria refleja la actitud de Cervantes ante la problemática
- Formatos:
-
Resultado número:22 Texto
- Título:
- Cervantes : Bulletin of the Cervantes Society of America. Volume VIII, Number 1, Spring 1988 - Registro bibliográfico
- Portales:
- Literatura Visitar sitio web | Miguel de Cervantes Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Sumario:
- 6 artículos
- Fragmentos 'cervantes' en la obra : (187 coincidencias encontradas)
-
- attitudes and textual details -of form and substance- assure us that it was Carvallo who decided Cervantes
- (N. from the A.) 45 Cervantes did not inherit this image directly from Carvallo
- Alfredo Carballo Picazo -Madrid: C.S.I.C., Instituto «Miguel de Cervantes», 1953- II, 164
- doncellas Linda Britt Bates College Las dos doncellas sirve como medio en el cual Cervantes
- Dentro de las normas de su época, Cervantes permite que las mujeres sean «atrevidas» en su
- The numerous women that pass through the works of Miguel de Cervantes Saavedra vary in type, size
- It is necessary to note that, indeed, there are important differences emphasized by Cervantes
- case is not, as indicated by Thomas Pabon in an article dealing with marriage as a panacea in Cervantes
- should be to attack «los vicios y viciosos en general,» as do «los pedricadores» (II, 61), while Cervantes
- Cervantes reviles Apollo's enemies in general, but attacks individuals only in respect of their writings
- In Viaje del Parnaso Cervantes gives lessons in human conduct; he
- that Smollett's translation appeared a quarter of a century before the first annotated edition of Cervantes
- Reverend John Bowle (1781), and cautioned that Smollett's admiring account of «The Life of Cervantes
- to capture the sense of fun in playing with the possibilities of language that sometimes makes Cervantes
- Leocadia and Teodosia are a single character split into two aspects, one must take note of what Cervantes
- she states that its central importance is underlined by the deliberate similarities introduced by Cervantes
- part as a contrast to the other woman, but also to serve as a diversionary ruse; an attempt by Cervantes
- They are surprisingly «liberated» or («atrevidas», according to Cervantes) for their epoch, willing
- This similarity between them is praised by Cervantes in his depiction of the two.
- As noted by Otilia López Fanego, «insiste Cervantes en el derecho de la mujer a dar satisfacción
- Leocadia and Teodosia are perhaps the forerunners of the more liberated women of their future; Cervantes
- It should be finally noted that, by emphasizing the differences between Leocadia and Teodosia, Cervantes
- The end results demonstrate the obvious preference indicated by Cervantes for Teodosia, who represents
- Viaje del Parnaso (Madrid: Bermejo, 1935), pp. lxvii-lxxv; Benedetto Croce, «Il Caporali, il Cervantes
- a Giulio Cesare Cortese», in «Due illustrazioni al Viaje del Parnaso del Cervantes» in
- Maurino, «Cervantes, Cortese, Caporali and their Journeys to Parnassus», MLQ, XIX (1958)
- , 43-46; idem, «El Viaje de Cervantes y la Comedia de Dante», KFLQ, III (1956), 7-12.
- In his dedication to Lemos in the Novelas ejemplares, dated July 14, 1613, Cervantes calls
- clarification is nonetheless evident from Robert ter Horst's review of The Bounds of Reason in Cervantes
- questions of truth and value in terms of expression and vision on a plane that is strikingly close to Cervantes
- I examine in detail (the case of the baciyelmo is one) and in an article on «Descartes and Cervantes
- on the Dream Argument» published in Cervantes, 4 (1984) I argue that Cervantes does not
- The emerald-green eyes of Dulcinea call to mind still another green-eyed Cervantes heroine, Preciosa
- For Nabokov, Shakespeare and Cervantes are equals in «the matter of influence, of spiritual irrigation
- We know, of course, that Cervantes was well versed in Aristotelian theory.
- Certainly, Cervantes appears to have been exercised by questions of unity and variety in Don
- that —10→ Cervantes
- It may not perhaps be too farfetched to imagine that Cervantes may have endeavored in 1615 to create
- If we look at how Cervantes might have built up the action of his novel it may be possible to throw
- I do not wish to imply, however, that Cervantes forgot about, much less abandoned, his original
- 51 As, for example, by Cernuda: «El propio Cervantes parece desengañado
- Claube), Homenaje a Cervantes (Madrid: Insula, n.d. [1948?]), pp. 152-53.
- from the A.) 57 Miguel de Cervantes Saavedra, Novelas ejemplares II
- If Cervantes intended to make his readers laugh at the conventions of chivalry and courtly love with
- Cervantes can safely call this attitude insane because he is sure that no reader, however much he
- this respect, Don Quixote's insanity is no more than a literary joke, a simple enabling device for Cervantes
- character, then, Don Quixote is forever tied to the circumstances of his birth as a funny idea that Cervantes
- hicieran la primera crítica seria y dieran el primer empujón técnico al entendimiento de la figura de Cervantes
- Gregorio Mayáns y de Vicente de los Ríos irían a parar, de alguna manera, al Pensamiento de Cervantes
- las contradicciones de los ilustrados se vieron satisfechas cuando comprendieron que el libro de Cervantes
- omissions that occurred in the printing of his article «La edición definitiva de las obras de Cervantes
- » (Cervantes VI, 2).
- diversity of literary effects within a single work of fiction seems to have been greatly prized by Cervantes
- undertook to write the comic epic in prose which is the Quixote, it is not inconceivable that Cervantes
- In the 1605 Prologue to the novel, Cervantes makes a forthright
- Unquestionably, laughter is the response Cervantes wants to provoke in his readers.
- But it is also relevant to show that Cervantes is addressing another kind of reader who, in addition
- In Part II, chapter 44, Cervantes writes that «los sucesos de don Quijote, o se han de celebrar
- Mercury's hyperbolic praise serves to throw into relief the modesty with which Cervantes deliberately
- que deue tener el Poeta, significada la blancura del cisne» (II, 222-25), being echoed by Cervantes
- The perspective is exactly that of Cervantes, who portrays Apollo struggling with «Catholic»
- That Cervantes should wish to parade his age and experience is fully understandable.
- One may pause perplexed when a character addresses Cervantes as «semidifunto» (VIII, 285), or insults
- This vein also Cervantes decided to exploit, manipulating even the approach of his own death to suit
- In speaking of his own achievements, Cervantes was under a severe constraint.
- had a strong, direct impact on the composition of Viaje del Parnaso.41 Cervantes
- white swan on a painted shield, used by Alciato as one of his emblems.42 In Viaje del Parnaso Cervantes
- versification and poetical forms, and would in the circumstances have been of only limited interest to Cervantes
- lo apoya Manuel Durán en «El Quijote a través del prisma de Bakhtine», en Cervantes
- aspectos del fondo emblemático y folklórico del Quijote es el librito de Michel Moner Cervantes
- sino el que hace del Quijote un libro moderno, internacional y básico para entender a Cervantes
- que también en Londres se había editado, en impreso suelto, la obra de Mayáns referente a Cervantes
- Real de la Riva «Historia de la crítica e interpretación de la obra de Cervantes» (RFE, t
- Aguilar Piñal «Cervantes en el siglo XVIII» (Anales Cervantinos, Madrid, 1983, tomo XXI),
- Martín añada en una de sus ediciones de 1782 que la patria de Cervantes es Alcalá de Henares es
- que sigue las nuevas noticias que se están publicando constantemente en torno a Cervantes por
- When Cervantes wrote Viaje del Parnaso he was in his sixties; he had begun publishing verse
- exercicio de la poesia es menester començallo muy temprano, y de tierna edad» (II, 227), had not Cervantes
- to his age throughout the poem: «cisne en las canas» (I, 103); «Oh Adán de los poetas, oh Cervantes
- In the second Part, Cervantes is gradually depriving Don Quixote's world of all the symbolic devices
- At the Duke's castle, the resolution the madman is striving towards, and the contrary dénouement Cervantes
- the comic action could be said to have reached its logical resolution.15 There is no reason why Cervantes
- All that Cervantes would have needed to do was to get Don Quixote back to his village after being
- For Cervantes, stung by the plagiarism of Avellaneda, chose to prolong the madness well beyond the
- Another thought: Cervantes could imagine himself magically transported from Parnassus to Naples,34
- As coda to all this, he would add a letter addressed by Apollo to Cervantes, expressing the god's
- If the logic of the situation forced Cervantes to reason thus -and the evidence suggests that it
- .37 —30→ Cervantes
- Cervantes thus emerges as the first known exponent in literature of the art of subliminal advertising
- Critical Essays on Cervantes Boston: G. K. Hall, 1986. vi + 220 pp.
- greater range of critical approaches than can be found in another recent grouping of studies on Cervantes
- Cervantine studies is provided by the first essay in the series, Helmut Hatzfeld's «Thirty Years of Cervantes
- The aggressive behavior of women, although unusual, was not unheard of prior to Cervantes.
- referring specifically to the motif of a woman, disguised as a man, searching for her lover.58 Cervantes
- A mi parecer, hay marcadas resonancias de Cervantes en este cuento posiblemente influido
- There is, however, another possible important influence: the writings of Cervantes, in particular
- Although Fredson Bowers states that «No evidence is preserved to show that the Cervantes lectures
- It is evident that Cervantes was influenced by both sources, and that he did not imitate one to the
- Both Pabon and Harry Sieber, in referring to the elaborate plot detailed by Cervantes, note that
- physical desires which bring human nature into conflict with social mores».63 Not only does Cervantes
- , the question of which of the two women is the valid wife of Marco Antonio «is resolved by Cervantes
- attempted «to maintain that ludicrous solemnity and self-importance by which the inimitable Cervantes
- It is easy to see why Allison Peers, writing on «Cervantes in England» in the Bulletin of Spanish
- recently published is the edition by Miguel Herrero García (Madrid: C.S.I.C., Instituto «Miguel de Cervantes
- from the A.) 22 «Cervantes» in Lecturas españolas (Madrid: Rafael
- the A.) 23 Agustín G. de Amezúa, «Una carta desconocida e inédita de Cervantes
- (N. from the A.) 24 James Fitzmaurice-Kelly, Miguel de Cervantes
- (N. from the A.) 28 Don Quichotte de Cervantes, Etude et analyse
- Cervantes is employing he amusing trick that he also plays in Don Quixote, when he makes
- Another defence prepared by Cervantes against readers who might be angered by his attacks on those
- Spadaccini argues that Cervantes undermines the established definition of the comic genre entremés
- The altered horizon of expectations for his receptors thus enables Cervantes to textualize material
- While Spadaccini's study offers some interesting insights on Cervantes as playwright, his thesis
- aristotélicos, para averiguar hasta qué punto la intención declaradamente cómica y paródica de Cervantes
- Se intenta demostrar que Cervantes llega a crear una narrativa que, vista en su totalidad,
- Romanticismo haya encontrado efectos trágicos en la novela a pesar de que los contemporáneos de Cervantes
- lógica estética condicionada por la peculiar locura de don Quijote y elaborada por la invención de Cervantes
- of critics who have argued that the so-called Romantic approach overlooks the awkward fact that Cervantes
- Instead of the laughable buffoon Cervantes meant him to be, Don Quixote has been turned into
- Cervantes would have pondered Carvallo's words and have applied them.
- In the narrowest view, the poem is an attempt by Cervantes to vindicate his name and, conjointly
- 38 «desta manera comenzó a hablarme: -¡Oh Adán de los poetas, oh Cervantes
- Theory of the Novel (Oxford: Clarendon press, 1962), pp. 62-63; Teoría de la novela en Cervantes
- It was as poet above all that Cervantes must impress him -and, in the process, others.
- Here was the cue Cervantes needed, «ce point de départ», as Paul Hazard puts it, «dont il a
- más textos en 8°, de faltriquera, «para la mayor comodidad»; además añadía la Vida de Cervantes
- texto cervantino en aquella sociedad y corte, anunciando el «inimitable arte de ironía» de Cervantes
- testimonial consejo «del impresor al lector» enumera parte de lo que entonces se creía del libro de Cervantes
- Cervantes: Bulletin of the Cervantes Society of America Volume VIII, Number 1, Spring 1988
- THE CERVANTES SOCIETY OF AMERICA President ALAN S.
- GAYLORD Cervantes: Bulletin of the Cervantes Society of America Editor: MICHAEL MCGAHA
- WARDROPPER Cervantes, official organ of the Cervantes Society of America, publishes
- scholarly articles in English and Spanish on Cervantes' life and works, reviews, and notes of interest
- Subscription to Cervantes is a part of membership in the Cervantes Society of America, which
- Membership is open to all persons interested in Cervantes.
- subscription, send check in dollars to Professor CATHERINE SWIETLICKI, Secretary-Treasurer, The Cervantes
- together with a self-addressed envelope and return postage, to Professor MICHAEL MCGAHA, Editor, Cervantes
- Books for review should be sent to Professor HOWARD MANCING, Book Review Editor, Cervantes,
- of elaborating his burlesque of chivalric romance into ever more intricate configurations, Cervantes
- In Part II Cervantes is eroding Don Quixote's secondary level of madness: the belief that he will
- Cervantes: Bulletin of the Cervantes Society of America Volume VIII, Number 1, Spring
- aristotélicos, para averiguar hasta qué punto la intención declaradamente cómica y paródica de Cervantes
- Se intenta demostrar que Cervantes llega a crear una narrativa que, vista en su totalidad,
- Romanticismo haya encontrado efectos trágicos en la novela a pesar de que los contemporáneos de Cervantes
- lógica estética condicionada por la peculiar locura de don Quijote y elaborada por la invención de Cervantes
- Con el Viaje del Parnaso intenta Cervantes
- Pero Cervantes sabe muy bien que los elogios del autor prodigados por Mercurio y Apolo van a carecer
- Las dos doncellas sirve como medio en el cual Cervantes
- Dentro de las normas de su época, Cervantes permite que las mujeres sean «atrevidas» en su
- A mi parecer, hay marcadas resonancias de Cervantes en este cuento posiblemente influido
- Critical Essays on Cervantes Catherine Swietlicki
- Cervantes
- BN está manipulado y, en pobre encuadernación del siglo XIX, se le ha añadido un retrato de Cervantes
- de Madrid otros ejemplares con signatura R / 32239-42 (también con ex-libris de Asensio) y Cervantes
- Solamente difieren el encuadre y los tipos empleados en «Por Miguel de Cervantes Saavedra» y algunas
- Como sobran tan doctos Hespañoles, A ninguno offreci la Musa mia...20 Cervantes
- Cervantes -it is not easy to say this, but the evidence is there- was not happy in Spain.
- There can be no doubt that Cervantes
- —34→ (Cervantes
- art come amiss to his hoped-for patron, the Conde de Lemos, poet and patron of poets, to whom Cervantes
- It is therefore instructive to see how Cervantes selects from the theorist's exposition two opposing
- que dijo: est Deus in nobis..., etcétera» (II, 16).48 But, in Viaje del Parnaso, Cervantes
- In his poem Cervantes becomes the champion of study and experience; but he does so indirectly, by
- This is particularly true of Cervantes, who was seized of the importance of the «reader's understanding
- It is unlikely that Cervantes, as practising novelist and occasional propagandist, ever analyzed
- Among those who had harboured such expectations had been Cervantes and Góngora.
- Parnaso Geoffrey Stagg University of Toronto Con el Viaje del Parnaso intenta Cervantes
- Pero Cervantes sabe muy bien que los elogios del autor prodigados por Mercurio y Apolo van a carecer
- This article is the text of an address delivered to the Annual Membership Meeting of the Cervantes
- See also his Cervantes, Past Masters Series (Oxford: Oxford U.
- Weiger, The Substance of Cervantes (Cambridge, New York: Cambridge U. P., 1985).
- Copyright © 1988 by the Cervantes Society of America.
- Allen a profound debt of gratitude for the splendid work he has done as founding Editor of Cervantes
- as his successor, and I shall do my very best to maintain the high standards he has set for Cervantes
- I trust you will continue to send us your best work on Cervantes and help to make our journal
- a lively forum for discussion and debate about new developments in Cervantes scholarship.
- We also need your help in encouraging your friends and colleagues to subscribe to Cervantes
- A.) 62 George Hainsworth, Les «Novelas exemplares» de Cervantes
- Ancienne Honoré Champion, 1933), 20-21: «Dans le premier, Las dos doncellas, Cervantes
- 69 Otilia López Fanego, «Algunas reflexiones acerca de la mujer en Montaigne y en Cervantes
- Thus whatever ideas Cervantes might have to spin out, the story will be contained within the two-fold
- How far Cervantes will be capable of elaborating his parody will, in addition of course to his imaginative
- Initially, Cervantes made his character suffer from hallucinations.
- The make-believe recognition to be accorded Cervantes by Mercury and Apollo would be no substitute
- His enthusiasm communicated itself to Cervantes, who developed in eloquent fashion the conception
- In all this Cervantes is merely echoing Carvallo, who considers the gift of poetry divine, «don
- Poesía» (I, 129) is a worthy vehicle for sacred themes -witness the prophet David (I, 123)46- Cervantes
- Formatos:
-
Resultado número:23 Texto
- Título:
- Cervantes : Bulletin of the Cervantes Society of America. Volume VII, Number 2, Fall 1987 - Registro bibliográfico
- Portales:
- Literatura Visitar sitio web | Miguel de Cervantes Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Sumario:
- 5 artículos
- Fragmentos 'cervantes' en la obra : (259 coincidencias encontradas)
-
- its English-language translators, this trivializing of Cervantes
- simple contrivance -the finding of a manuscript in a bag left by a visitor in the Inn».8 Although Cervantes
- contrivance» here generates more critical vehemence than one might expect (including an unkind cut at Cervantes
- which became increasingly secularized in its application by the Eighteenth Century, something Cervantes
- Helena Percas de Ponseti wrote a subsequent note entitled «A Revision: Cervantes's Writing [Cervantes
- 61-65], which prompted a response by Daniel Eisenberg, «'Esta empressa,' no 'está impressa'» [Cervantes
- 125-26], to which she replied with «Nota a la nota sobre una nota: 'impressa,' no 'empressa'» [Cervantes
- (N. from the A.) 125 Don Quixote de la Mancha by Miguel de Cervantes
- Ruth el Saffar has documented Girard's «curious blindness» towards Cervantes' later works of literature
- illuminate a specific set of interactions and transactions by which Cervantes
- literature in The Light in Troy, his study of Renaissance imitation, could very well have included Cervantes
- Into El curioso, then, as visible or acknowledged constructs, Cervantes inscribes his imitative
- —100→ 133Miguel de Cervantes
- Novedad y ejemplo de las Novelas de Cervantes.
- glossary; and a chronological table at the end of Volume II which includes biographical data on Cervantes
- Castro's remarks are from El pensamiento de Cervantes (Madrid: Editorial Hernando,
- with the conclusion «imposed» on Castro by his reading: «se impone la conclusión de que Cervantes
- patience wearing thin, say, during Marcela's speech on freedom» -a telling double erasure (Cervantes
- In his translation for The Portable Cervantes, Putnam reassures us in an editorial summary
- Cervantes, in perceiving this essential theatricality of the picaresque, experimented with prose
- Cervantes distanced himself from the narrative level of picaresque adventure to
- Cervantes' picaresque texts offer commentary on the nature of authors, readers, and protagonists.
- Even Cervantes' pícaros are somewhat removed from or have more than one perspective on their
- The notable exception to this trajectory would seem to be Cervantes, who calls this very traffic
- vigorous counter-drama.21 The elements from Herodotus whose structural presence we can espy in Cervantes
- voyeurism» -to be inverted in El curioso from lover to husband.22 The most resonant feature of Cervantes
- The difference between history and fiction is a theme Cervantes returns to in his novella,
- I would like to explore now a particular narrative technique employed by Cervantes with considerable
- At some point prior to publication Cervantes decided, for thematic as well as technical reasons
- commonplace image of the chess game.120 Contrary to what Sancho might have thought possible, Cervantes
- More than any other writer, Cervantes peoples his stage world with pícaros, implicitly in the
- Cervantes develops a continuing preoccupation with, yet maintains a critical distance from, his
- Cervantes : Bulletin of the Cervantes Society of America Volume VII, Number 2, Fall 1987
- THE CERVANTES SOCIETY OF AMERICA President ALAN S.
- RIVERS SE DANIEL EISENBERG HARRY SIEBER NE EDWARD DUDLEY Cervantes: Bulletin of the Cervantes
- WARDROPPER Cervantes, official organ of the Cervantes Society of America, publishes
- scholarly articles in English and Spanish on Cervantes' life and works, reviews, and notes of interest
- Subscription to Cervantes is a part of membership in the Cervantes Society of America, which
- Membership is open to all persons interested in Cervantes.
- subscription, send check in dollars to Professor CATHERINE SWIETLICKI, Secretary-Treasurer, The Cervantes
- Manuscripts (submitted in accordance with Cervantes, 2 [1982], 107) should be sent
- to Professor MICHAEL MCGAHA, Editor, Cervantes, Department of Modern Languages, Pomona College
- Books for review should be sent to Professor HOWARD MANCING, Book Review Editor, Cervantes,
- Theatricality in the Picaresque of Cervantes
- en tela de juicio aspectos filosóficos, estructurales y estilísticos de la picaresca de Cervantes
- Adelantándose a su época, Cervantes transforma el topos medieval del mundo-teatro por secularizarlo
- Debido a su visión teatral, el discurso picaresco de Cervantes discrepa del de otros escritores
- Por esta nueva dimensión crítica, la picaresca de Cervantes es más «metapicaresca» que «antipicaresca
- In the following interpretation of the picaresque of Cervantes,105 I take into consideration a number
- The fact that Cervantes frequently brings his pícaros to the stage indicates in the most obvious
- As fictional characters, Cervantes' pícaros often become actors or are otherwise engaged in
- - is a significant and constant quality that distinguishes, but by no means entirely separates, Cervantes
- I prefer not to banish Cervantes' texts from the picaresque canon by labeling them «anti-» or
- Rather, my idea is that Cervantes, through his dramatic treatment, produced variations better designated
- Coloquio es el subterfugio creado en el capítulo 9 de la primera parte de la gran novela cuando Cervantes
- Al redactar para la imprenta este cuento dialogado, Cervantes, por razones tanto técnicas como
- Cambiando el orden de los acontecimientos por medio de la técnica «flashback», Cervantes
- One of the things that has always fascinated me about Cervantes' shorter narratives is the wide variety
- Ultimately, then, it is Cervantes' unconventional narrative technique, rather than the events themselves
- to have completed a version of as early as 1922 but which he revised for republication in 1963, Cervantes
- , Bakhtin allows that «embryonic rudiments» or «early buddings of polyphony» can be detected in Cervantes
- And in material added to the 1963 edition, Cervantes achieves a somewhat fuller measure of this
- Quixote when Bakhtin compares the tonality of laughter in Cervantes
- «In Cervantes there is no longer that public-square intensity of sound, although in the first book
- la Isla Bárbara: Fábulas y reconocimientos», MLN 94 (1979), 233; Alban Forcione, Cervantes
- We know that Pliny was on Cervantes' mind during this period of writing, since Book VIII of the
- (N. from the A.) 37 Alban Forcione, for instance, sees Cervantes' cannibalizing
- The critic states that Cervantes' intention was to compel his reader to experience a sense of
- It is also worth noting that Cervantes utilized the technique of layered critical commentary on various
- The narrators who would ordinarily speak or write in the first person (Cervantes and Ginés de Pasamonte
- This is not the only occasion on which Cervantes has opted to create such a multi-tiered narrative
- at the beginning of Chapter 9 of the 1605 Quixote.94 With this previous ingenious insertion Cervantes
- In so doing, Cervantes invented an ingenious format that would allow him to write an experimental
- Once he committed himself to writing a novel about how one ought to write a novel, Cervantes
- a transcription of a paper invited for presentation at the 1985 annual meeting of the Cervantes
- To recall one strident example of the «outdoing topos» -by Cervantes' «flesh and blood» over
- Not the least of Cervantes' distinctions is his challenge to the confining logic of verosimilitude
- While these are all promising avenues of reflection on the problem of Cervantes in Bakhtin's poetics
- at the close of this brief discussion, passing through the looking glass of Bakhtin's image of Cervantes
- , as it were, and considering the image of Bakhtin in Cervantes' poetics.
- Within the purview of Cervantes' poetics, then, however implicit or «unwritten» this system of literary
- How does Cervantes criticize and correct his models, rewrite these prior visions as his own?
- Cervantes' creation may be more amenable to the «soundings» of contemporary readers -readers who
- kinship to an eating disorder common among women- that forces us to recognize the great distance that Cervantes
- Thus the concrete, explicit view of Cervantes and Don Quixote afforded by Bakhtin's literary
- Nabokov's Harvard lectures on Don Quixote turns up (it is known that Bakhtin did lecture on Cervantes
- of «dialogism» or «the chronotope» or the «extralocality» of the author to the hero to see Cervantes
- approach that I take in An Exemplary History of the Novel and that Alban Forcione takes in Cervantes
- possible to inquire whether there is some reason or rationale for Bakhtin's relative silence on Cervantes
- It is also arguable that the peculiar ironies concerning the status of the reader in Cervantes' fiction
- sympathetically.58 Nevertheless, it is certainly less a case of Bakhtin polemically «closing down» Cervantes
- Nevertheless, after «Discourse in the Novel», Bakhtin's attention to Cervantes as exemplary novelist
- in the Novel», the other major essay on the novel from the 1930s, Rabelais begins to overshadow Cervantes
- to «The Rabelaisian Chronotope» and «The Folkloric Bases of the Rabelaisian Chronotope», while Cervantes
- assimilation of historical time», but apologizes that «in this essay... we cannot undertake an analysis of Cervantes
- ' novel».52 This eclipse of Cervantes in Bakhtin's poetics continues in Bakhtin's separate book
- —33→ a folklorics of festivity, and while Cervantes
- Don Quixote, he argues for an increasing privateness and morbidity of physical experience in Cervantes
- Cervantes' rewriting in the Persiles of his predecessor self in the Quijote is a revisionary
- The vexed issue of male bonding via women's bodies is deepened, extended, and allegorized in Cervantes
- The male inhabitants of Cervantes' Barbaric Isle eat something like that regularly, or at least
- These consensual notions would link Cervantes' barbarians at least to the Anselmo of Francisco Ayala's
- I am more interested in the Barbaric Isle as Cervantes' emblematic «homosocial» landscape, in Eve
- I consider that Cervantes' prologues are part of his fiction.
- (Is there anyone who really believes that a friend fed Cervantes those Latin phrases mentioned in
- Did Cervantes really have the pelo castaño he describes in the Novelas preface at age 67
- In the second chapter, «Cervantes and Contemporary Prose Fiction», the Quijote's literary antecedents
- Cervantes himself is happily rejected, as are a few other candidates.
- In «Discourse in the Novel», a long essay written in 1934-35, Cervantes achieves a new prominence
- understanding Bakhtin's protean concepts of language and literature and for understanding the place of Cervantes
- «Of such a sort is the classic and purest model of the novel as a genre -Cervantes' Don Quixote
- This is a challenge to the literary formalism of much Cervantes criticism.
- most general way, theatricality is a constant organizing principle or mode of presentation for Cervantes
- Cervantes creates a self-contained illusory world in his fiction that excludes the reader.
- Other authors of the picaresque tell; Cervantes shows.
- as Tú in Guzmán, influences (apparently) the content and direction of the narration; Cervantes
- Cervantes' narrations are presented to the reader like tableaux in which both an action and response
- —76→ Still, Cervantes
- Cervantes' theatrical mode of presentation is complemented by the fact that his pícaros are
- out of roles on the world's stage is a characteristic consonant with other works of fiction by Cervantes
- Cervantes' pícaros imitate their predecessors, their picaresque desires mediated by previous
- Here Cervantes' intertextual playfulness enables the creation of a delightfully amusing picaresque
- Cervantes' other novelty in this episode is to pit Ginés against Don Quijote -an innocent listener
- —29→ The Problem of Cervantes
- Reed Emory University Cervantes y su Don Quijote reciben relativamente poca
- Por otro lado, es interesante considerar la prefiguración de Bakhtín en la poética de Cervantes
- The problem of Cervantes in Bakhtin's poetics is initially a simple one: his inconspicuousness.
- Neither Cervantes nor his novel Don Quixote figure at all prominently in Bakhtin's voluminous
- this «grandest and saddest book conceived by the genius of man», in Dostoevsky's assessment of Cervantes
- solution, it would be easy to conclude that contemporary Cervantes
- scholars concerned with modern literary theory should ignore Bakhtin and concentrate on other more Cervantes-centered
- be found in El Saffar's Beyond Fiction: The Recovery of the Feminine in the Novels of Cervantes
- ideas expressed were presented at the inspiring National Endowment for the Humanities Seminar on Cervantes
- The notion of theatricality is a broad one, and I have selected several features of Cervantes
- 1982), pp. 27-33; and Juan José García, «Visión metadramática del Quijote», in Cervantes
- Actas del I Congreso international sobre Cervantes, ed.
- the emotions of the destinataire, of course a very different theatricality to that of Cervantes
- To summarize, for some reason Cervantes had a fondness for -perhaps even a fascination with- the
- number four.104 In blending the Casamiento with the Coloquio Cervantes returns to a strategy
- adventure and its undeniable link to the four narrative tiers Cervantes
- Cervantes recognized that by appending the dream-like Coloquio to the more realistic Casamiento
- Such a rearrangement would then enable Cervantes to utilize the «flashback» device of which he was
- analysis seems appropriate, mutatis mutandis, to Bakhtin's position as critical author vis-a-vis Cervantes
- cervantista of the twentieth century, Borges' Pierre Menard, Bakhtin demonstrates the centrality of Cervantes
- I acknowledge the Quixotic eccentricity of this final assessment of the problem of Cervantes in Bakhtin's
- But it seems to me that Cervantes himself mounts powerful arguments against our tendency to assume
- Both Cervantes and Bakhtin demonstrate, from opposite sides of the critical fence, that the privilege
- The critic convincingly argues that Cervantes must have decided at some late point (ca. 1612-
- But we are then left with a nagging technical question: why has Cervantes chosen to present the events
- For my part, I believe the solution can be found by examining a special quirk in Cervantes' style
- We have already observed that in the combined Casamiento and Coloquio Cervantes reprises
- the same device of layered critical commentary provides us with an important clue as to why Cervantes
- listening to Berganza; Berganza witnessing Cañizares' reverie), would have made it difficult for Cervantes
- virtuosity: Peralta's presence as a commentator on a much-desired fourth level of narration illustrates Cervantes
- the A.) 108 Peter Dunn, De / Reconstructs the Picaresque», Cervantes
- See also the recent issue of Cervantes devoted to genre (Fall, 1986). (N.
- the A.) 109 See Anthony Close, «Characterization and Dialogue in Cervantes
- theatrical aspects of Rinconete y Cortadillo, see Américo Castro, El pensamiento de Cervantes
- Cortadillo, I follow Ruth El Saffar's chronology in From Novel to Romance: A Study of Cervantes
- Canavaggio, Cervantès dramaturge: une théâtre à naître (Paris: Presses Universitaries
- El curioso, I would like to glance briefly at some fertile and interesting similarities between Cervantes
- between Lacan's psychoanalytic account of the unconscious -what he calls «the scene of the Word» and Cervantes
- Cervantes represents the inhabitants of his literary island, for instance, as crazed producers of
- espantoso estruendo») or by gestures («señas», «señales», «muestras»).41 The women imported by Cervantes
- Cervantes' whole Barbaric Isle narrative, in other words, appears to be depicting a crisis of
- Most pertinent to our reading is the fact that Cervantes
- What do we find on Cervantes' Isla Bárbara?
- Thus begins Cervantes' last romance, with this amazing micro-narrative about an all-male community
- Cervantes may have taken for the germ of his narrative Pliny's description of the Essenes, a community
- The traditional «doctrinal» readings of this Barbaric Isle prologue to the Persiles focus on Cervantes
- It is the systematic social apparatus of Cervantes' mythical island -not its cannibalism- that merits
- Cervantes is not writing regionalism here but allegory -a «dark conceit» of a society mediated by
- «transaction» of Camila between Anselmo and Lotario, but also the «archetype of exchange» that Cervantes
- exposure of the barbaric social mechanisms by which females are taken up as raw materials, Cervantes
- The «new» in Cervantes is an imaginative revision of heterosexuality, with women as partners to -
- And this revision is worked out in the Persiles, the work I regard, in Dudley's phrase, as «Cervantes
- Cervantists will recall with gratitude Dick's important contributions to our understanding of Cervantes
- Insula, 1958) opened our eyes to that «mundo extraña y maravillosamente libre» created by Cervantes
- Dick's other book-length contribution to Cervantes studies was a biography commissioned by Dodd,
- Cervantes is a handsome, lavishly produced book, designed by the publisher to grace coffee tables
- The notion of Cervantes' picaresque as evolving in opposition to the fiction of Mateo Alemán has
- been well developed in Carlos Blanco Aguinaga's seminal article, «Cervantes y la picaresca
- In an article on Cervantes and the picaresque, Peter Dunn also suggests that genre may be regarded
- One might almost posit, and Dunn comes close to doing so, a post-structuralist view of Cervantes
- Cervantes seems to have been testing wife-testing, exposing all those shared cultural fictions -the
- Language fails Anselmo but it does not fail Cervantes who, before his own death, will cross
- It is our turn now not to fail Cervantes.
- en valores aristocráticos, la visión social que predomina en las Novelas ejemplares de Cervantes
- La ilustre fregona is one of the least studied of Cervantes' Novelas ejemplares, and yet, with
- society's rules and structures, along with a case of mistaken or displaced identity, provides Cervantes
- In the present essay, my intention is to surpass the characterization of Cervantes' picaresque as
- Cervantes' «readings» of the picaresque are intertextually playful, self-conscious, and ironic; but
- Rather, Cervantes produced an opus of picaresque texts with some salient and quite consistent
- For example, Cervantes' plays and entremeses, «nunca representados», were finally published
- theater for readers and, as I hope to demonstrate, theatricalized fiction in the picaresque of Cervantes
- conceptual framework within which to consider generic, philosophical, and stylistic aspects of Cervantes
- The theatrical quality of Cervantes' fiction was already suggested by a contemporary writer, Avellaneda
- , who alluded to Cervantes' «comedias en prosa» in his prologue to the apocryphal Quijote.
- ilustre fregona, El coloquio de los perros, and others.109 Accordingly, even what is probably Cervantes
- introduction of an atemporal and pictorial tableau or cuadro de costumbres is quite typical of Cervantes
- of the term «novela» and includes a discussion of the Novelas from the point of view of Cervantes
- In particular, the evidence of Sorel and other French writers who recognize the significance of Cervantes
- A comparison of Cervantes and the Italian novellieri throws further light upon the evolution
- Like Bandello, Cervantes is innovative in abandoning the external framework technique in favor of
- Although Cervantes insists upon the commonplace adjective, «ejemplares», in the title of his
- In addition, «ejemplo» in Cervantes is not merely a traditional statement of moral precept, but an
- Most importantly, the persuasiveness of «ejemplo» in Cervantes results from the author's «fidelidad
- Cervantes sees himself as providing «example» precisely as novelist, and his «arte de novelar
- Consequently, realism in Cervantes is never synonymous with literal representation of reality
- Cervantes : Bulletin of the Cervantes Society of America Volume VII, Number 2, Fall
- The Problem of Cervantes in Bakhtin's Poetics Walter L.
- Cervantes
- Por otro lado, es interesante considerar la prefiguración de Bakhtín en la poética de Cervantes
- en valores aristocráticos, la visión social que predomina en las Novelas ejemplares de Cervantes
- Coloquio es el subterfugio creado en el capítulo 9 de la primera parte de la gran novela cuando Cervantes
- Al redactar para la imprenta este cuento dialogado, Cervantes, por razones tanto técnicas como
- Cambiando el orden de los acontecimientos por medio de la técnica «flashback», Cervantes
- Theatricality in the Picaresque of Cervantes Helen H.
- en tela de juicio aspectos filosóficos, estructurales y estilísticos de la picaresca de Cervantes
- Adelantándose a su época, Cervantes transforma el topos medieval del mundo-teatro por secularizarlo
- Debido a su visión teatral, el discurso picaresco de Cervantes discrepa del de otros escritores
- Por esta nueva dimensión crítica, la picaresca de Cervantes es más «metapicaresca» que «antipicaresca
- The Bounds of Reason: Cervantes, Dostoevsky, Flaubert
- Miguel de Cervantes
- by Julio Rodríguez-Luis Novedad y ejemplo de las Novelas de Cervantes
- través del prisma de Mikhail Bakhtine: carnaval, disfraces, escatología y locura», Cervantes
- McGaha (Easton, PA: Juan de la Cuesta, 1980), pp. 71-86; and Donald Fanger, «Dostoevsky and Cervantes
- in the Theory of Bakhtin: The Theory of Bakhtin in Cervantes and Dostoevsky», Harvard Library
- Forcione, Cervantes and the Mystery of Lawlessness: A Study of «El casamiento engañoso y
- Obviously, «ejemplaridad» in Cervantes is closely linked with realism -what Rodríguez-Luis terms
- «detallismo», or «el absorbente interés de Cervantes en toda la materia de sus narraciones, la
- It is Cervantes' representation of detail as worthy of attention in itself rather than as merely
- Ultimately, Cervantes' creation of «living» characters whose intimate motives become the basis of
- as his intervention as narrator who describes what is happening within his characters, separates Cervantes
- the incorporation of narrator into the «fiction» are all part of the innovative process in Cervantes
- tres secciones: «La cultura del Renacimiento en España y Portugal», «Creación artística de Cervantes
- , problemas de maestría», y «Cervantes a través de los siglos».
- Umiakin (cuya obra abarca el período de 1763 a 1957) e incluye traducciones al ruso de los textos de Cervantes
- de artistas y escritores, y una breve lista de bibliografías soviéticas dedicadas al estudio de Cervantes
- 118 Miguel de Cervantes, Pedro de Urdemalas (New York: Las Américas, 1965),
- (N. from the A.) 119 Miguel de Cervantes, Pedro de Urdemalas, p.
- (N. from the A.) 120 Miguel de Cervantes, Don Quijote de la
- (N. from the A.) 112 Miguel de Cervantes, Novelas ejemplares II (Buenos
- (N. from the A.) 113 Miguel de Cervantes, Los Trabajos de Persiles
- (N. from the A.) 114 Miguel de Cervantes, Los Trabajos de Persiles
- cartas de relación see Roberto González Echevarría, «The Life and Adventures of Cipión: Cervantes
- from the A.) 115 Anthony Close, «Characterization and Dialogue in Cervantes
- (N. from the A.) 116 Ruth El Saffar, «Cervantes and the Games of Illusion
- », in Cervantes and the Renaissance, ed.
- Juan de la Cuesta Monographs, 1980), pp. 141-56, and «Tracking the Trickster in the Works of Cervantes
- 117 On Pedro de Urdemalas as a character from traditional folklore, see Miguel de Cervantes
- On Pedro's verbal skills and «metatheatricality», see Alban Forcione, Cervantes, Aristotle
- 118-25; and Edward Friedman, The Unifying Concept: Approaches to the Structures of Cervantes
- What other picaresque literature proposes as biography and social criticism Cervantes presents as
- In El coloquio Cervantes demonstrates that the value of a work of fiction does not depend on
- it is difficult to give adequate illustrations of Rodríguez-Luis's great acquaintance with Cervantes
- As I have already noted, Cervantes' earliest picaresque work, Rinconete y Cortadillo, is noticeably
- character types are repeated in the first act of El rufián dichoso and El rufián viudo.115 Cervantes
- As Ruth El Saffar has demonstrated in two recent articles, many of Cervantes' characters in later
- Formatos:
-
Resultado número:24 Texto
- Título:
- Cervantes : Bulletin of the Cervantes Society of America. Volume X, Number 1, Spring 1990 - Registro bibliográfico
- Portales:
- Literatura Visitar sitio web | Miguel de Cervantes Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Sumario:
- 11 artículos
- Fragmentos 'cervantes' en la obra : (177 coincidencias encontradas)
-
- Cervantes, M. Los trabajos de Persiles y Sigismunda, historia setentrional.
- Cervantes' Aristotle and the Persiles. Princeton: Princeton Univ.
- Cervantes' Christian Romance. Princeton: Princeton Univ. Press, 1972.
- Cervantes: Bulletin of the Cervantes Society of America Volume X, Number 1, Spring 1990
- THE CERVANTES SOCIETY OF AMERICA President JAVIER HERRERO (1991
- GAYLORD Cervantes: Bulletin of the Cervantes Society of America Editor: MICHAEL MCGAHA
- JOHNSON FRANCISCO MÁRQUEZ VILLANUEVA Cervantes, official organ of the Cervantes
- Society of America, publishes scholarly articles in English and Spanish on Cervantes' life and
- Subscription to Cervantes is a part of membership in the Cervantes Society of America, which
- Membership is open to all persons interested in Cervantes.
- and subscription, send check in dollars to Professor ALISON WEBER, Secretary-Treasurer, The Cervantes
- together with a self-addressed envelope and return postage, to Professor MICHAEL MCGAHA, Editor, Cervantes
- Books for review should be sent to Professor HOWARD MANCING, Book Review Editor, Cervantes,
- crítica de un buen número de generaciones calificaba el Persiles como del «otro» Cervantes
- A la vez que escribía el novelístico Quijote, escribía Cervantes también el muy distinto
- prólogo -lo último del libro en escribirse- es alegórico y establece una visión de la vida de Cervantes
- Es impresionante que tan cerca a la muerte Cervantes quien también pasó por muchos trabajos
- Forcione: Cervantes, Aristotle and the Persiles. Princeton U.
- Novel to Romance: A Study of Cervantes' «Novelas Ejemplares». Johns Hopkins U. Press, 1974.
- 67 All page references are to the following translations: Miguel de Cervantes
- Sin embargo, ¿va Rocinante con la rienda suelta a donde Cervantes quiere que vaya, o es más bien
- Cervantes quien lleva a su caballero por donde Rocinante quiere?
- Ruth El Saffar, Beyond Fiction: The Recovery of the Feminine in the Novels of Cervantes
- Sancho and Tomé Cecial (Mystery of Lawlessness 204-13); and my study of the way in which Cervantes
- modern novel through his development of the squire's transgressive, popular festive discourse («Cervantes
- Sheehan Gallery mounted an exhibit (which ran from January through February) of illustrations of Cervantes
- Four of the local artists who contributed works to the Cervantes exhibit gave presentations to the
- Cervantes had sketched out a rough draft of this gendered structure in La Galatea, his first romance
- (The classic example in Cervantes is Dorotea's language of her deflowering: «y con volverse a salir
- (N. from the A.) 53 Rosa Rossi, Escuchar a Cervantes: Un ensayo
- 55 Ruth El Saffar, «The Truth of the Matter: The Place of Romance in the Works of Cervantes
- But titles are only the most superficial symptom of what Greek romance offered Cervantes toward
- for both sexes found in Greek romance, an atypical morality for the Renaissance, was not lost on Cervantes
- Birmingham-Southern College Este estudio examina la representación innovadora que hace Cervantes
- En vez de presentarnos con una victima trágica, como en las versiones más tradicionales, Cervantes
- Through creating such a negative example of the union between man and woman, Cervantes all the more
- Cervantes' squire is a striking representation of the medieval and Renaissance carnival spirit, a
- Moreover, Cervantes' presentation of the squire in certain carnivalesque scenes is intimately linked
- Forcione, Cervantes' Christian Romance (Princeton: Princeton UP, 1972).
- (N. from the A.) 106 Miguel de Cervantes, Los trabajos de Persiles
- (N. from the A.) 108 See Forcione' s Cervantes and the Mystery of
- Throughout his work, while probing deeply the relationship between desire and happiness, Cervantes
- Human happiness in our world, Cervantes suggests allegorically, can be attained, not by the rejection
- Cervantes había tenido la precisión de narrarnos la aventura del Yelmo de Mambrino desde
- Ver en el episodio del caballo de Cratilo algo en pugna con lo real y acusar a Cervantes (o a Periandro
- Nonetheless, I believe I have indicated, in part, how Cervantes employs metafictional discourse to
- interest in metafiction will help lead to the recognition of Persiles as an integral part of Cervantes
- Cervantes Saavedra, Miguel de. Don Quijote de la Mancha. Ed. Martín de Riquer.
- Novel to Romance: A Study of Cervantes' Novelas Ejemplares.
- El criterio del caballo es el que don Quijote sigue, y el que Cervantes sigue en el Quijote
- Cervantes va llevando su novela por donde Rocinante quiere que se lleve, es decir, por la senda
- For generations critics refused to study the reasons which may have led Cervantes to such an hyperbolic
- cervantismo sought refuge in its favourite hobbyhorse, which postulated the existence of two Cervantes
- Its dedication was dated April 19, 1616, in Cervantes' deathbed, since he died on April 22, 1616
- Death stopped Cervantes' hand in midair.
- The date 1599 is proven by the fact that Cervantes uses Jerónimo de Huerta's translation of Pliny's
- When Cervantes began writing Books III-IV is much
- profoundly grateful, has brought us all together to celebrate the last and posthumous novel of Cervantes
- It is difficult to exaggerate the importance of this new Greek classic, and Cervantes publicly proclaims
- In the dedication of his Ocho comedias y ocho entremeses of 1615, Cervantes promises «el gran
- Also in 1615, and in the dedication of the second part of Don Quijote, Cervantes lapses into
- Clearly, for Cervantes Persiles would be the best Spanish novel, and this he prints in the dedication
- Copyright © 1990 by the Cervantes Society of America.
- Three well-known Cervantes scholars with special interest in the Persiles were invited: Juan
- Students from Clark Colahan's Cervantes class began discussion of each paper with questions and
- This convergence of «el bien y el mal» -the «punto» where Cervantes' opposites meet- would
- That Cervantes was not attracted to Heliodorus for his epic perfections -for his admired unity of
- —41→ for Cervantes
- woman may be the most significant legacy of Greek romance to later fiction -and not only to Cervantes
- These are the same years in which Cervantes was composing the first part of the Quijote, that
- first one has to do with the fact that the simultaneous composition of two or more books was Cervantes
- In those same years of 1604-1605, when Cervantes alternated his work in Persiles and Don
- has nothing to do with allegories, the well-known Mexican novelist Carlos Fuentes, in his Cervantes
- o la crítica de la lectura, has said of novels in general and Cervantes' in particular: «No great
- It is important that the marriage elevated in the Persiles by Cervantes bears maternal approbation
- Girard, however, in a later work, like Cervantes, depicts the road to Rome, to the imitatio
- Following Christ means giving up mimetic desire»101, which, of course, it does, both for Girard and Cervantes
- , he also makes it clear, as does Cervantes, that «the Gospels and the New Testament do not preach
- the most striking departures from the more traditional versions of the Rosamond story appears in Cervantes
- How much Cervantes actually knew about this figure is a matter of speculation.
- is significant that Rosamunda appears in the sequence of adventures in the North, a region which Cervantes
- We should also add that in subsequent chapters in Book One, Cervantes will introduce another innovative
- Cervantes' anachronistic placement of Rosamunda in the sixteenth century may appear to some extent
- Cervantes allows us the opportunity to observe the lustful courtesan in action in the climactic scene
- Upon deciding to give an allegorical meaning to his novel, Cervantes was in step with his times,
- To make this clear from the outset, Cervantes did not have, unfortunately, an Orazio Toscanella,
- Cervantes, Aristotle and the Persiles. Princeton: Princeton UP, 1970. _____.
- Cervantes' Christian Romance: A Study of Persiles and Sigismunda.
- «Cervantes, lector de Aquiles Tacio y de Alonso Núñez de Reinoso». Diss.
- Cervantes wrote no such thing as an «Allegoria del Romanzo», but he did write an allegorical
- Cervantes tells us that he was travelling along a road when he met a student.
- omnes peregrini sumus, and the road they travel can be understood -and most especially in Cervantes
- The transition from one allegorical system to the other is explained by Cervantes himself, when Sigismunda
- After various transformations, the pilgrim reaches the age of Cervantes
- When Cervantes decided in his Persiles to make Christian pilgrims out of his protagonists he
- Cervantes' achievement in Persiles is comparable to that of Tasso in his Gerusalemme Liberata
- The immense pride that Cervantes took in his posthumous novel, placing it above Don Quijote,
- Patrick Henry Whitman College Como René Girard ha visto en el Quijote, Cervantes
- El propósito de Cervantes en el Persiles es mostrarnos la base sobre la cual se puede
- Weller and Clark Colahan without whom I would not have been able to read this last work of Cervantes
- continuously, more obsessively, and more explicitly about the genesis and nature of human desire than Cervantes
- through Quixote, Anselmo through Lothario, Fernando through Cardenio, even Avellaneda through Cervantes
- Cervantes has travelled along the road of life where he met the Humanities (literature, symbolized
- Cervantes has arrived at his celestial city, and with the composure of the good Christian he will
- The pilgrimage of Cervantes, the good Christian, has come to an end.
- Extraordinary women in love We have seen that Wright's Tendai is modelled on Cervantes'
- Daisy also recalls Cervantes' Rosamunda.
- example of a strong female character in the play who combines traits of two women found in Cervantes
- Forcione's, Cervantes, Aristotle and the Persiles (Princeton: Princeton University Press
- , 1970) and his Cervantes' Christian Romance: A Study of Persiles y Sigismunda (Princeton
- Forcione, Cervantes, Aristotle and the Persiles (Princeton: Princeton University Press,
- It is not necessary to this analysis to imagine that Cervantes consciously adopted alchemical imagery
- The period during which Cervantes was writing his major works happens to coincide with the golden
- My thesis here is that Cervantes' Persiles, if some of its parts were written early, is in over-all
- conception the work of Cervantes' last years.
- Cervantes knew when he was going to die, and with this knowledge he wrote the prologue in which
- What astonishes me is the fact that Cervantes, in his last official act as a writer and a novelist
- That is to say, Cervantes dedicates his last and most solemn moment to writing the allegory of
- pilgrimage, and its prologue will present to us the last pilgrimage in the life of the novelist Cervantes
- When Cervantes was turning the last page in the book of his life, it was to write of his fleeting
- allegorize oneself in this fashion and face to face with the public, the reading public, as Cervantes
- If Cervantes' last work was a great allegory, the last page in the book of his life had written on
- Consequently, the prologue to Persiles constitutes the last thing that Cervantes wrote in this
- This shows a strange sense of temporality, since Cervantes died that Friday.
- In his article «Cervantes and Fletcher: A Theme with Variations»83, W. D.
- Howarth focused on the fact that in the interpolated story of Mauricio and his daughter Transila, Cervantes
- interweaving of intricate subplots, a stylistic feature originating in the Baroque complexity of Cervantes
- El Cervantes del Quijote optó, sin pecar contra la lógica, por presentar de modo alegórico tan
- Es más, estas últimas abstracciones, aunque no queden alegorizados, no están nunca lejos del Cervantes
- El Cervantes de 'las bodas de Camacho', trabajando el tradicional esquema de abstracciones (Forcione
- , Cervantes, Aristotle, 198), de dos pares de figuras encontradas entre sí, retiene en modo
- (N. from the A.) 22 Alberto Navarro González, Cervantes entre el «Persiles
- .) 25 Marcelino Menéndez y Pelayo, «Cultura literaria de Miguel de Cervantes
- of Guillaume de Lorris», in Romance: Generic Transformations from Chrétien de Troyes to Cervantes
- intricacies of the plots, Wright incorporates into the play four major themes derived from Cervantes
- situations in which they are tested and finally find happiness together; as in Cervantes
- Cervantes' romance begins in what for 17th-century Spaniards were the little-known and mysterious
- To assure that such exoticism has its desired effect, both Cervantes and Wright heed the warnings
- Forcione has made clear Cervantes' concern with the «legitimate marvelous»87.
- propone aquí que se pueden resolver muchos problemas de interpretación para la última obra de Cervantes
- Persiles, especially coming as it did on the heels of Cervantes' Don Quixote, has a long history
- reading of prose fiction and then propose a radically different perspective from which to consider Cervantes
- como consecuencia del arreglo paterno lo refuerzan, como ha señalado el profesor Forcione (Cervantes
- ha señalado como destacado ejemplo del use cervantino de la personificación (Forcione, Cervantes
- Ruth El Saffar warns that «as long as we are caught in the dichotomies that entangled the Cervantes
- Will it help us to think of male and female the way Cervantes thinks of good and evil, as not merely
- Riley once remarked that «Cervantes seems to clutch obsessively at historical reality...».
- 126 Para la presencia del tema general de 'bodas rústicas' en toda la novelística de Cervantes
- acompañando al Amor y otras tantas al Interés) que no tienen representación en la obra póstuma de Cervantes
- But the formula need not be consigned to a literary tradition of male friendship, which Cervantes
- Cervantes must have outgrown such triangulated figurations, however, because they never occur in
- Forcione, Cervantes' Christian Romance, (Princeton: Princeton University Press, 1972), pp
- Imagery and Sex-Role Reversal in Fletcher and Massinger's The Custom of the Country», Cervantes
- Cervantes -«... whoever you may be, you can see that you have taken the breath out of my chest,
- See Ruth El Saffar's Beyond Fiction The Recovery of the Feminine in the Novels of Cervantes
- (N. from the E.) 95 Miguel de Cervantes, Don Quixote de la Mancha,
- My point, however, is that the genealogy of Cervantes' barbarians cannot be understood by limiting
- By the time Cervantes was beginning his career as a writer, books like Ercilla's La Araucana
- (1569, '78, '89) flooded the marketplace; we know that Cervantes consulted not only Ercilla but
- —102→ «Conocimiento y vida en Cervantes
- In that essay of some thirty years ago, Avalle-Arce said the following: «Por ello, Cervantes, el
- Pero en esta forma, y en el Persiles, Cervantes trasciende la verdad relativa y eleva la
- believe that rather than raising the raw materials of his writing to some transcendental realm, Cervantes
- Byzantine novel in order to refunction it at a particularly complex moment in Spanish history, Cervantes
- Put into the contemporary language of theory, we can say that in Cervantes conventional signs such
- Cervantes: Bulletin of the Cervantes Society of America Volume X, Number 1, Spring 1990
- crítica de un buen número de generaciones calificaba el Persiles como del «otro» Cervantes
- A la vez que escribía el novelístico Quijote, escribía Cervantes también el muy distinto
- prólogo -lo último del libro en escribirse- es alegórico y establece una visión de la vida de Cervantes
- Es impresionante que tan cerca a la muerte Cervantes quien también pasó por muchos trabajos
- propone aquí que se pueden resolver muchos problemas de interpretación para la última obra de Cervantes
- fortifica este notable juego de diferencia, sexual y de otro signo, en el último «romance» de Cervantes
- Old and New Mimesis in Cervantes Patrick Henry
- Como René Girard ha visto en el Quijote, Cervantes
- El propósito de Cervantes en el Persiles es mostrarnos la base sobre la cual se puede
- Este estudio examina la representación innovadora que hace Cervantes
- En vez de presentarnos con una victima trágica, como en las versiones más tradicionales, Cervantes
- Formatos:
-
Resultado número:25 Texto
- Título:
- Cervantes : Bulletin of the Cervantes Society of America. Volume II, Number 2, Fall 1982 - Registro bibliográfico
- Portales:
- Literatura Visitar sitio web | Miguel de Cervantes Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Sumario:
- 3 artículos
- Fragmentos 'cervantes' en la obra : (197 coincidencias encontradas)
-
- Further on, Cervantes takes care to point out that the impression was based on something more than masquerade
- Moreover, where Cervantes could have had a simple narrative report providing beards through a wave of
- The object of such realism cannot be mere verisimilitude; if Cervantes wanted to impress upon us how
- At each level of analysis (linguistic, thematic, structural) we can see that Cervantes is representing
- To sum up, first it enables Cervantes to avoid the problem of justifying his text (by what authority
- Guillén argued that autobiographical narration risks formlessness, but in Rinconete we find Cervantes
- —125→ And here it is instructive to note that Cervantes
- selective details, and couching the recital in high flown language and evasive euphemisms reveals Cervantes
- But, contrary to what we might expect from reading commentators who oppose Cervantes' perspectivism
- Cervantes did not want to narrate a whole picaresque career, which requires that the life arrive
- reinan la desconfianza y el engaño, pero es un engaño infantil con la trampa a la vista»; «Cervantes
- Cervantes' presentation of the origins of his characters and the relation of those origins to the
- Cervantes tantalizes the reader with the possibility that freedom of choice may be limited by an
- Cervantes did not write first-person narrative except within a third-person frame.
- In Joaquín Casalduero's phrase, «roza Cervantes el género picaresco sin querer entrar en
- Cervantes stresses two facts: first, that the boy left home of his own free will, by «inclinación
- bien criado, y más que medianamente discreto».23 How this oxymoron was received by Cervantes
- It is my contention that any responsive reader of Cervantes will eventually have to learn something about
- famous painting by Velázquez, «The Toilet of Venus», among others, but not, strangely enough, from Cervantes
- Cervantes, however, seems to have shown the kind of body life that results from civilized pressure: he
- radical questioning of the highly destructive costs of civilized existence, irrespective of whether Cervantes
- Second, Cervantes was writing about the body in a way more complicated than we have recognized.
- in such plays as Twelfth Night, but —162→ he seems superficial in this regard when compared to Cervantes
- confusion of the body with social metaphor and social control is consummately and critically presented by Cervantes
- Cervantes was not intent, in other words, on showing miscellaneous misbehavior and meanness in the society
- the Mountain Interstate Foreign Language Conference (October 7-9, 1982, a special section devoted to Cervantes
- Tía fingida, Daniel Eisenberg (Florida State University), who proposed criteria for new editions of Cervantes
- of the Marcela episode in the Quijote, and Howard Mancing (University of Missouri), who talked about Cervantes
- ) 35 See Jaime Oliver Asín, «La hija de Agi Morato en las obras de Cervantes
- Boletín de la Real Academia Española, 27 (1947-48), 245-339; Helena Percas de Ponseti, Cervantes
- Mountain Interstate Foreign Language Conference (October 7-9, 1982, a special section devoted to Cervantes
- fingida, Daniel Eisenberg (Florida State University), who proposed criteria for new editions of Cervantes
- Marcela episode in the Quijote, and Howard Mancing (University of Missouri), who talked about Cervantes
- My strategy was to bring before the reader some vivid and disturbing body images of Cervantes' creation
- Bandera discovers that according to my reading of Cervantes, we can say that «Like a leech or a parasite
- disputation, the body has lost its prominence, even though that is a prominence that not I but —172→ Cervantes
- intense, and there is no common direction, so that to characterize a picaresque typology to which Cervantes
- constitutive traits of a picaresque genre is impossible, it will be more practical to look in Cervantes
- review of the question by insisting that we underestimate both the thinking and the varied art of Cervantes
- Maurice Molho has contrasted Cervantes' «mundo abierto» with Alemán's «mundo irrespirable»,
- Rinconete as «un mentís personal a la problemática leamaniana».30 It is clear, however, that Cervantes
- blood' or family but to peer pressure and fear of losing face makes that book 'modern' in ways that Cervantes
- For whatever reason of artistic judgment or personality, Cervantes preferred to work with problems
- The place where Cervantes brilliantly outmaneuvers and thereby deconstructs the picaresque autobiography
- This is the question that Cervantes will not let rest, as he makes narrators doubt other narrators
- his narrators, and thereby acknowledge the absolute mastery, the absolute arbitrary authority of Cervantes
- Pasamonte (or Ginesillo de Parapilla, as the guard calls him) is so often cited as an example of Cervantes
- Cervantes' convict on his way to the galleys cannot but remind us of Alemán's, whose narrative is
- way to the galleys to serve his second sentence, but this encounter is usually read as expressing Cervantes
- So, Ann Wiltrout asserts that «with Ginés de Pasamonte, the perpetual outsider, Cervantes takes his
- commentators have not stopped to consider, namely that Ginés de Pasamonte is a reader, and in this episode Cervantes
- Blanco objects to this conjunction of Cervantes and the writers of picaresque, on the ground that
- irreconcilable, the «realismo dogmático o de desengaño» of Alemán, and the «realismo objetivo» of Cervantes
- I would not deny that Blanco has some brilliant things to say about both Guzmán and Cervantes
- My point is that they subserve a rhetorical strategy of pitting the «open», «objective» Cervantes
- was mentioned earlier as having had a profound influence on our view of the relation between Cervantes
- Blanco sustains this argument at considerable length, and it serves him the purpose of opposing Cervantes
- This opposing of Cervantes to a narrow dogmatic Alemán and a monolithic genre (these two being
- Allen University of Florida In the last issue of Cervantes (II, 69-87), Robert Flores outlined
- the options open to prospective editors of Cervantes, and thus to the Cervantes Society editorial committee
- work that has made possible for the first time an old-spelling edition which recovers something of Cervantes
- The analysis of the variants of vuestra merced in his Cervantes proposal -most elegant and persuasive
- In the last issue of Cervantes (II, 69-87), Robert Flores outlined the options open to prospective
- editors of Cervantes, and thus to the Cervantes Society editorial committee as it ponders the relative
- work that has made possible for the first time an old-spelling edition which recovers something of Cervantes
- The analysis of the variants of vuestra merced in his Cervantes proposal -most elegant and
- , and his evident projection of the «two Spains» upon Alemán («closed», «dogmatic») and Cervantes
- clothe Alemán in the uniform of «authoritarian Spain», but reserve the greater triumph for Cervantes
- convinced his enemy wants to inflict on him, is something farfetched, or has nothing to do with Cervantes
- On the contrary, I am convinced that what concerns him is also a major concern for Cervantes.
- I have only tried to propose a modest modification of perspective: instead of reading Cervantes in
- the light of Efron, why not read Efron in the light of Cervantes?
- providing us with such a striking and totally spontaneous confirmation of the prophetic power of Cervantes
- He became the captive of the King of Algiers, Azán Agá, or Azán Bajá (as Cervantes calls him
- Alonso López, a soldier who served at many of the same places and knew many of the same people as Cervantes
- concludes by remarking that all the scholars acquainted with life in Algiers in the 1570's, and Cervantes
- served in Flanders and witnessed the executions of Egmont and Horn (1568), he is speaking for Cervantes
- Allen considers it highly likely that Cervantes served in Flanders in 1567-68, then returned to Madrid
- first relation to arise from our consideration of all this is, then, that between Ruy Pérez and Cervantes
- —136→ historical context inhabited by Cervantes
- Cervantes would seem to be belaboring the perennially popular theme of moros y cristianos with
- is the presence of these gratuitous Frenchmen that allows us to understand the relation between Cervantes
- Captain as narrator created by him, and to interpret the ideological statement intended by Cervantes
- —109→ Articles Cervantes
- Dunn Wesleyan University Entre Cervantes y la picaresca se sigue suponiendo una
- programa literario en común; y 2) que resulta más productivo preguntarnos en qué medida Cervantes
- It has become a commonplace of literary history to contrast Cervantes with the picaresque novels
- Since Américo Castro opposed the esthetic values of Cervantes to those of Alemán (in El pensamiento
- de Cervantes, 1925), much has been written to sharpen the contrast and to present it in terms which
- This essay has grown out of my talk that had as its title «Cervantes Deconstructs the Picaresque»
- the narrator.1 A recent book on the origins of the European novel, referring to the works of Cervantes
- Claudio Guillén has argued that this episode represents Cervantes' rejection of first person narration
- Nevertheless, Cervantes stresses most explicitly the problem of narrative structure.
- Copyright © 1982 by the Cervantes Society of America.
- voted to adopt a policy of anonymous submission of manuscripts intended for publication in Cervantes
- Tom Lathrop and I have made every effort possible to keep the material quality of Cervantes
- I appeal to each CSA member: if you feel that Cervantes deserves to survive and prosper, please
- accepted as «obvious».67 My objection to the «obvious» is directed toward better contact with Cervantes
- —174→ we will see that Cervantes
- these people want only to convince the world and themselves that the threat is «out there», whereas Cervantes
- Lest this sound like too modern a way into Cervantes, let me quote the character Ambrosio, who
- My principal inquiry will be conducted into the prior question of Cervantes' relation to picaresque
- structural options, and in particular the common assumption that picaresque fictions could be seen, at Cervantes
- I do not believe Cervantes could have seen those works which have come to be called picaresque
- The encounter between Don Quixote and Ginés de Pasamonte is often read as Cervantes' rejection
- But, as I shall ask later in this essay, is it really so clear that Ginés represents Cervantes
- Why did Cervantes write stories which, if not picaresque, are a bricolage of picaresque formal
- The system here proposed would of course produce some modernization of Cervantes' own practice.
- of fetichismo de la palabra, especially since, thanks to Flores, we now know that we do not know how Cervantes
- dealt here with Flores' contention that production of a regularized edition must wait until «after Cervantes
- Cervantes: Bulletin of the Cervantes Society of America Volume II, Number 2, Fall 1982
- From the Editor Articles Cervantes De/Re-Constructs the Picaresque
- Entre Cervantes
- programa literario en común; y 2) que resulta más productivo preguntarnos en qué medida Cervantes
- estrecha unidad que integra tres niveles de creación y experiencia: la histórica vivida por Cervantes
- , sus contemporáneos y sus personajes; la ficticia creada por Cervantes y vivida por sus personajes
- reaction to this piece, see Cesáreo Bandera, «Healthy Bodies in Not-So-Healthy Minds», Cervantes
- response, see «On Some Central Issues in Quixote Criticism: Society and the Sexual Body», Cervantes
- (N. from the A.) 56 Cervantes, The Adventures of Don Quixote, trans
- several instances I have also inserted the Spanish original, as a way of keeping in touch with Cervantes
- The system here proposed would of course produce some modernization of Cervantes' own practice.
- fetichismo de la palabra, especially since, thanks to Flores, we now know that we do not know how Cervantes
- dealt here with Flores' contention that production of a regularized edition must wait until «after Cervantes
- If Cervantes had wanted some evil Frenchmen, or just some Frenchmen for his story, he could more
- periods of captivity among the Muslims in the Captain's story reveals a clear intention on Cervantes
- Put another way, the Captain's story offers Cervantes the possibility of engaging in an ironically
- Reflections on the Hero as Quijote reminds us in a most provocative way that Cervantes' knight is a reincarnation
- Cervantes is painfully aware that the world we inherit is one that comes «after justice», or «after virtue
- Through his hero Cervantes recalls the Aristotelian concepts of justice as a practice, of moral knowledge
- quixotic; among the unsettling suggestions of Welsh's book is that, already in the seventeenth century, Cervantes
- Lovely Lethal Female Piratemen: Sexual Boundary Shifts in Don Quixote, Part II» Cervantes
- Bandera, see «On Some Central Issues in Quixote Criticism: Society and the Sexual Body», Cervantes
- current piece is a response to Cesáreo Bandera, «Healthy Bodies in Not-So-Healthy Minds», Cervantes
- Lovely Lethal Female Piratemen: Sexual Boundary Shifts in Don Quixote, Part II» Cervantes
- It is entirely possible that in creating Juan Pérez Cervantes had in mind the typical product
- Alemán's weapon is the bludgeon, Cervantes' the stiletto. An atom bomb versus a laser beam.
- estrecha unidad que integra tres niveles de creación y experiencia: la histórica vivida por Cervantes
- , sus contemporáneos y sus personajes; la ficticia creada por Cervantes y vivida por sus personajes
- in fact the Captain's long narration together with the attendant peripetiae were criticized by Cervantes
- French Protestants in the Captain's story has led us is, I think, something to the effect that Cervantes
- The foregoing observations are valid within the historical context inhabited by Cervantes and his
- The fictional character Ruy Pérez de Viedma, who transmits Cervantes' anti-imperial message, appears
- It is characteristic of Cervantes' genius that he is able to create a sympathetic old soldier like
- Cervantes' criminal may allude to the soldier Jerónimo de Pasamonte, captive in Algiers, whose
- path crossed that of Cervantes on various occasions; see Alois Achleitner, «Pasamonte»,
- righteous man upon whom unmerited suffering is visited, but none of this comes through in Cervantes
- persuaded us to accept the judgment, expressed earlier by Américo Castro in El pensamiento de Cervantes
- , that there is a great divide between Cervantes and the writers of the picaresque.5 It would be
- What is important is that Blanco's article was decisive in convincing a generation of readers that Cervantes
- Fernando Lázaro Carreter, and Francisco Rico seemed only to confirm the necessary exclusion of Cervantes
- So although my purpose is to try to understand a little better how Cervantes responded to the picaresque
- Blanco's article and the generic model, since together they have had the effect of privileging Cervantes
- convinced Mancing errs (and in this he is decidedly not alone), is in his identification of Cervantes
- This is absolutely impossible; Cervantes was a person who lived in the real world -the narrator,
- 1 Delivered at the Fordham Cervantes Conference, Fordham University
- (N. from the A.) 5 Carlos Blanco Aguinaga, «Cervantes y la picaresca.
- Introducción al pensamiento picaresco (Salamanca: Anaya, 1972) pp. 124-128; Gustavo Alfaro, «Cervantes
- I can see no real connection between the impressive recovery of Cervantes' nuances with vuestra merced
- the early episodes, aware that the viewers will otherwise have no idea of what is being parodied by Cervantes
- Anyone who has written on a topic ranging through several or all of Cervantes' works knows the existing
- The argument for an old-spelling edition which recovers Cervantes' orthography, such as Flores is presently
- My strategy was to bring before the reader some vivid and disturbing body images of Cervantes
- Bandera discovers that according to my reading of Cervantes, we can say that «Like a leech or a parasite
- —172→ Cervantes
- Second, Cervantes was writing about the body in a way more complicated than we have recognized.
- he seems superficial in this regard when compared to Cervantes
- the body with social metaphor and social control is consummately and critically presented by Cervantes
- Cervantes was not intent, in other words, on showing miscellaneous misbehavior and meanness in the
- It is my contention that any responsive reader of Cervantes will eventually have to learn something
- painting by Velázquez, «The Toilet of Venus», among others, but not, strangely enough, from Cervantes
- Cervantes, however, seems to have shown the kind of body life that results from civilized pressure
- radical questioning of the highly destructive costs of civilized existence, irrespective of whether Cervantes
- Reflections on the Hero as Quijote reminds us in a most provocative way that Cervantes' knight is
- Cervantes is painfully aware that the world we inherit is one that comes «after justice», or
- Through his hero Cervantes recalls the Aristotelian concepts of justice as a practice, of moral knowledge
- ; among the unsettling suggestions of Welsh's book is that, already in the seventeenth century, Cervantes
- Cervantes: Bulletin of the Cervantes Society of America Volume II, Number 2, Fall 1982
- THE CERVANTES SOCIETY OF AMERICA President JUAN BAUTISTA AVALLE-ARCE
- TRUEBLOOD Cervantes: Bulletin of the Cervantes Society of America Editor: JOHN J.
- WARDROPPER Cervantes, official organ of the Cervantes Society of America, publishes
- scholarly articles in English and Spanish on Cervantes' life and works, reviews, and notes of interest
- Subscription to Cervantes is a part of membership in the Cervantes Society of America, which
- Membership is open to all persons interested in Cervantes.
- subscription, send check in dollars to Professor PATRICIA KENWORTHY, Secretary-Treasurer, The Cervantes
- ALLEN, Editor, Cervantes, ASB 170, University of Florida, Gainesville, Florida 32611.
- Another striking contrast between Alemán and Cervantes. See Guzmán de Alfarache, ed. S.
- Quoted in Américo Castro, Hacia Cervantes,3ª ed. (Madrid: Taurus, 1967), p. 243, n. 2.
- See Carlos Fuentes, Cervantes o la crítica de la lectura (México: Joaquín Mortiz, 1976),
- is convinced his enemy wants to inflict on him, is something farfetched, or has nothing to do with Cervantes
- On the contrary, I am convinced that what concerns him is also a major concern for Cervantes.
- I have only tried to propose a modest modification of perspective: instead of reading Cervantes in the
- light of Efron, why not read Efron in the light of Cervantes?
- for providing us with such a striking and totally spontaneous confirmation of the prophetic power of Cervantes
- and not accepted as «obvious».67 My objection to the «obvious» is directed toward better contact with Cervantes
- song just before he goes to hell», that is, before he commits suicide, —174→ we will see that Cervantes
- these people want only to convince the world and themselves that the threat is «out there», whereas Cervantes
- Lest this sound like too modern a way into Cervantes, let me quote the character Ambrosio, who tells
- Formatos:
-
Resultado número:26 Texto
- Título:
- Cervantes : Bulletin of the Cervantes Society of America. Volume XXIV, Number 1, Spring 2004 - Registro bibliográfico
- Portales:
- Literatura Visitar sitio web | Miguel de Cervantes Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Sumario:
- 4 artículos
- Fragmentos 'cervantes' en la obra : (20 coincidencias encontradas)
-
- T HE CERVANTES SOCIETY OF AM ERICA President A.
- From : Cervantes: Bulletin of the Cervantes Society of A merica , 24.1 (2004): 11-21.
- Cervantes 24.1 (2004): 173–88.
- From : Cervantes: Bulletin of the Cervantes Society of A merica , 24.1 (2004): 23-38.
- From: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 39-64.
- Cervantes.
- From: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 65-104.
- From : Cervantes: Bulletin of the Cervantes Society of A merica , 24.1 (2004): 105-18.
- “The Refracted Image: Porras and Cervantes.” Cervantes 4.2 (1984): 139–53.
- From: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 119-36.
- From: Cervantes: Bulletin of the Cervantes Society of America , 24.1 (2004): 137-42.
- From: Cervantes: Bulletin of the Cervantes Society of America , 24.1 (2004): 143-71.
- “Cervantes y Roma.” Cervantes en Italia.
- “Cervantes and Virgil.” Cervantes and the Renaissance. Ed. Michael McGaha.
- From: Cervantes: Bulletin of the Cervantes Society of America , 24.1 (2004): 173-88.
- “El licenciado Juan de Cervantes, abuelo de Miguel de Cervantes Saavedra.”
- From: Cervantes: Bulletin of the Cervantes Society of America , 24.1 (2004): 189-216.
- : Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 217-52.
- From: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 253-56.
- Cervantes From: Cervantes: Bulletin of the Cervantes Society of America, 24.1 (2004): 262-64.
- Formatos:
-
Resultado número:27 Texto
- Título:
- Cervantes : Bulletin of the Cervantes Society of America. Volume XXV, Number 1, Spring 2005 - Registro bibliográfico
- Portales:
- Literatura Visitar sitio web | Miguel de Cervantes Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Sumario:
- 6 artículos
- Fragmentos 'cervantes' en la obra : (20 coincidencias encontradas)
-
- Métrica de Cervantes. JULIÁN OLIVARES 245–248 Cervantes' Don Quijote: A Casebook. Ed.
- FRANCISCO SÁEZ RAPOSO 253–256 A RTICLES IN PRESS From: Cervantes: Bulletin of the Cervantes Society
- Cervantes for the 21st Century / Cervantes para el siglo XXI: Studies in Honor of Edward Dudley.
- From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 23-43.
- From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 45-68.
- From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 69-77.
- Devolvamos a la imprenta lo que es de la imprenta y a Cervantes lo que es de Cervantes.
- From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 79-104.
- Biblioteca Cervantes 2.
- Le mappe nascoste di Cervantes.
- From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 105-57.
- Cervantes. Su obra y su mundo. Actas del I Congreso Internacional sobre Cervantes. Ed.
- From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 159-63.
- From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 165-66.
- (C=Cervantes; A=Avellaneda.)
- Miguel de Cervantes Saavedra.
- Cervantes, Passamonte y Avellaneda. Barcelona: Sirmio, 1988. ———. Para leer a Cervantes.
- From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 201-13.
- M AESTRO Cervantes do Antoniana Margarita, a los entremeses de Cervantes.
- From: Cervantes: Bulletin of the Cervantes Society of America, 25.1 (2005 [2006]): 215-18.
- Formatos:
-
Resultado número:28 Texto
- Título:
- Cervantes : Bulletin of the Cervantes Society of America. Volume IV, Number 2, Fall 1984 - Registro bibliográfico
- Portales:
- Literatura Visitar sitio web | Miguel de Cervantes Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Sumario:
- 2 artículos
- Fragmentos 'cervantes' en la obra : (164 coincidencias encontradas)
-
- circulating in Seville; he objects that such a borrador has never been found and that Cervantes
- could point out that the borrador of, say, La Galatea has never been found, nor did Cervantes
- He criticizes the Spanish scholar for offering no theory «as to how Cervantes managed to retain
- difficulty at all with his own «most likely explanation» that Cervantes
- How did Cervantes «mysteriously» «come into contact (note the «studied vagueness» of this phrase
- Cervantes, who liked to «deceive with the truth», may, indeed, have been limning life when
- As for anonymity, there was no reason why Cervantes should conveniently have signed every page
- existence of the «primitive draft» (by an unknown) that he suggests (p. 28) both Porras and Cervantes
- 60 Amezúa y Mayo, Cervantes creador de la novela corta española, Tomo I, Volumen
- Cervantes already used grammatical means to suggest referential and perspectival ambiguity in the
- the author should demonstrate that the Porras MS. itself was compiled early enough to permit Cervantes
- material for the codex «por los años de 1606»,65 Gallardo says only that it is «del tiempo de Cervantes
- Cervantes, como ladrón de casa, los atrapa en sus mismas ideas, mostrándolas como vehículo
- Una vez más, la grande, simple e irónica tesis novelística de Cervantes viene sólo
- 55 Conforme a los casos enumerados por Castro en El pensamiento de Cervantes
- Según el mismo, Cervantes se hallaba, igual que Erasmo y Vives, netamente en contra del matrimonio
- pie la observación de Castro acerca de la manera casi siempre forzada o adventicia como Cervantes
- Aylward to Geoffrey Stagg» Cervantes: Bulletin of the Cervantes Society of America 14.1
- Cervantes: Bulletin of the Cervantes Society of America 14.1 (1994): 109-16. -F.J.
- Cervantes : Bulletin of the Cervantes Society of America Volume IV, Number 2, Fall 1984
- Cervantes and Descartes on the Dream Argument Anthony J.
- En la aventura de la Cueva de Montesinos (Don Quijote, II, 22-24), Cervantes
- Enfrentándose con la amenaza del escepticismo de no poder distinguir entre el sueño y la realidad, Cervantes
- Review Articles Erasmo y Cervantes, una vez más Francisco Márquez
- The Refracted Image: Porras and Cervantes
- In any case, if Cervantes had been the amanuensis, the scholars who handled the manuscript
- (N. from the A.) 85 The printed version reads: Cervantes original --
- (c) Aylward (pp. 67-68) argues that Cervantes misread the Porras MS. passage «a los viejos ancianos
- The argument is ingenious, but one must point out that the assumed error would have involved Cervantes
- (d) Aylward also notes (p. 69, n. 1) that Cervantes «removed the episode of Juliana la Cariharta
- the texts of the two stories in the Porras MS. are revisions of originals written earlier by Cervantes
- Aylward tries to have his cake and eat it: having proved, to his own satisfaction at least, that Cervantes
- general form or treatment, and it is completely illogical for Aylward, given his acceptance of Cervantes
- paint their own portrait was already present in the original and was merely embellished by Cervantes
- Four pages later he adds: «Cervantes'... attempts at letting his literary characters paint their
- He concludes by stating that Cervantes left the introductory portion «almost intact» and
- One fails to see how Cervantes can emerge, in this perspective, as a «pioneer».
- Flores' contention that Cervantes abandoned the regular division in «partes» (originally eight
- The fact that Cervantes added, according to Flores, the introductory page to the Dorotea
- the major interpolations and the displacement of the pastoral interlude [Grisóstomo / Marcela], Cervantes
- This third text may have been written by Cervantes, by Porras, or by an unknown.
- Porras is seen, for example, to prefer the -se form of the subjunctive, and Cervantes
- If Porras dates the stories and Cervantes does not,74 we cannot know whether Porras added dates
- to the Cervantine text, or Cervantes removed them from the Licentiate's.
- Cervantes : Bulletin of the Cervantes Society of America Volume IV, Number 2, Fall 1984
- THE CERVANTES SOCIETY OF AMERICA President BRUCE W.
- TRUEBLOOD Cervantes: Bulletin of the Cervantes Society of America Editor: JOHN J.
- WARDROPPER Cervantes, official organ of the Cervantes Society of America, publishes
- scholarly articles in English and Spanish on Cervantes' life and works, reviews, and notes of interest
- Subscription to Cervantes is a part of membership in the Cervantes Society of America, which
- Membership is open to all persons interested in Cervantes.
- and subscription, send check in dollars to Professor HOWARD MANCING, Secretary-Treasurer, The Cervantes
- Manuscripts (submitted in accordance with Cervantes, 2 [1982], 107) and books for review
- ALLEN, Editor, Cervantes, Department of Spanish and Italian, University of Kentucky, Lexington
- On the heels of the Curate's objections to the books of chivalry, Cervantes
- Cervantes is especially careful about the mode of narration that Don Quixote uses in this passage
- Through the comic incongruities which result, Cervantes provides his readers with enough evidence
- Thus it would not, for me, do any good to object that Cervantes in Don Quixote seems to refute an
- Cervantes shows that we relate to the world, including the «world» of our own experiences, in
- —122→ terms of certainty.37 Cervantes
- temptation of certainty, epistemology is led to expect more of the world than it can possibly provide; Cervantes
- Ruth El Saffar, Beyond Fiction: The Recovery of the Feminine in the Works of Cervantes
- Javier Herrero, «Arcadia's Inferno: Cervantes' Attack on Pastoral», BHS, 55, (1978), 289
- 'La Gitanilla' de Miguel de Cervantes», Actas del Quinto Congreso Internacional de Hispanistas
- Cervantes was working here within the tradition of Petrarchism, which had a fundamental impact
- gratuitamente amarga ni cínica y, por el contrario, fue en el Coloquio de los perros donde Cervantes
- Cancionero de Baena, Montoro, Francesillo de Zúñiga, Villalobos, Horozco).44 Enfáticamente, Cervantes
- Como Letras, ingenio y valer no dan para subsistir en la corte (y Cervantes lo sabía mejor que nadie
- 'Cervantes' Secularized Miracle: 'La fuerza de la sangre' procura darnos una explicación profunda
- Cervantes reelabora en La fuerza de la sangre los motivos hagiográficos del niño resucitado
- El Cervantes ambiguo y problemático, en el que F. nunca ha dejado en realidad de creer, vuelve
- El problema de la íntima religiosidad de Cervantes dista más que nunca de hallarse resuelto:
- I have quoted the Humanist's reply at length to show how Cervantes parodies his type, but also because
- experience is one of the possible, even natural, results of an overzealous anti-skepticism; but Cervantes
- 'Cervantes' 'La Gitanilla' as Erasmian Romance constituye un libro por derecho propio y es
- Cervantes se ha entregado con visible regusto a construir dicha alternativa con la pericia observadora
- I want to proceed to show Cervantes' criticism of epistemology, which is the form which his anti-skepticism
- Cervantes provides powerful and cogent reasons for relating dreams and imagination in general, showing
- With imagination, as with dreams, Cervantes is inclusive rather than exclusive; Don Quixote
- Generally, Cervantes takes care to keep the fiction within these limitations.
- Still, as Don Quixote shows, Cervantes is convinced that imaginative literature could be
- What Cervantes seeks is a defense of the imagination that would not sacrifice the distinction between
- appraising human experience, and it is this, over and above the judgments of these critics, which was Cervantes
- Review Articles Erasmo y Cervantes
- fue el no haber alcanzado su mayoría de edad hasta la aparición en 1925 de El pensamiento de Cervantes
- inmediata toma de altura en casi todos los aspectos del campo, acreditan la centralidad del Cervantes
- La idea de codear a Cervantes con los grandes ingenios del Renacimiento constituyó un liberador rayo
- Forcione, Cervantes and the Humanist Vision: A Study of Four Exemplary Novels (Princeton:
- Cervantes: Pioneer and Plagiarist. London: Támesis Books, 1983. 96 pp.
- detail from those published in 1613.60 Bosarte entertained, but rejected, the suspicion that Cervantes
- —140→ compuso, y adornó el mismo Cervantes
- Aylward arguing that Cervantes did indeed plagiarize both these stories, as well, probably, as
- Vilanova, Erasmo y Cervantes (Barcelona: CSIC, 1949), p. 52.
- David Kossoff, in «El pie desnudo: Cervantes y Lope», Homenaje a Wm. L.
- Also Louis Combet, Cervantès ou les incertitudes du désir, Lyon: Presses Universitaires
- See my «Boccaccio and Cervantes: The Frame As Formal Contrast», forthcoming in Comparative
- These few but telling examples suffice to demonstrate that the Porras MS. was copied from a Cervantes
- repito, el más irregular, aun dentro de una misma página, aun firmando su nombre mismo, es Cervantes
- sin curva arriba», a description to be compared to that of the s, sometimes written by Cervantes
- If, as we believe, the Porras MS. is a copy of a Cervantes original, we can eliminate from the
- The only combination of the Set that can even be considered is «Cervantes original -- Porras --
- it is inconceivable that Porras would chance upon Cervantes's original and revise it and that Cervantes
- If Porras were that source, it is not plausible that Cervantes could read his text better than
- the author himself; if the source were an unknown, it is again unlikely that Cervantes would
- transcribe more accurately in all the examples given than Porras; it could be argued that Cervantes
- The only possibility of the set that carries conviction is the third, namely, that both Cervantes
- —109→ Cervantes
- Cascardi En la aventura de la Cueva de Montesinos (Don Quijote, II, 22-24), Cervantes
- Enfrentándose con la amenaza del escepticismo de no poder distinguir entre el sueño y la realidad, Cervantes
- with the dream argument advanced by Descartes in the Meditations, and in fact Descartes and Cervantes
- In so doing, I hope to point out some ways in which Cervantes is anti-skeptical: he regards knowledge
- * * * Please note that it is the policy of Cervantes not to publish articles that
- Copyright © 1984 by the Cervantes Society of America.
- I expect these questions to lead us to some of the fundamental issues raised by Cervantes' text
- This, says Aylward, is Cervantes' sly way of «lay[ing] the foundation for a future claim to [its
- «the Porras versions of R / C and ZE are stylistically incompatible with Cervantes
- Hence Cervantes the plagiarist.
- His argument is that, in the Porras versions of the two stories, Cervantes would have found «virtues
- Hence Cervantes the pioneer.
- 1 A version of the first part of this paper was read at the Cincinnati Cervantes
- For the most cogent explanation to date of Cervantes' seemingly haphazard division of his material
- Flores, «Cervantes at Work: The Writing of Don Quixote, Part I»: JHP, 3 (1978), 135-60.
- In a private communication Ruth El Saffar has suggested to me that Dorotea may anticipate Cervantes
- A primera vista se perfila como lo más «formulaico» (p. 91) de toda la obra de Cervantes, pero
- Cervantes, se nos dice, renuncia allí a la crudeza sexual que parecía imponer el tema (p. 46).
- Cervantes se descubre a sí mismo, como pensador y como artista, en el seno de dicha tradición, y
- un planteamiento similar, en conjunto, al del primer estadio de Castro en El pensamiento de Cervantes
- F. se esfuerza, en especial, por alejar a Cervantes y a su erasmismo de la forma como Castro los
- aquí un escritor cristiano y edificante, como sin duda lo era para no pocos y para el mismo Cervantes
- El humanismo cristiano de Cervantes no tendría así nada de polémico, de atrevido ni de cauteloro
- menos abierta con que buena parte de la crítica ha venido considerando la cuestión del erasmismo de Cervantes
- La oportunidad de reducir a una dimensión técnica lo que antes era el caso de conciencia de un Cervantes
- indisputablemente un gran avance en lo relativo a ideas de conjunto sobre el pensamiento de Cervantes
- Pero ahora acecha el peligro de reducir la formación intelectual de Cervantes a un virtual monopolio
- comprueba, como no podía menos (pp. 171, 267), la gran influencia ejercida sobre Cervantes por el
- Un buen ejemplo vendría dado por la actitud de Cervantes hacia el gran tema del matrimonio.
- exentas de aspectos insatisfactorios que no podían pasar desapercibidos para un observador como Cervantes
- F. no ve en Cervantes sino al discípulo en todo momento fiel, incapaz de distanciarse del maestro
- Pero hay aquí una dosis de simplificación en ambos sentidos, porque Cervantes manifestó en otras
- Ni tampoco queda tan probado que Cervantes marche a remolque de una legitimación de la sexualidad
- apertura hacia la dignificación del erotismo femenino, como de un modo algo más que implícito hace Cervantes
- Pero Cervantes ríe y compadece a la vez, cuando las desdichadas reclusas de Carrizales enloquecen
- En éste, como en tantos otros aspectos, Cervantes fue anticipo, pionero y no epígono.
- La presencia de Erasmo y el humanismo cristiano en Cervantes resulta, desde luego, primordial y probablemente
- Por lo demás, lo que a Cervantes le interesaba era la dimensión humana y relativa de los problemas
- (N. from the A.) 35 For a discussion of Cervantes and neo-Aristotelian literary
- Forcione, Cervantes, Aristotle, and the «Persiles» (Princeton: Princeton University Press
- 37 For a further discussion of this and related questions in relation to Cervantes
- , see my «Cervantes and Skepticism: The Vanishing of the Body», in Essays on Hispanic Literature
- from an original by either Porras or an unknown, for in either case we would have to assume that Cervantes
- coincidence is hardly credible.84 We are left, then, with three admissible possibilities: (a) Cervantes
- original -- Cuesta -- Porras; Cuesta (b) Cervantes original Porras;85
- The other two assume a degree of revision by Cervantes of his borrador; and though one may
- Cervantes no será nunca apresado por cierta clase de redes, porque su arte consiste precisamente
- El pensamiento de Cervantes ofrece una amplia coherencia, pero no rigideces.
- En realidad, la familiarización de Cervantes con Erasmo debió ser un irreconstruible proceso
- Esta matizada respuesta a un planteamiento en bloque del humanismo de Cervantes supone, desde luego
- 63 Luis Astrana Marín, Vida ejemplar y heroica de Miguel de Cervantes
- (N. from the A.) 65 Juan Antonio Pellicer, «Vida de Miguel de Cervantes
- he is referring to «the fact [my italics] that an ambitious and clever writer, Miguel de Cervantes
- Later he writes: «Without any basis in fact, Arrieta affirms here: a) that Cervantes is the
- Aylward has decided that Cervantes is guilty (of plagiarism) before the trial has begun.
- amazing about all this is that there is absolutely no [Aylward's italics] evidence to link Cervantes
- solely because Cervantes happened to publish two of these tales as his own in 1613» [my italics
- Formatos:
-
Resultado número:29 Texto
- Título:
- Cervantes : Bulletin of the Cervantes Society of America. Volume III, Number 2, Fall 1983 - Registro bibliográfico
- Portales:
- Literatura Visitar sitio web | Miguel de Cervantes Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Sumario:
- 4 artículos
- Fragmentos 'cervantes' en la obra : (223 coincidencias encontradas)
-
- A history of interpretations of Miguel de Cervantes would surely trace a changing view of the authorial
- But over against Unamuno's vision of the hero who, as spirit of a national yearning, dwarfs both Cervantes
- responsibility for what appears on the pages of his book, partisans of the author go on to postulate a Cervantes
- who plays God to his creation, a Cervantes whose omniscience and absolute power render him almost
- Beyond the shifting viewpoints of Cervantes' fictional world, he says,
- The crippled artist brings us back once again to Cervantes' self-portraits and to the surrogate authors
- In the figure of Vulcan the common denominator of the portraits of Cervantes and his others becomes
- In terms of the literary theory of Cervantes' day, this figure of the artist speaks to the tension
- paradoxes of literary representation, we find a way to deal with the apparent arbitrariness of Cervantes
- sensitivity in the late twentieth century to these paradoxes of representation which enables us to see Cervantes
- Our concerns in turn create a new danger: that we will set aside the cast-off myths of Cervantes
- as recreator of the spirit of his people, or Cervantes the crusader, or Cervantes the God-like artist
- , only to bring out a newly fashioned myth of Cervantes as post-structuralist.
- It would be a mistake, I believe, to discover exactly mirrored in Cervantes our fascination with
- Truth for Cervantes was not fictional.
- But that truth is God's truth: nowhere, without mockery, does Cervantes attribute that truth to a
- of the poet in the Furioso as demiurge.11 Spitzer repeatedly cautions that neither Cervantes
- quixotism -and surely not any of the central figures of the illusionistic by-stories: the hero is Cervantes
- making, in which hundreds of characters, situations, vistas, themes, plots and subplots are merged, Cervantes
- Textual criticism, on the other hand, tends to stress the absence of Cervantes from his texts.
- If we find ourselves tantalized in the Quixote by the shadow of an «historical» Cervantes
- generally been recognized that this personified author is not interchangeable with the historical Cervantes
- As the voice closest to the reader in Cervantes' novel, this narrator is also another reader
- The critical mainstream of our day, in one way or another, applauds Cervantes' use of the fictitious
- succeeded in distinguishing Cide Hamete from the narrator and the narrator from the real-life Cervantes
- its many lesser authors, leaving the Author -Miguel de Cervantes
- Miguel de Cervantes Saavedra, Rinconete y Cortadillo, in Novelas ejemplares, I, ed.
- (N. from the A.) 98 This is possibly one of several oversights by Cervantes
- from the A.) 99 Forcione, Cervantes, Aristotle and the Persiles
- University Press, 1970), esp. pp. 303-43; Kenworthy, «The Character of Lorenza and the Moral of Cervantes
- 111 Ruth El Saffar, «On Beyond Conflict», in Cervantes, 1 (1981),
- deslindes cervantinos (Barcelona: Ariel, 1975), pp. 155-211, and, Edward Dudley, «Boccaccio and Cervantes
- (N. from the A.) 114 Miguel de Cervantes Saavedra, Don Quijote de la
- el último en el sistema de agüeros de la segunda parte, en la cual, tal como concluye Riley, Cervantes
- Cervantes se propone, en estos capítulos, mostrarnos el conflicto entre las inclinaciones profundamente
- Al confundir el alcázar de Dulcinea con la iglesia y su cementerio, Cervantes hace que don Quijote
- Al mismo tiempo, Cervantes ha introducido a don Quijote y Sancho en un mundo sobrenatural, en el
- pesado lastre de cosa muerta: el género bizantino había cerrado su ciclo; nadie, ni el mismo Cervantes
- That Cervantes never wished to reopen the Byzantine cycle but, by his own avowal, «to compete» with
- Cervantes' work, as I see it, was not a tired imitation but a strategic experiment in «the outdoing
- ideas, characters, events, aspirations», William Byron concludes in his recent biography of Cervantes
- Entwistle's repugnance at the «intolerable... spectacle of unrelieved virtue» presented by Cervantes
- This is also to disregard Cervantes' explicit intentions of competing in an altogether different
- And Cervantes pilots them away from his mimetic and sacrificial island, now a panorama of ruin, in
- Like Shakespeare, who also culminated his life's work in Byzantine romance land- and seascapes, Cervantes
- The Winter's Tale by noting how Shakespeare brilliantly gave wrinkles to Hermione's statue.43 Cervantes
- strategically, the interpolated tales in the Persiles question all the masculine fictions of desire of Cervantes
- Immediately after the resolution of the last tale, Cervantes himself appears in his work, thinly
- what Frye calls the «astonishingly persistent», indeed, «the crucial episode of romance».46 Cervantes
- And why did Cervantes divide the work into Byzantine and realistic modes of narration, a kind of
- like Ruth El Saffar, Ciriaco Morón Arroyo, and Arthur Efron have begun to look at the whole Cervantes
- strategically, its «bearded waiting women».48 El Saffar, indeed, has made a pioneering claim about Cervantes
- That Cervantes knows how ridiculous this attitude is may be shown by one of the maxims in his solicited
- Humanities for a grant to attend Professor Ruth El Saffar's Summer Seminar on the prose canon of Cervantes
- desiring woman in the Persiles has been greatly enriched by El Saffar's reading of Cervantes
- forthcoming book, Beyond Fiction: The Recovery of the Feminine in the Prose Works of Cervantes
- algo arcaico, emplearé el término «agüero» en este estudio, para no diferir del que emplea Cervantes
- (N. del A.) 66 Miguel de Cervantes Saavedra, El ingenioso hidalgo
- I do not suggest in these pages that Cervantes did not «actually» possess and enjoy the privileges
- autobiographical references only serve to renew the sense of wonder -frequent privilege of the reader of Cervantes
- its shining threads in the precarious space between fact and myth.25 Yet it is striking that Cervantes
- In Cervantes' literary cosmos, the authorial deity is a crippled god.
- In his dedication to Part II of this last, Cervantes himself declared the Persiles «el
- Cervantes had already declared his intention for the Persiles in a statement of anxious
- Published posthumously in 1617, the work was hastily finished on Cervantes' deathbed, its dedication
- borrows from Jerome's Latin praises for Origen in order to privilege the Persiles over the rest of Cervantes
- than the superior Don Quijote» and adds, as if trying to account for such popularity, that Cervantes
- a variety of matters to which he had given mature thought, including... love and women».35 Cervantes
- Then around 1630, as one critic hyperbolically puts it, Cervantes' last romance «sank without
- Surely Cervantes does not expect us to be duped.
- authorial distance, at that moment -Death- when distances and differences collapse, when Miguel de Cervantes
- If the Arab chronicler and the text's many other surrogate authors are masks of Cervantes, it
- on them, especially as they engage the idea of authorship, of authorial authority, are jokes on Cervantes
- In this Prologue, then, precisely where we are tempted to think ourselves closest to Cervantes, we
- When Cervantes invokes aesthetic perfection and authorial intention, he does so not in blind belief
- reduce the multiple facets to one clear image invariably meets with the text's resistence.21 Within Cervantes
- At this point it may prove useful to appeal to the literary theory of Cervantes
- Don Quixote's creator, alerts us to the possibility that the Philosophia antigua provided Cervantes
- Although Cervantes' Rinconete y Cortadillo is frequently associated with the picaresque genre
- Cervantes circulates the narrative point of view to produce a simultaneous distancing from and identification
- The presence of the spectator (and often storyteller) in Cervantes' works is frequently as significant
- If portraits of Cervantes are read as portraits of the artist, then it makes sense to look for their
- reversible, as one narrative's characters become another's reader-listeners or writer-tellers.18 Cervantes
- Andrist Baylor University In the inaugural issue of Cervantes, Golden Age scholars Ruth
- lends itself to such an analysis of friendship since male friendship is so frequently employed by Cervantes
- The idea of authorial distance sets Cervantes the master above and aloof from the multitude of artistic
- The notion that Cervantes' success is an effect of distance seems to postulate a true, magisterial
- Critics inevitably differ as to which of these belong to the «real» Cervantes.
- Cervantes does not speak unmediated, but through many other voices.
- —103→ Cervantes
- Cervantes supera el peso enorme de esta fórmula literaria que refleja y aún apoya a los entonces
- - quienes se lanzan a los caminos pugnando por cambiar su condición de víctima erótica, Cervantes
- feminization of its vision», it seems urgent to link this «feminization» more explicitly to Cervantes
- 26 Less tentative answers to questions like these may be found by looking back to Cervantes, specifically
- Entwistle, «Ocean of Story», in Cervantes: A Collection of Critical Essays, ed.
- (N. from the A.) 42 «An Open Letter to Ruth El Saffar», in Cervantes
- Chapter 9 of Cervantes, Aristotle and the «Persiles» (Princeton: Princeton University Press
- Miguel de Cervantes: The Metafictional Dialectic of Don Quijote», Cervantes, 1 (1981
- Copyright © 1983 by the Cervantes Society of America.
- —83→ Articles Cervantes
- of the Artist1 Mary Gaylord Randel Cornell University Los lectores de Cervantes
- del artista al coloquio teórico sobre el artífice y la anatomía de la fábula que leyera Cervantes
- In virtually every work of Cervantes, the critic confronts what Jean Canavaggio has described as
- succumbed to the temptation to peer through the veil of fiction for glimpses of the historical Cervantes
- Conspicuously in the tradition of the great biographies of Cervantes, the mad knight of La Mancha
- Pursuing fame, like Don Quixote, along the twin routes of arms and letters, Cervantes becomes the
- Titles like El ingenioso hidalgo Miguel de Cervantes Saavedra,4 Vida heroica de Miguel
- de Cervantes,5 and Vida ejemplar y heroica de Miguel de Cervantes Saavedra,6 suggest the
- moving freely from the works to the man and back again, finding in the life and the books of Cervantes
- regarded as the «role of a snatched-away sacrificial victim».28 At least a dozen heroines in Cervantes
- These heroines further establish that the aged Cervantes, once again undeterred by the mystique of
- what he regards as «un largo comienzo repelente».29 As the background for these sacrifices Cervantes
- The question of sacrifice concerned Cervantes from the beginnings of his literary career.
- As Efron reads it, Cervantes' masterpiece implicitly renounces «the automatic connection of sacrifice
- A daring book of cultural criticism, Cervantes' last romance engages all the unfinished business
- The full title of the Persiles reveals Cervantes' alternative to dying-for-Dulcinea: trabajos
- .32 The «labors» enjoined upon the multiple couples in Cervantes' romance are those of confronting
- enseñado su lengua, y yo a él la mía» (I.6)- may be read allegorically as a syllabus for Cervantes
- (N. from the A.) 13 Miguel de Cervantes Saavedra, Don Quijote
- narrative like a documentary is reinforced by its resemblances to a «Memorial» addressed by Cervantes
- A.) 17 This paper sketches the outlines of a much larger study on Cervantes
- 1982], 254-71) and in the Entremeses («La poesía y los poetas en los Entremeses de Cervantes
- Lovely Lethal Female Piratemen: Sexual Boundary Shifts in Don Quixote, Part II», Cervantes
- Efron's suggestion that readers attend to the body-text relationships in Cervantes may be
- Conflict», rev. of Cesáreo Bandera's Mímesis conflictiva (Madrid: Gredos, 1975) in Cervantes
- Cervantes' own words echo uncannily, as Elias Rivers has shown, both in the contours of its anecdotes
- The author of this apocryphal version appears to have read Cervantes' self-portraits as carefully
- His challenge is not only literary, but personal and moral, pointing a derisive finger at Cervantes
- Beyond this, the matter of age has taken on a different cast for Cervantes himself, in 1615 nearly
- Although Cervantes in effect reinforces the image of himself as «viejo, soldado, hidalgo y
- It is in the play between the portrait and its exploitation that Cervantes' characterization of the
- Con esta visión comprometida, Cervantes emprende la crítica en dos esferas: la social, específicamente
- Riley points out that Cervantes often promotes admiratio by creating an appreciative audience
- within the text with whom the reader will identify.96 According to Riley, Cervantes owes his characters
- 21 The principal work on Cervantes' theory continues to be E. C.
- More recent attempts to codify his pronouncements are Helena Percas de Ponseti's Cervantes
- y su concepto del arte (Madrid: Gredos, 1975); and Anthony Close's «Cervantes' Arte Nuevo de Hazer
- Fábulas Cómicas en este Tiempo», Cervantes, 2 (1982), 3-22.
- On Cervantes and El Pinciano, see Forcione, Riley, and the carefully documented study of Jean Canavaggio
- metaphors of El Pinciano deserve a study of their own; I devote to them a chapter of my book on Cervantes
- One could also say that Cervantes «kidnapped» the Aethiopica, i.e., used its romance formulas
- (N. from the A.) 39 Cervantes' Christian Romance: A Study of Persiles
- (N. from the A.) 40 Cervantes: A Biography (New York: Doubleday
- Cervantes: Bulletin of the Cervantes Society of America Volume III, Number 2, Fall 1983
- THE CERVANTES SOCIETY OF AMERICA President BRUCE W.
- TRUEBLOOD Cervantes: Bulletin of the Cervantes Society of America Editor: JOHN J.
- WARDROPPER Cervantes, official organ of the Cervantes Society of America, publishes
- scholarly articles in English and Spanish on Cervantes' life and works, reviews, and notes of interest
- Subscription to Cervantes is a part of membership in the Cervantes Society of America, which
- Membership is open to all persons interested in Cervantes.
- and subscription, send check in dollars to Professor HOWARD MANCING, Secretary-Treasurer, The Cervantes
- Manuscripts (submitted in accordance with Cervantes, 2 [1982], 107) and books for review
- ALLEN, Editor, Cervantes, Department of Spanish and Italian, University of Kentucky, Lexington
- Looking back -like Cervantes- over these sketches of the author, we conclude first that we have
- doubling: the author's friend in the first Prologue; the Curate who claims long acquaintance with Cervantes
- , left largely unexplored as aesthetic objects these islands of concrete self-reference in Cervantes
- verisimilitude, or some likeness to a picture we have grown accustomed to identifying as that of Cervantes
- When Cervantes calls our attention to his authorial self, he asks us in effect to see the writer
- this economy restricted to Don Quixote: we find the same system at work in virtually all of Cervantes
- the most obvious examples.17 It becomes clear that when he chooses to intrude into his texts, Cervantes
- To what extent can Cervantes be held accountable for the myth-making that centers around his figure
- Perhaps by looking at those passages in his works which call attention to Cervantes himself we
- discover a relationship between the author's self-portraiture and the mythical portraiture of a heroic Cervantes
- The 1605 Prologue introduces Cervantes' book-child -«como quien se engendró en una cárcel»-
- varios y nunca imaginados de otro alguno»- of his own «estéril y mal cultivado ingenio».13 Cervantes
- temporarily into the comic realm, where the triumph of froda is often a driving force.62 Cervantes
- El Saffar wisely sees many of the male characters in Cervantes' later narratives as types of
- Isabela's anti-sacrificial tactics.63 By taking possession of a role of demonic possession, Cervantes
- female hero of the last inset story of the final work of his life, Isabela very literally represents Cervantes
- Should we have missed her emblematic role of desiring woman, Cervantes signifies it, in the fashion
- local name)».60 To these European hallmarks of ritualized fertility symbol, here re-sexed by Cervantes
- existential context-, I suggest that we find ourselves in the presence of another myth of Cervantes
- lived heroism, of the sufferings and strivings of the impoverished writer, we have here the myth of Cervantes
- add still another construct of literary history, a myth of literary origins, or more exactly of Cervantes
- Cervantes criticism has questioned the extent to which the author perceived his own originality or
- The Novelas ejemplares and Los trabajos de Persiles y Sigismunda suggest to some that Cervantes
- Still, the perception of Cervantes as some kind of important beginning continues to condition a wide
- above three critical views on self-sacrifice belong, respectively, to James Fitzmaurice-Kelly, «Cervantes
- 32 It is telling that the word trabajos was not used in the title of Cervantes
- (N. from the A.) 33 «The Persiles Mystery», in Cervantes Across
- (N. from the A.) 36 Wyndham Lewis, The Shadow of Cervantes (New York
- century scholars who regarded the Persiles favorably, see Rudolph Schevill, «Studies in Cervantes
- Cervantes: Bulletin of the Cervantes Society of America Volume III, Number 2, Fall 1983
- Articles Cervantes' Portrait of the Artist Mary
- Los lectores de Cervantes
- del artista al coloquio teórico sobre el artífice y la anatomía de la fábula que leyera Cervantes
- Cervantes' Last Romance: Deflating the Myth of Female Sacrifice Diana de
- Cervantes supera el peso enorme de esta fórmula literaria que refleja y aún apoya a los entonces
- - quienes se lanzan a los caminos pugnando por cambiar su condición de víctima erótica, Cervantes
- Con esta visión comprometida, Cervantes emprende la crítica en dos esferas: la social, específicamente
- 1982.1.1 (N. from the A.) 1.1 Note: this study was continued in «Cervantes
- ' Portraits and Literary Theory in the Text of Fiction», Cervantes, 6.1 (1986): 57-80
- 2 «La dimensión autobiográfica del Viaje del Parnaso», Cervantes
- (N. from the A.) 3 Demetrios Basdekis, «Cervantes in Unamuno: Toward
- from the A.) 7 William Byron, Cervantes.
- Another extreme, product of continental psychoanalytic criticism, is Louis Combet's Cervantès
- incertitudes du désir (Lyons: Presses Universitaires, 1980), which uses portraits of authors in Cervantes
- ' texts to make a composite portrait of Cervantes the man.
- See also Helena Percas de Ponseti, «Authorial Strings: A Recurrent Metaphor in Don Quijote», Cervantes
- Percas suggests that Cervantes opposes the «strings» of pseudo-authority to his own authentic creative
- 202) Whether or not Cervantes
- Cervantes' own repeated recourse to idealization -from novel, to Exemplary Novel, to romance
- In the interpolated stories of Don Quixote Part I, Cervantes' concern had been with the freedom
- All the old European games of desire are found in Cervantes' interpolated tales, and all are ignored
- ecstatically celebrated in a sentimentalized projection -bearing not the remotest resemblance to Cervantes
- Unlike the pastoral or chivalric heroines of Cervantes' earlier fictions -not all of whom are desexualized
- of desire, in the opening chapter of Deceit, Desire, and the Novel, with the claim that Cervantes
- Even the most cursory reading of El curioso impertinente would ratify Girard's claim about Cervantes
- Girard never moves beyond the Quixote for his structural supports, he cannot know that Cervantes
- present in germ in Don Quixote».56 It is critical to understand, however, that not all of Cervantes
- Cervantes chose «to compete» in the field of Byzantine romance because only this version of romance
- The most vocal and unequivocably desiring woman in the Cervantes canon appears in the Persiles
- The plot structure of Isabela's interpolated tale affords a good sample of Cervantes' revisionary
- For this final interpolation Cervantes borrows and inverts the centuries-old formula of Greek New
- the hero to have his will».58 This antique comic formula might almost furnish an abstract for Cervantes
- In Cervantes' version a young woman wants a young man, but she cannot wait for some twist in the
- In a twinkling, Cervantes switches his sacrificial victims: instead of a woman's being sacrificed
- Cervantes' Isabela not only resists possession, she rescripts it.59
- life, that it is difficult not to accord it virtually documentary status.14 Yet Ruy Pérez is not Cervantes
- Unlike Cervantes, whose wounds cost him the use of one hand, the officer suffered the loss of his
- He travels to Algiers as a slave, and there his story rejoins that of Cervantes.
- clearly conjures up the author's figure, and it is tempting to see in this Saavedra the historical Cervantes
- if we are inclined to see the Captain's tale as literature shadowing the «real» life of Saavedra-Cervantes
- Formatos:
-
Resultado número:30 Texto
- Título:
- Cervantes : Bulletin of the Cervantes Society of America. Volume VII, Number 1, Spring 1987 - Registro bibliográfico
- Portales:
- Literatura Visitar sitio web | Miguel de Cervantes Visitar sitio web | Cervantes : Bulletin of the Cervantes Society of America Visitar sitio web
- Sumario:
- 3 artículos
- Fragmentos 'cervantes' en la obra : (233 coincidencias encontradas)
-
- believe in imposing a symbolic or esoteric system on the Quijote and thus he could not view Cervantes
- According to Menéndez Pelayo, Cervantes created his fictional world from what he observed and gave
- In a word, a poet perceives form qua form, without having to study the science of form: Cervantes
- Pero Cervantes era poeta, y sólo poeta, ingenio lego, como en su tiempo se decía.
- This young Menéndez Pelayo hit upon an interpretation of Cervantes
- For our purposes of pointing out Cervantes' sources of inspiration for the scene, several
- era de harpillera, a él le parecía ser de finísimo y delgado cendal» (p. 431); 4) Cervantes
- Similarly, Máinez later wrote that not only Cervantes himself but also «a new age of ideas» put
- Crónica de los Cervantistas, 1871-79, which became one of the most important vehicles for debate over Cervantes
- Siete cartas sobre Cervantes y el «Quijote». Cádiz, 1868.
- Cervantes Peredo, Manuel. «El sentido oculto».
- Cervantes y el «Quijote»: Estudios críticos. Madrid, 1872.
- «De algunas opiniones nuevas sobre Cervantes y el Quijote».
- said that Benjumea should be associated with the latter because of his peculiar notions regarding Cervantes
- Tubino may not have agreed with Benjumea, he did see the value in Benjumea's determination that Cervantes
- Prefiguring the ideas of Menéndez Pelayo, Valera states that: Cervantes was a passionate and sensitive
- To indulge in finding contemporary models for Cervantes' fictional characters, Valera continues
- Revilla agreed with Valera that Cervantes' explicit intention was to ridicule the foibles of
- Like Asensio, he refused to accept any suggestion that Cervantes was anti-Spanish.
- Further, Revilla recognized the novel's value in a way much different from that of Benjumea: Cervantes
- This means of course that Cervantes did not intend for his work to have any symbolic functioning,
- could uncover the genius of a work, and it was futile for scholars to look back and calculate what Cervantes
- In any case, Revilla would admit only to chivalric parody as the pretext for Cervantes' novel, probably
- To say that Cervantes had come upon the true meaning of the human comedy was justifiable, but to
- The Psychological Atmosphere of Cervantes' Galatea», submit that La Galatea has a psychological
- According to the Shepards, Cervantes, through the story of Lisandro and Leonida, makes two major
- The Shepards also note that Cervantes seems to be advocating arranged marriages.
- the previous paragraph, the backbone of the Maritornes episode, was doubtless familiar to Cervantes
- Bandello.4 However, their versions of the tale present basic divergences from the adaptation by Cervantes
- offers significant support to those who discern classical skeptical attitudes toward reality in Cervantes
- It bears witness to a profoundly sensitive appreciation of Cervantes.
- wide-ranging discussions are tightly organized to clarify or correct previous understandings of Cervantes
- One of the attractive features of Delgado's novel is his intertextual reliance on Cervantes' original
- that the reader is invited to feel comfortable in recognizing the authentic world created by Cervantes
- it is difficult to give adequate illustrations of Rodríguez-Luis's great acquaintance with Cervantes
- At the same time, the novelistic achievements and «modern complexity» of Cervantes surpass what is
- Rodríguez-Luis's edition of the Novelas belong on the shelves of anyone seriously interested in Cervantes
- What other picaresque literature proposes as biography and social criticism Cervantes presents as
- In El coloquio Cervantes demonstrates that the value of a work of fiction does not depend on
- He objected especially to criticism that claimed that Cervantes wrote the Quijote reacting to
- In a short piece titled «Cervantes, inventor», Asensio explained the modernity of Cervantes'
- as having emerged from the «ruins of chivalry books»: the downfall of that genre made possible Cervantes
- observed the numerous imitations of the Quijote throughout Europe which is also proof that Cervantes
- He catalogued very rare criticism dating from the seventeenth century, dug up documents on Cervantes
- He also «corrected» errors about Cervantes' life that he believed could be found in the work of Benjumea
- As one can see, Asensio constantly attacked Benjumea, feeling that Cervantes loved Spain so much
- «Otro imitador de Cervantes en el siglo XVIII» and «Las imitaciones castellanas del
- Cervantes 1 (1981): 120-23. «Esteso y López de Haro (Luis)».
- Cervantes: A Tentative Bibliography of His Works and of the Biographical and Critical Material
- Cervantes: A Bibliography.
- Books, Essays, Articles and Other Studies on the Life of Cervantes, His Works, and His Imitators
- «Los seudónimos en torno a Cervantes». In Cervantes: Su obra y su mundo.
- Actas del I Congreso Internacional sobre Cervantes. Ed. Manuel Criado de Val.
- soul with material interests, he declared that he found the key to the mystery of the novel in Cervantes
- a Dominican who rewrote the Quijote because he did not approve of social reform notions in Cervantes
- criticism in the following ways: 1) He refused to agree with his predecessors who, he felt, had read Cervantes
- His method prescribes the application of events of Cervantes' life and those in Spain during his
- of the nineteenth century relied on extrinsic methods, and creating an information bank for Cervantes
- key events to which Benjumea referred was the betrayal by Juan Blanco de Paz, in Algiers, when Cervantes
- Furthermore, Benjumea believed that Sansón Carrasco embodied this archenemy of Cervantes.
- , he insisted on Juan Blanco de Paz's incarnation in Sansón Carrasco, because he found that Cervantes
- Cervantes' other characters, notes Benjumea, were too representative of the type they portrayed
- -, and thus stand in contrast to the figure of Sansón, who surely represented a contemporary of Cervantes
- encounter in I, 19, López de Alcobendas, is an anagram for «es lo de Blanco de Paz», indicating Cervantes
- Benjumea for his part claimed that Cervantes' intention was political reform as he called for a «
- a moral and political allegory of man's struggle against blind faith and orthodoxy; concretely, Cervantes
- Benjumea's symbolic approach also allows the reader to associate Cervantes and his hero with the
- on the Quijote in the journal La América before 1860, Benjumea made clear his view of Cervantes
- What Cervantes has done, then, is to eliminate that very important section of the tale in which
- Nevertheless, the remainder of Cervantes' narrative coincides exactly with those of Boccaccio and
- Moreover, Cervantes has in common with Boccaccio the details of the advanced age of the infatuated
- «Cervantes, inventor».
- In Conmemoración del aniversario CCLVIII de la muerte de Miguel de Cervantes
- Notas de algunos libros, artículos y folletos sobre la vida y las obras de Miguel de Cervantes
- In Cartas literarias sobre Cervantes y el «Quijote» por el Bachiller Cervántico.
- Delgado's Adiciones is perhaps the most significant and influential creative work related to Cervantes
- written in the late eighteenth century, a period of renewed interest in Cervantes that began with
- Juan Pablo Forner, the leading figure in the polemic, and others used the works of Cervantes, especially
- certain generic similarities, it nevertheless seems clear that from Boccaccio's description Cervantes
- three authors, the details just enumerated have shown specific influences of Boccaccio upon Cervantes
- To these concrete coincidences can be added yet another verbal similarity: when Cervantes says
- whose inhabitants supposedly lack a cogote, or nape, may have been suggested to Cervantes
- The Substance of Cervantes Cambridge: Cambridge UP, 1985. v + 290 pp.
- He focuses on the underpinning of Cervantes' art, as evident in DQ as it is elsewhere: the emulation
- In DQ and elsewhere, Cervantes consistently upholds the serious role of poetry, one which may
- Sidestepping the issue of what Cervantes' serious intent in DQ was, Weiger poses another question
- What did Cervantes think of the reader reaction given to Part I of DQ?
- He thereupon examines the following: Cervantes' portrayal of the many readers of DQI who inhabit
- DQII; Cervantes' reactions to popular judgments of DQI as seen in the prologue and opening
- chapters of DQII; the bases of dissatisfaction which inform Cervantes' criticism of Avellaneda's
- A convincing case emerges for the equal measures of pleasure and frustration voiced by Cervantes
- If Cervantes takes pride in his own «invención» and yet we know his writing depends at least
- Weiger documents the author's respect for and appreciation of literary models, and argues that Cervantes
- provides examples of this varied reshaping, such as an analysis of the prologue to DQI where Cervantes
- There are, then, numerous close resemblances of detail that appear to prove beyond doubt that Cervantes
- But there are likewise near affinities of thought and expression that leave little doubt that Cervantes
- similarities occur in two contiguous sentences in both texts, although their order has been reversed by Cervantes
- (P. 636) While Cervantes
- vituperatio- would seem to clinch the case for the influence of Bandello's portrait upon Cervantes
- Cervantes and the Pastoral Cleveland: Penn State University-Behrend College, Cleveland State
- presented by diverse scholars at the May 1985 Penn State-Behrend College Symposium entitled «Cervantes
- Four Hundred Years Later», the banquet address by Juan Bautista Avalle-Arce who states that Cervantes
- Literary criticism did not begin in that country until the eighteenth century, long after Cervantes
- Finally, with the arrival of Américo Castro's El pensamiento de Cervantes in 1925, critics'
- Twenty-three years later, Francisco López Estrada, in his La Galatea de Cervantes: Estudio
- - III - Cervantes
- seventeenth century to the present, is an implicit expression of admiration for and appreciation of Cervantes
- .»: Cervantes' reference here may well be to Lope, in La Arcadia (ed. Edwin S.
- commonplace in Spain by this time, the close similarity to thought and expression in both of Cervantes
- In «Cervantes and the Decameron: A Note on the Sources and Meaning of Don Quijote's
- Prototypical Chivalric Adventure (I, 50)», Cervantes, 5 (1985), 141-47, I show that Cervantes
- novella VIII, 10. 13 For a good introduction to the centrality of Cervantes
- It would seem, then, that we have established that in the Maritornes episode Cervantes took inspiration
- To a certain extent, students of Cervantes may feel relieved to know that it has finally been shown
- The difference with Cervantes is that he conceals his borrowings by fundamentally altering their
- experienced eye can still discern the origins of these plots: not for nothing did Tirso de Molina call Cervantes
- Cervantes: Bulletin of the Cervantes Society of America Volume VII, Number 1, Spring, 1987
- THE CERVANTES SOCIETY OF AMERICA President ALAN S.
- RIVERS SE DANIEL EISENBERG HARRY SIEBER NE EDWARD DUDLEY Cervantes: Bulletin of the Cervantes
- WARDROPPER Cervantes, official organ of the Cervantes Society of America, publishes
- scholarly articles in English and Spanish on Cervantes' life and works, reviews, and notes of interest
- Subscription to Cervantes is a part of membership in the Cervantes Society of America, which
- Membership is open to all persons interested in Cervantes.
- subscription, send check in dollars to Professor CATHERINE SWIETLICKI, Secretary-Treasurer, The Cervantes
- Manuscripts (submitted in accordance with Cervantes, 2 [1982], 107) should be sent
- ALLEN, Editor, Cervantes, Department of Spanish and Italian, University of Kentucky, Lexington
- Books for review should be sent to Professor HOWARD MANCING, Book Review Editor, Cervantes,
- Burton, «Cervantes the Man Seen Through English Eyes in the 17th and 18th Centuries», Bulletin
- Wilson, «Cervantes and English Literature of the 17th Century», Bulletin Hispanique 50 (1948),
- Few English writers before Scott would have understood Cervantes in the original and even Smollett's
- More details of Cervantes' background were now available, and the translator also included a life
- «Educación científica de Cervantes».
- Novísima historia crítica de la vida de Cervantes. Madrid, 1878.
- y Toledo: Nuevos documentos para ilustrar la vida de Miguel de Cervantes
- Cervantes y sus obras: Cartas dirigidas a varios amigos. Sevilla, 1870.
- libros, folletos y artículos sueltos referentes a la vida y a las obras de Miguel de Cervantes
- approaches sense perceptions from the other side: optical illusions are verified phenomena of which Cervantes
- strongest insights for this reviewer was Weiger's insistence on the role theatre played in shaping Cervantes
- Theatre was Cervantes' first love, and the object of intense interest throughout his writing.
- determining the manner of presentation of many scenes, this theatrical visualization heightened Cervantes
- Copyright © 1987 by the Cervantes Society of America.
- Maritornes Donald McGrady University of Virginia Los estudiosos están de acuerdo en que Cervantes
- Esto no se debe a una falta de afición de Cervantes a la Novella, sino a que utilizaba sus
- mayoría de los escritores tomaban prestados fragmentos bastante extensos de sus modelos, Cervantes
- Un excelente ejemplo del procedimiento seguido por Cervantes se halla en la aventura amorosa de
- Sin embargo, el episodio de Cervantes se diferencia fundamentalmente de los de Boccaccio y Bandello
- Con todo, se hace evidente que Cervantes -al igual que otros grandes escritores del Siglo de Oro
- It is well known to students of Don Quijote that in his use of source materials Cervantes follows
- Vega, for example, it is quite a different matter to establish such influence in the case of Cervantes
- and that Lope's El castigo sin venganza derives from Matteo Bandello's Novelle I, 44,2 Cervantes
- I believe that the reason for this is not that Cervantes eschewed the use of Italian material, but
- Here, Weiger charts Cervantes' changing opinions about the value of, and the reception given to,
- He sets Cervantes' initial enthusiasm against his progressive disenchantment with his contemporaries
- In Chapter VII Weiger breaks new ground in his examination of the artistic substructure in Cervantes
- Catálogo bibliográfico de la Sección de Cervantes de la Biblioteca Nacional.
- Bibliografía crítica de las obras de Miguel de Cervantes Saavedra. 3 vols. 1899; rpt.
- In Cervantes: Su obra y su mundo. Actas del I Congreso Internacional sobre Cervantes.
- Cervantes en las letras hispano-americanas (Antología y Crítica).
- A Miguel de Cervantes Saavedra: conferencia imaginada, por Hamete-Abén-Xaráh, el Beturani».
- consejas populares de la «región beturiana», con conocimiento exacto del terreno que describió Cervantes
- extrinsic influences on the Quijote, more so than today, and demonstrated vigorously how events in Cervantes
- parody and satire became aspects of the Quijote exploited for the purpose of discovering Cervantes
- whose training was generally in philology, attempted to organize an accurate, corrected text of Cervantes
- Works by Nicolás Díaz de Benjumea: «Significación histórica de Cervantes
- including Shakespeare- tended to preserve intact relatively large portions of plots from their models, Cervantes
- The originality of Cervantes was that, in addition to making the usual modifications, he typically
- Consequently, given Cervantes' tendency to modify fundamentally the structure of his narrative sources
- references confirm the authorship of Jara.36 The Estudio is Jara's edition of Cervantes
- authors above- to be a friend of «Hamete» who will help the latter reveal the truth about Cervantes
- Obviously, «ejemplaridad» in Cervantes is closely linked with realism -what Rodríguez-Luis terms
- «detallismo», or «el absorbente interés de Cervantes en toda la materia de sus narraciones, la
- It is Cervantes' representation of detail as worthy of attention in itself rather than as merely
- Ultimately, Cervantes' creation of «living» characters whose intimate motives become the basis of
- his intervention as narrator who describes what is happening within his characters, separates Cervantes
- narrator into the «fiction» are all part of the innovative process in Cervantes
- of the term «novela» and includes a discussion of the Novelas from the point of view of Cervantes
- In particular, the evidence of Sorel and other French writers who recognize the significance of Cervantes
- A comparison of Cervantes and the Italian novellieri throws further light upon the evolution
- Like Bandello, Cervantes is innovative in abandoning the external framework technique in favor
- Although Cervantes insists upon the commonplace adjective, «ejemplares», in the title of his
- In addition, «ejemplo» in Cervantes is not merely a traditional statement of moral precept, but an
- Most importantly, the persuasiveness of «ejemplo» in Cervantes results from the author's «fidelidad
- Cervantes sees himself as providing «example» precisely as novelist, and his «arte de novelar
- Consequently, realism in Cervantes is never synonymous with literal representation of reality, and
- Cervantes: Bulletin of the Cervantes Society of America Volume VII, Number 1, Spring,
- Los estudiosos están de acuerdo en que Cervantes
- Esto no se debe a una falta de afición de Cervantes a la Novella, sino a que utilizaba sus
- mayoría de los escritores tomaban prestados fragmentos bastante extensos de sus modelos, Cervantes
- Un excelente ejemplo del procedimiento seguido por Cervantes se halla en la aventura amorosa de
- Sin embargo, el episodio de Cervantes se diferencia fundamentalmente de los de Boccaccio y Bandello
- Con todo, se hace evidente que Cervantes -al igual que otros grandes escritores del Siglo de Oro
- Cervantes and the Pastoral Diane Chaffee-Sorace
- Miguel de Cervantes
- by Julio Rodríguez-Luis Novedad y ejemplo de las Novelas de Cervantes
- The Substance of Cervantes Maureen Ihrie
- News Update on the Cervantes
- Even in these Novelas, which are the most «estilizadas» or «conventionalized», Cervantes demonstrates
- What other picaresque literature proposes as biography and social criticism Cervantes presents as
- In El coloquio Cervantes demonstrates that the value of a work of fiction does not depend on
- Indeed, it is in the Prologue to the Novelas ejemplares that Cervantes establishes his claim
- the Novelas is the «material humano» of everyday reality (Novedad y ejemplo, II, 117), in which Cervantes
- suggests that Jacinto María Delgado may have been the individual who most profoundly appreciated Cervantes
- It seems only appropriate that the cover of this issue of Cervantes should be graced
- see the novel as a book that records the changes occurring in Western consciousness during Cervantes
- Whereas most Cervantes studies are concerned with a specific requirement of the epic -how Cervantes
- Cervantes not only makes use of the epic tradition, but he also uses it against itself to speak
- Wolford emphasizes that heroism and nobility are mocked and that nothing is safe from Cervantes'
- Another article that deals with Don Quijote is Anthony Cárdenas' «Berganza: Cervantes' Can[is
- Dominic and Berganza, the dog, in Cervantes' Coloquio de los perros.
- According to Cárdenas, perhaps Cervantes' lesson is that the road to Utopia begins with the self,
- an idea consistent with the Dominicans and with the intellectual climate of Cervantes' day.
- Rhodes' «The Poetics of Pastoral: Prologue to the Galatea» is of interest for its approach to Cervantes
- Rhodes' thesis is that Cervantes considered his pastoral work as poetry, especially as eclogue material
- According to Rhodes, Cervantes' pastoral book is different from those of other writers because it
- Thus, Cervantes' discovery that an illusion cannot live or be made to live on its own explains why
- Don Quijote accepts his poetic ideal as fantasy and becomes «real» at the end of Cervantes'
- Rhodes suggests that Cervantes' discovery may also account for his decision not to write the second
- 83→ News Update on the Cervantes
- Lathrop In my recent visit to Madrid (April, 1987), I was shown the site of the Cervantes
- He is the author of the biography Cervantes: del mito al hombre (Madrid: Biblioteca Nueva, 1967
- Overseeing the scene is a bust of Cervantes which has been headless for decades.
- —75→ Miguel de Cervantes
- Novedad y ejemplo de las Novelas de Cervantes. By Julio Rodríguez-Luis.
- George Washington University A corrected version of this review was published in Cervantes
- Loss, fifteen articles, and a selected bibliography of Cervantes' La Galatea by Anita K.
- It implies that the book contains articles about the pastoral theme as it relates to Cervantes'
- that the volume housed articles on Góngora and Juan de Tovar and that some of the papers about Cervantes
- opening address, the essays which comprise the volume are as follows: Anthony Cárdenas, «Berganza: Cervantes
- → pastoril en La casa de los celos de Miguel de Cervantes
- The Psychological Atmosphere of Cervantes' Galatea»; Sylvia Trelles, «Aspectos retóricos de
- «Cervantes en el siglo XVIII».
- Cervantes y Don Quijote. Valencia: Cosmos, 1959. Asensio, José María.
- In Cervantes y sus obras. Barcelona: F. Seix, 1902, 199-232.
- Formatos:
Filtros de la búsqueda
- Literatura española 52
- Música y literatura 49
- España 45
- Literatura española -- Historia y crítica 40
- Literatura infantil y juvenil 36
- Teatro español 30
- América Latina -- Enciclopedias 25
- Enciclopedias e dicionarios 25
- Enciclopedias y diccionarios 25
- Exiliados -- Historia 25
- Poesía -- Antologías 23
- Poesía -- Catálogos 23
- Teatro para niños 23
- Intelectuales -- Exilio 22
- Poesía española 21
- Literatura hispanoamericana -- Historia y crítica 19
- Filosofía 18
- Cultura 16
- Historia 16
- Teatro infantil y juvenil 11
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- Lambea Castro, Mariano 49
- Josa Fernández, Dolores 48
- Lucía Megías, José Manuel, 1967- 33
- García González, Ramón 29
- Sánchez, Santiago 24
- L'Om-Imprebís (Grupo de teatro) 23
- Rubio Cremades, Enrique 21
- Cervantes Saavedra, Miguel de, 1547-1616 20
- Rovira, José Carlos, 1949- 20
- Cordero, Sandro 19
- Cuesta, Vicente 19
- Montoliu, Carles 19
- La Grande Chapelle 17
- Recasens, Àngel 17
- Estudios Superiores del Escorial 16
- Campos y Fernández de Sevilla, F. Javier 15
- Ríos Carratalá, Juan Antonio 12
- Díez, Montserrat 11
- Misó, Toni 11
- Notario, Joaquín 11
- Cervantes Saavedra, Miguel de (1547-1616) 165
- Quevedo, Francisco de, 1580-1645 41
- Real Academia de la Historia (España) 33
- Real Academia de la Historia (España) . Biblioteca 32
- Hernández, Miguel, 1910-1942 21
- Biblioteca Virtual Miguel de Cervantes 13
- Machado, Antonio, 1875-1939 10
- Real Academia de Bellas Artes de San Fernando 9
- Biblioteca Nacional (España) 7
- Jesuitas 7
- Menéndez y Pelayo, Marcelino, 1856-1912 7
- Biblioteca Nacional (México) 6
- Pérez Galdós, Benito, 1843-1920 6
- Altamira, Rafael, 1866-1951 5
- Buero Vallejo, Antonio (1916-2000) 5
- Barrera y Leirado, Cayetano Alberto de la (1815-1872) 4
- Bellini, Giuseppe 4
- Böhl de Faber, Juan Nicolás (1770-1836) 4
- Gallardo, Bartolomé José (1776-1852) 4
- Monasterio de El Escorial 4
- Fundación Joaquín Díaz 68
- Universidad de Santiago de Compostela. Biblioteca Universitaria 43
- Biblioteca de la Universidad de Alicante 18
- BIVALDI 7
- Fondo Antiguo de la Universidad de Sevilla 5
- Biblioteca Nacional (España) 2
- Fondo Antiguo de la Universidad de Granada 2
- Fondo Antiguo de la Universidad de Valladolid 2
- AHPJO - Archivo Histórico del Poder Judicial del Estado de Oaxaca 1
- Fondo Antiguo de la Universidad Complutense 1
- Fondo Antiguo de la Universidad de Castilla-La Mancha 1